Christopher Sly, illustration for Introduction, Scene ii, Taming of the Shrew Edwin Austin Abbey, 1892
Veduta degli avanzi del Foro di Nerva (View of the remains of the Forum of Nerva), from Vedute di Roma (Views of Rome) Giovanni Battista Piranesi, 1757
Veduta degli avanzi del Tablino della Casa aurea di Nerone detti volgarmente il Tempio della Pace (View of the Remain… Giovanni Battista Piranesi, 1774
A., B. Vue des deux restes de rangs de colonnes qui étoient au Temple de Neptune qui latéralement formoient les porti… Giovanni Battista Piranesi, 1778
Probable study for "The Bowling Green," illustration to poems from: New Amsterdam, 1655 Edwin Austin Abbey
Vuë des restes de la celle du temple du Neptune (View of the remains of the cella of the temple of Neptune), from Dif… Giovanni Battista Piranesi, 1778
The Gothic Arch, plate 14 from Carceri d'Invenzione (Imaginary Prisons) Giovanni Battista Piranesi, 1750
The Long Lagoon, from the Second Venice Set (A Set of Twenty-six Etchings) James McNeill Whistler, 1879
Vue latérale du Temple de Junon . . . (Side View of the Temple of Juno . . . ), from Différentes vues de . . . Pesto… Giovanni Battista Piranesi, 1778
Los moros establecidos en España, prescindiendo de las supersticiones de su Alcorán, adoptaron esta caza y arte, y la… Francisco Goya, 1816
El mismo vuelca un toro en la plaza de Madrid (The Same Man Throws a Bull in the Ring at Madrid), Plate 16 from La ta… Francisco Goya, 1816
