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Yale University Art Gallery

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Oil portrait of a man in ermine robes and gold collar, holding an orb and scepter, with a column and sky behind him.

King George I of Great Britain and Ireland

Godfrey Kneller, 1714

Gold-ground panel of the Virgin in blue holding the infant Christ, with haloes, pomegranate branches and a gothic frame.

Virgin and Child

Gentile da Fabriano, 1425

Oil portrait of a man in curled wig and armor, pointing at a baton, with a cherub in clouds above.

George, Prince of Denmark (1653-1708) and Consort of Queen Anne of England (1665-1714)

J. Cooper, 1720

Half-length portrait of a clergyman in black with a white collar, gesturing with one hand against a dark background.

Reverend John Davenport (1597-1669/70)

Davenport Limner, 1670

Gothic panel painting of the Adoration of the Magi with Virgin and Child, kneeling kings, horses, and gold leaf background.

The Adoration of the Magi

Cenni di Francesco, 1380

Oil portrait of a crowned woman in red and ermine robes holding a sceptre and orb, with a cherub above.

Anne, Queen of England (1665-1714)

J. Cooper, 1720

Full-length portrait of a man in a powdered wig and embroidered coat, with a red drape and a sea view of a fortress.

Portrait of Elihu Yale (1648/49-1721)

Enoch Seeman the Elder, 1717

Maud Cook (Mrs. Robert C. Reid)

Thomas Eakins, 1895

Portrait of a seated elderly man in pink coat with powdered wig, beside a globe and bookshelves in a study.

Reverend Nehemiah Strong (1728/29-1807), B.A. 1755, M.A. 1758

Ralph Earl, 1790

Full-length portrait of a uniformed officer with a spyglass beside a white horse, with a smoky battlefield and flag behind.

General George Washington at Trenton

John Trumbull, 1792

Oil painting of an older woman pointing at an open book held by a young girl, with a bearded man and a dog nearby.

The Education of the Virgin

Diego Velázquez, 1618

Seated man with spectacles and red-lined cloak beside a globe and document, with a stormy sea and lightning behind him.

Alexander Metcalf Fisher (1794-1822), B.A. 1813, M.A. 1816

Samuel Finley Breese Morse, 1822

Oil portrait of a standing man in a dark coat and white cravat, one hand resting on an open book beside a column.

Timothy Dwight (1752-1817), B.A. 1769, M.A. 1772

John Trumbull, 1817

Oil portrait of a seated man in a dark coat and high collar, leaning on a red wooden chair against a warm brown background.

Portrait of Count Charles de Mornay

Eugène Delacroix, 1837

Portrait of a seated man in a dark coat with hands on an open ledger, red chair and red tablecloth beside him.

Jeremiah Day (1773-1867), B.A. 1795, M.A. 1789

Samuel Finley Breese Morse, 1823

Oil portrait of a white-haired man in a black coat seated at a table with a book, letter, and inkwell.

Colonel David Humphreys (1752-1818), B.A. 1771, M.A. 1774

Gilbert Stuart, 1808

Oil portrait of a bearded man in dark armor holding a staff, with a red curtain at the right edge.

Portrait of Guidobaldo II della Rovere, Duke of Urbino

Titian, 1545

Black and white reproduction of a seated elderly man in a dark coat holding a document, before a draped curtain.

Professor Nathan Smith, M. D. (1762-1829)

Samuel Finley Breese Morse, 1825

Oil portrait of a man in a dark coat and white cravat against a dark background, gazing toward the viewer.

Oliver Wolcott, Jr. (1760-1833), B.A. 1778, LL.D. 1819

John Vanderlyn, 1820

Stylized flowers in a red pot on a table before a grey-blue wall and red drapery, painted in muted tones.

Autumn Flower

Paul Klee, 1922

Seated man in black coat and white cravat beside a desk with inkwell, holding a quill, in front of a dark background.

Eli Whitney (1765-1825) B.A. 1792, M.A. 1795

Samuel Finley Breese Morse, 1822

Half-length portrait of an older man with white powdered hair, dark coat and white cravat, against a dark background.

George Washington (1732-1799), LL.D 1781

John Trumbull, 1793

Painting of a bearded man in a dark robe leaning on a white draped table beside stacked books, against a dark background.

Portrait of a Man

Jacopo Tintoretto, 1560

Oil portrait of a clergyman in black robe and white bands, grey wig, gesturing with raised hand against dark background.

Ezra Stiles (1727-1795), B.A.1746, M.A.1749

Reuben Moulthrop, 1794

Oil portrait of a man with powdered hair in a grey coat and white bow cravat, gazing to the left against a dark background.

Alexander Hamilton (1757-1804)

John Trumbull, 1832

Oil portrait of a seated woman in white with two young sons, one in a black feathered hat, against a red drapery and landscap

Portrait of Jane, Countess of Harrington, with her Sons, the Viscount Petersham and the Honorable Lincoln Stanhope

Joshua Reynolds, 1786

Oil portrait of a seated older man in a blue cloak with fur collar, hands clasped, against a dark brown background.

Daniel Wadsworth (1771-1848)

Samuel Lovett Waldo, 1833

Oil portrait of a seated man in a dark coat and white cravat, gazing left against a dark brown background.

Stephen van Rensselaer (1764-1839), LL.D. 1822

John Trumbull, 1806

Seated elderly man in black hat and white ruff collar, holding gloves, against a brown background.

Portrait of an Elderly Man, traditionally called Heer Bodolphe

Frans Hals, 1643

Oil portrait of a man in a dark coat and white cravat beside an open manuscript and stacked leather books.

Denison Olmsted (1791-1859), B. A. 1813, M. A. 1816

Nathaniel Jocelyn, 1833

Oil portrait of a white-haired man in a dark coat and white cravat, one hand resting on a red book, against a dark background

Rufus King (1755-1827)

John Trumbull, 1800

Painting of a dusk sea view from a terrace, with pink clouds, street lamps, rooftops and a green pillar on the right.

Abend auf der Terrasse (Evening on the Terrace)

Max Beckmann, 1928

Oil portrait of a man in a dark naval uniform with gold braid and epaulettes against a brown background.

Commodore Isaac Hull (1773-1843) (copy after Gilbert Stuart)

Samuel Lovett Waldo, 1834

Oil portrait of a man in a dark coat and white cravat holding a book, set before red drapery and a stone column.

Christopher Gore (1758-1827)

John Trumbull, 1802

Crucifixion scene with three figures on crosses and an armored rider on a white horse in the foreground.

The Crucifixion with the Converted Centurion

Lucas Cranach the Elder, 1538

Oil portrait of an older man in a dark coat and white cravat seated before a red chair against a dark background.

William C. Leffingwell (1765-1834), B. A. 1786, M. A. 1789

Nathaniel Jocelyn, 1825

Painting of a haloed figure gesturing to a kneeling woman in yellow as bearded men watch beneath a classical arch.

The Woman Taken in Adultery

John Trumbull, 1811

Painting of a rower in a red single scull wearing a red headscarf and white shirt, on a calm river with a distant shoreline.

John Biglin in a Single Scull

Thomas Eakins, 1874

Oil portrait of a seated man in a black suit and wire glasses, resting his hand on a red chair beside books.

Theodore Dwight Woolsey (1801-1889), B. A. 1820, M. A. 1823

Nathaniel Jocelyn, 1844

Black and white painting of a kneeling armored knight before a nobleman, a bishop, and a woman beneath a crucifix.

The Earl of Angus Conferring Knighthood on de Wilton, from Scott's "Marmion"

John Trumbull, 1810

Oil portrait of a woman with powdered hair, lace gown, red velvet cloak and dark trees behind her.

Portrait of a Woman

Anton Raphael Mengs, 1750

Oil portrait of a seated white-haired man in a black coat holding a quill pen and letter before red drapery.

The Honorable Roger Minnot Sherman (1773-1844), B. A. 1792, M. A. 1795, LL.D. 1829, (copy after his earlier portrait…

Nathaniel Jocelyn, 1840

Grayscale painting of Christ holding a child as a kneeling woman reaches toward him, with a crowd of children and men around.

Our Savior and Little Children (or Suffer Little Children)

John Trumbull, 1812

Half-length portrait of a man in a white wig and brown coat with gold buttons, against a dark background.

Portrait of Mr. William Chase, Sr.

Joseph Wright of Derby, 1760

Oil portrait of an older man in spectacles and a dark suit, holding a folded letter against a dim brown background.

The Honorable Roger Sherman Baldwin (1793-1863), B.A. 1811, M.A. 1814, LL.D. 1845 (after a posthumous portrait of 1863)

Rufus Wright, 1845

Painting of Madonna and Child with saints, a lion, and putti before a red curtain and distant landscape.

Madonna and Child with Saints Jerome and Mary Magdalene

John Trumbull, 1780

Oval portrait of a young girl with auburn hair in a white blouse and green ribbon against a dark background.

Young Girl

Winslow Homer, 1874

Bearded man in gold tunic dictating to a seated woman writing on a scroll beside an arched stone interior.

Jeremiah Dictating His Prophecy of the Destruction of Jerusalem to Baruch the Scribe

Washington Allston, 1820

Painting of the Virgin seated with the infant Christ and young St. John the Baptist before a stormy landscape.

Madonna and Child with St. John the Baptist

John Trumbull, 1801

Oil portrait of a young boy with powdered wig and olive jacket with lace collar against a dark oval background.

Mozart

Jean-Baptiste Greuze, 1750

Painting of a muscular nude man reclining on rocks under a stormy sky, one arm raised holding white cloth.

Dying Hercules

Samuel Finley Breese Morse, 1812

Full-length portrait of a man in a red robe with white fur trim, gesturing beside a draped table and classical columns.

George Nugent-Temple-Grenville, First Marquess of Buckingham and Lord Lieutenant of Ireland (1753-1818)

John Trumbull, 1828

Full-length painting of a young girl in a striped blue and white dress and dark hat, beside a red cabinet and blue flowers.

Lady Jean

George Bellows, 1924

Oil portrait of a seated elderly man in black suit beside a gilded chair, red drapery, rug and an easel with an oval portrait

George Peabody (1795-1869)

Daniel Huntington, 1867

Half-length portrait of an older man with grey hair in a dark coat and white cravat, against a dark background.

George Washington (1732-1799), LL. D. 1781 (after Charles Willson Peale)

John Trumbull, 1778

Painting of a seated woman in a dark velvet dress and lace collar, in a tufted armchair beside a glowing curtain.

Katherine Rosen

George Bellows, 1921

Gold-ground panel of the Virgin and Child enthroned under a red canopy, flanked by six haloed angels.

Virgin and Child Enthroned with Six Angels and The Crucifixion

Master of Monte Oliveto, 1315

Painting of a haloed rider on a brown horse giving half his red cloak to a barefoot, nearly naked beggar on a stone street.

The Charity of Saint Martin

Ambrogio Lorenzetti, 1342

Oil portrait of a young woman with dark curls, white empire-style dress, and blue cameo necklace against a dark background.

Portrait of Alexandrine Émilie Brongniart

François Gérard, 1795

Gilded Gothic panel of the Virgin Mary in a blue mandorla, flanked by angels, with Christ crowned above and an empty tomb bel

The Assumption of the Virgin

Luca di Tommè, 1362

Gilded panel in Gothic arch showing Saint Peter holding a key and book, wearing yellow robe and red mantle.

Saint Peter

Nardo di Cione, 1352

Oil portrait of a young boy with dark curly hair in a red coat and white cravat against a dark background.

Jabez Huntington, Jr. (Nephew of the artist) (1767-1848), B.A. 1784

John Trumbull, 1777

Gothic altarpiece panel of the Holy Trinity with Virgin Mary, Mary Magdalen and saints in a gilded frame.

Holy Trinity with the Virgin and Saints Mary Magdalen, John the Baptist, and John the Evangelist

Jacopo di Cione, 1370

Gothic panel painting of Christ and the Virgin enthroned in blue robes with angels below, gold background, 1370.

Christ and the Virgin Enthroned with Angels; Allegories of the New (Ecclesia) and Old (Synagoga) Dispensation

Giovanni del Biondo, 1370