New: Artnap New Tab for Chrome. A museum painting in every new tab. Add to Chrome

Wien Museum

15,462 works

Featured

Filters

Color

Shape

Century

Pencil portrait of a man with curly hair and a dark collar, in three-quarter view, with handwritten name below.

Antonio Tamburini, Sänger

Josef Kriehuber, 1829

Pencil sketch of a woman in a headscarf carrying a bundle across a cobbled street beside barrels, with handwritten German ins

Apfelfrau beim Zeitunglesen (Rückseite: Kostüm Genreszene)

Josef Engelhart, 1882

Pencil sketch of stars, planets, hills and stylized figures under a night sky, with handwritten German text along the bottom.

Apotheose (Bleistiftskizze)

Karl Wiener, 1942

Engraved allegorical print of a Joseph II monument with figures, a reform tablet, cypress trees and a double-headed eagle obe

Apotheose auf Joseph II

Johann Martin Will, 1790

Lithograph of a laureled bust portrait with crown, sword and shield, a winged angel above, and a city skyline below.

Apotheose von Nikolaus I. Zar von Russland

Franz Kollarz, 1894

Hand-colored engraving of a woman in a pale gown surrounded by cherubs, scrollwork and flower wreaths, titled in honor of Jen

Apotheose, Jenny Lind umgeben von Kränzen und Amouretten; zur Erinnerung an Jenny Lind (Costümbild Nr. 107 zur Theate…

Andreas Geiger, 1846

Drawing of a nude male athlete with a strigil standing on a pedestal, rendered in graphite and white chalk on tan paper.

Apoxyomenos (Statue eines antiken Athleten)

Anton Heinrich Peschka, 1906

Lithograph of a ballerina in a tulle tutu with flower trim, standing en pointe, hand to chin, in an oval frame.

Aranyvári Emilia

August Walzel, 1856

Pen sketch of a man in cap and jacket, arm raised, bracing on a mound, on pale paper.

Arbeitender Bauer

Josef Kriehuber, 1876

Hand-colored caricature of a worker showing fans in a box to a man in a blue robe at a doorway, 1873.

Arbeiter und "Japaneser" (Karikatur zur Wiener Weltausstellung, Bildbeilage zu "Hans Jörgel")

Vinzenz Katzler, 1873

Architectural drawing of a round bathhouse with an elevation view above and a circular floor plan below, in ink and watercolo

Architekturstudie - Badehaus

Karl Ludwig Schiele, 1834

Watercolor elevation drawing of a classical villa facade with Ionic columns, arched doorway and curved iron railing.

Architekturstudie - Fassade einer Villa

Karl Ludwig Schiele, 1834

Pencil drawing of a symmetrical classical garden palace facade with central portico and pediment, framed by trees and shrubs.

Architekturstudie - Fassade eines Gartenpalais

Karl Ludwig Schiele, 1834

Ink and wash architectural drawing of the Parthenon front elevation with a frieze section of horsemen below.

Architekturstudie - Parthenon-Tempel in Athen

Karl Ludwig Schiele, 1833

Pen drawing of a Doric temple front elevation with four fluted columns and pediment, plus a side elevation and scale bar.

Architekturstudie - Portikus Parthenon-Tempel in Athen

Karl Ludwig Schiele, 1833

Pencil sketch of tall archive shelves filled with books and folders above a tiled floor, with notes at right.

Archivstellage mit Büchern und Faszikeln (Studie zum Ferdinand Raimund Zyklus in Schloß Kogl, Attergau?)

Josef Engelhart, 1912

Lithograph portrait of Ariosto wearing a laurel wreath and lace collar, holding a paper, signed Hoffmann 1856.

Ariosto

Rudolf Hoffmann, 1856

Oval lithograph portrait of an elderly bearded clergyman in a dark robe with an ornate pectoral cross, on aged paper.

Aristaces Azarian (1782-1855), armenisch-katholischer Ordensgeistlicher, Generalabt der Mechitaristen von Wien

Robert Theer, 1855

Pencil drawing of patrons seated at tables in an arcaded café with an ornate balcony and staircase, dated 1899.

Arkadenhof im Café Central, 1., Herrengasse 14

Wilhelm Gause, 1899

Sepia 1914 print of cavalry and infantry charging under standards, with printed proclamation text below.

Armee- und Flottenbefehl Kaiser Franz Josephs und Aufruf "An das deutsche Heer und die deutsche Marine" Kaiser Wilhel…

Wilhelm Gause, 1914

Aged printed sheet titled Armee-Befehl, dated 17 August 1813, with German blackletter text addressed to soldiers.

Armee-Befehl, gegeben am 17. August 1813

Karl Philipp Fürst zu Schwarzenberg, 1813

Charcoal and white chalk study of a muscular bent arm and hand on brown paper, signed A. Peschka.

Armstudie

Anton Heinrich Peschka, 1907

Black and white portrait of an elderly bearded clergyman in robes and skullcap with a pectoral cross, printed with a German c

Arsenius Ajdyn (?-1902), Generalabt des Mechitaristenklosters in Wien

Angerer & Göschl, C., 1895

Engraved portrait of a crowned woman with downcast eyes holding a footed cup and a cloth, labeled Artemisia.

Artemisia

Johann Heinrich Lips, 1781

Pencil sketch of a man's head resting on a pillow with closed eyes, signed Arthur Krapp and dated 1938, on grey mount.

Arthur Krapp auf dem Totenbett

Josef Engelhart, 1938

Drypoint portrait of a man with a mustache, head turned aside, one hand raised beside his shoulder, hatched background.

Arthur Roessler

Egon Schiele, 1914

Etched portrait of a seated bearded man in a loose jacket with hands clasped, signed and numbered on pale paper.

Arthur Schnitzler (1862-1932), Schriftsteller

Max Oppenheimer, 1910

Sepia panoramic drawing of a city with a large domed building, formal avenues, a river bridge, and hills in the distance.

Artibus

Otto Wagner, 1880

Watercolor botanical study of European wild ginger with heart-shaped green leaves, dark flowers and exposed roots on cream pa

Asarum europaeum - Europäische Haselwurz

Alfred Franck, 1849

Hand-colored print of a village church with a tall tower beside a dirt path, with figures walking through green fields.

Aspern

Fide, 1825

Pencil sketch of a chain bridge leading to a large barracks with towers, with carriages and pedestrians on the street.

Aspernbrücke mit Franz-Josephs-Kaserne

Rudolf von Alt, 1870

Pencil and watercolor perspective drawing of a Vienna square with a central monument, tree-lined paths and city buildings.

Aspernbrücke, Perspektivische Ansicht

Friedrich Ohmann, 1912

Watercolor botanical study of a purple Aster amellus flowering stem with green leaves and exposed roots on cream paper.

Aster Amellus - Sternblume

Alfred Franck, 1842

Lithographic bust portrait of a man in a dark coat and white cravat, labeled AUBER beneath.

Auber

Hortense Haudebourt-Lescot, 1825

Pencil sketch of a woman lying on her stomach in patterned drapery, reading with her head resting on one hand.

Auf dem Bauch liegende Lesende

Gustav Klimt, 1907

Pencil and watercolor sketch of a nude figure lying face down with one leg raised, dated 1925.

Auf dem Bauch liegender Akt

Anton Heinrich Peschka, 1925

Pencil sketch of a female nude lying face down, drawn with loose looping contour lines on tan paper.

Auf dem Bauch liegender weiblicher Akt

Gustav Klimt, 1916

Pencil sketch of a reclining female nude lying on her stomach, head propped on her hand, one leg bent.

Auf dem Bauch liegender weiblicher Akt nach links mit angewinkeltem linken Bein und in die Hand gestütztem Kinn

Gustav Klimt, 1916

Pencil sketch on brown paper of a female nude lying face down toward the right, drawn in loose outlines.

Auf dem Bauch liegender weiblicher Akt nach rechts

Gustav Klimt, 1905

Blue pencil sketch of a woman lying on her stomach, head turned right, on tan paper, with a color checker below.

Auf dem Bauch liegender weiblicher Halbakt

Gustav Klimt, 1905

Pencil sketch of a woman seated on the ground against a dark wall, head tilted upward, with hatched shadows around her.

Auf dem Boden sitzende Frau

Josef Engelhart, 1882

Pencil sketch of a reclining female nude with closed eyes and curly hair, lying on a pillow and bedding.

Auf dem Rücken liegender weiblicher Akt

Gustav Klimt, 1903

Lithograph of a wooded path with a man in a top hat, a dog, a tree stump, and a stream under a sepia sky.

Auf dem Wege vom Krapfenwäldchen / durch das Rosenthal nach dem Kahlenberge

Friedrich Loos, 1840

Lithograph of a country road with a stone arch bridge, travelers, trees and distant hills, titled Auf dem Wege von Heiligenst

Auf dem Wege von Heiligenstadt nach dem Kahlenberge

Friedrich Loos, 1840

Watercolor of a bridge with railway tracks, workers and figures under cloudy skies, with a distant city skyline and smoking l

Auf der Reichsstraßenbrücke beim Handelskai

Emil Hütter, 1876

Pencil sketch of a gabled wooden farmhouse with a chimney, fence, and trees on a grassy hill, with handwritten German inscrip

Auf der Türkenschanze

Heinrich Gonvers, 1885

Pencil sketch of a farmer in a top hat asleep, leaning against a hay wagon with legs outstretched.

Auf Heuwagen gelehnter schlafender Bauer

Josef Kriehuber, 1876

Sepia engraving of three veiled women walking past a weeping willow toward a distant city with palm trees.

Auferstehungsmorgen

Jakob Gauermann, 1806

Brown ink drawing of a crowd, carriages and riders arriving before a neoclassical building with a flag.

Auffahrt der Abgeordneten zur Eröffnung des provisorischen Abgeordnetenhauses am 29. April 1861

A. Wasmann, 1861

Hand-colored print of a crowded hall with an orchestra performing before an audience under a painted classical ceiling.

Aufführung der "Schöpfung" am 27. März 1808 in Gegenwart Josef Haydns im Festsaal der Alten Universität

Balthasar Wigand, 1851

Engraved elevation of the Baths of Diocletian in Rome, showing domed halls, colonnades and a walled enclosure with trees and

Auffzug der Bäder des Kaisers Diocletiani zu Rom [...] / Elevation des Thermes de l´Empereur Diocletien á Rome [...]

Johann Bernhard Fischer von Erlach, 1721

Pencil sketch of a stone staircase and archway in a wall, framed by bare trees, mounted on grey card.

Aufgang zum "Himmel" von Sievering aus

Aufgestützt liegender weiblicher Halbakt im Profil nach links

Gustav Klimt, 1916

Engraving of cavalry soldiers fighting with swords on rocky ground, with a stone bridge and church spires in the distance.

Aufhebung der preußischen Belagerung von Olmütz durch österreichischen Truppen unter General Daun am 30. Juni 1758

Jacques Firmin Beauvarlet, 1758

Hand-colored 1778 map of Bohemia showing army positions, rivers, roads and towns, with a key in German along the bottom.

Aufmarsch der feindlichen Armeen in Böhmen im Juli und August 1778

Johann Martin Will, 1778

Architectural drawing with building elevations, a section, and ceiling details of a stepped building with patterned tile band

Aufrisse, Schnitt, Untersichten eines unbekannten Gebäudes

fraglich: Otto Wagner, 1905

Charcoal drawing of farmers and a woman with tools on a path beneath a darkening storm sky over rolling fields.

Aufsteigendes Gewitter

Anton Heinrich Peschka, 1924

Pencil sketch on stained paper showing studies of eyes, brows, a nose and lips with a handwritten title at upper left.

Augenstudien - Interieur

fraglich: Egon Schiele, 1910

Lithographic portrait of a man in embroidered military uniform with epaulettes and medals, labelled Augereau.

Augereau

François Séraphin Delpech, 1825

August Arnold (geb. 1799), Architekt

Johann Adam Klein, 1820

Engraved portrait of a man in a powdered wig and frilled cravat, in an octagonal frame, captioned A. G. Meissner.

August Gottlieb Meißner (1753-1807), Schriftsteller

Christian Gottlob Scherf, 1820

Double portrait drawing of two men in uniforms with sashes and medals, one in military dress, one in a dark coat, 1840.

August Longin Fürst von Lobkowitz und Anton Friedrich Graf Mittrowsky von Mittrowitz

Carl Josef Geiger, 1840

August Prinz von Sachsen Coburg und Gotha (aus "Wiener Weltausstellungs-Zeitung")

Lithograph portrait of a bearded man with curly hair in a long overcoat and waistcoat, turned to the left, 1845.

August Prinzhofer: Felicien David, 1845

August Prinzhofer, 1845

Lithograph portrait of Franz Graf Wimpffen in military uniform with medals and a draped cloak, dated 1846.

August Prinzhofer: Franz Graf Wimpffen, k. k. Feldmarschall-Lieutenant, 1846

August Prinzhofer, 1846

Lithograph portrait of a standing officer in a uniform with medals and a sabre, moustache, printed caption below.

August Prinzhofer: Karl Freiherr von Simbschen, k. k. Feldmarschall-Lieutenant, 1854

August Prinzhofer, 1854

Lithographic portrait of a bearded man with curly hair in a dark cloak, with a handwritten verse below.

August Prinzhofer: Karl Hugo (Amber) (eigentl. Bernstein); Schriftsteller, 1846

August Prinzhofer, 1846

Lithograph portrait of a bearded man in a dark coat against a shaded background, signed A. Riedel below.

August Riedel

Gabriel Decker, 1850

Lithograph portrait of a bearded man in a cloak and waistcoat, hands clasped, with a calligraphic dedication below.

August Sicard von Sicardsburg

Josef Kriehuber, 1851

Engraved card with a decorative letter A, a seated allegorical figure above, and a bearded man's portrait in a laurel wreath

August Wilhelm Ambros (1816-1876), Musikhistoriker, Musikkritiker, Komponist, dekorierte A-Initialenmit Porträt

Ernst Pessler, 1870

Engraved portrait of Queen Augusta of Prussia in coronation robes and crown, framed by an ornate decorative border.

Augusta, Königin von Preußen im Krönungsornat (aus "Illustrirte Zeitung")

Hermann Scherenberg, 1861

Engraved portrait of a seated woman with curled hair and lace collar, holding a small book, with a signature below.

Auguste von Bärndorf (1823-1911), Schauspielerin

Auguste Hüssener, 1850

Engraved panorama of a military camp with tents, massed troops, cavalry battle and a star-shaped fortress beside a river.

Aus Costantino Roncaglia, Admirables Efectos De La Providencia Sucedidos En La Vida E Imperio De Leopoldo Primero ...…

Johann Joseph Waldmann, 1696

Black-and-white print of a burning building with flames on the roof and a crowd of firefighters and onlookers in the street.

Aus "Alt-Wien", VI. Jahrgang, Nr. 4: "Brand der Apollo-Kerzenfabrik in der Zieglergasse. / am 26. Jänner 1876."

Fritz Gareis, 1895

Engraved map of the Ottoman camp around Vienna in 1683, with tents, the fortified city, the Danube, and an inset trench plan.

Aus "Theatrum Europaeum" (XII): Gesamtansicht des türkischen Feldlagers und Plan der türkischen Laufgräben vor Wien 1683

Matthäus d.J. Merian, 1683

Hand-colored print of soldiers escorting wounded and captured men past an equestrian statue on a stone pedestal.

Aus Alexandre de Laborde, Voyage pittoresque en Autriche, Bd. III., Paris 1821, Tafel 25: Gefangene und verwundete ös…

Pencil sketch page with several figure studies of men in caps and a standing man in a top hat and military coat.

Aus dem Seressanerlager (vor Wien)

Carl Anton Goebel, 1849

Watercolor design of nude dancers among classical columns, with a man in a red cloak at left, in a decorative border.

Aus dem Zyklus Oberon (Entwurf)

Josef Engelhart, 1901

Etched print of a public execution on a scaffold in a city square, with soldiers, a crowd, and gabled houses around it.

Aus den "Geschichtsblättern": Öffentliche Hinrichtung des Ratsherrn Gosson in Utrecht am 26. Oktober 1578

Frans Hogenberg, 1578

Etched battle scene with cannons firing, cavalry and infantry in combat, and a walled town on the horizon.

Aus den "Geschichtsblättern": Angriff der Spanier bei Aerschott am 1. August 1578

Frans Hogenberg, 1578

Etching of Antwerp's skyline with a windmill and a column of mounted soldiers and a wagon on a road in the foreground.

Aus den "Geschichtsblättern": Auszug der Spanier aus Antwerpen 1577

Frans Hogenberg, 1577

Etching of a military procession with mounted soldiers and a carriage leaving the walled city of Brussels, ships on water at

Aus den "Geschichtsblättern": Auszug des Herzogs Alba aus Brüssel im Dezember 1573

Frans Hogenberg, 1573

Engraving of Antwerp town hall in flames, with soldiers fighting and bodies strewn across the square in the foreground.

Aus den "Geschichtsblättern": Brand des Rathauses in Antorff am 4. November 1576

Frans Hogenberg, 1576

Etching of men destroying statues and church furnishings inside a pillared church, with ladders and a watching couple at left

Aus den "Geschichtsblättern": Calvinistische Bilderstürmer am 20. August 1566

Frans Hogenberg, 1566

Etching of the fortified town of Grolla under siege, with cannons firing, soldiers and tents in the surrounding landscape.

Aus den "Geschichtsblättern": Die Schlacht bei Grolla (Groeulo, Niederlande) am 11. August 1606

Abraham Hogenberg, 1606

Etching of Antwerp under a broad sky, with crowds, horsemen, windmills and boats in the landscape and verse below.

Aus den "Geschichtsblättern": Die Synode von Antwerpen 1566

Frans Hogenberg, 1566

Etching of soldiers and horsemen attacking a walled town with church spires, with tents, cannons and hills in the background.

Aus den "Geschichtsblättern": Einnahme der Stadt Bergen durch Herzog Alba am 6. September 1577

Frans Hogenberg, 1577

Etched print of a mounted armed procession passing a city gate toward Brussels, with pikemen, banners and a rural landscape.

Aus den "Geschichtsblättern": Einzug des Herzog Alba in Brüssel im August 1567

Frans Hogenberg, 1567

Etched print of a procession of soldiers and riders entering a walled city gate, with a windmill and rooftops behind.

Aus den "Geschichtsblättern": Einzug des Prinzen von Oranien in Antorff (Antwerpen) am 18. September 1577

Frans Hogenberg, 1577

Engraved print of a mounted procession with pikemen entering a walled city through a fortified gate with towers.

Aus den "Geschichtsblättern": Einzug Erzherzog Matthias in Brüssel am 18. Jänner 1578

Frans Hogenberg, 1578

Etching of a walled city labelled Delft with church towers, with mounted soldiers and a procession moving across fields in th

Aus den "Geschichtsblättern": Einzug geschlagener Truppen 1584 in Delft

Frans Hogenberg, 1584

Engraving of armed soldiers marching through a crowded town street lined with gabled houses and a round tower, with banners.

Aus den "Geschichtsblättern": Eroberung der Stadt Antwerpen am 14. März 1567

Frans Hogenberg, 1567

Etching of soldiers attacking the walled town of Diest, with mounted officers entering a city gate and ladders against the wa

Aus den "Geschichtsblättern": Eroberung der Stadt Diest im Mai 1580

Frans Hogenberg, 1580

Engraving of soldiers attacking townspeople by the river Mosa, with burning buildings, boats and a bridge in Maastricht, 1576

Aus den "Geschichtsblättern": Eroberung der Stadt Maastricht am 20. Oktober 1576

Frans Hogenberg, 1576

Engraving of soldiers and horsemen fighting in a walled city square with gabled houses, a cannon, and fallen bodies.

Aus den "Geschichtsblättern": Eroberung der Stadt Mecheln am 9. Mai 1580

Frans Hogenberg, 1580

Etching of a city under attack, soldiers marching across a bridge while townspeople flee with bundles and carts.

Aus den "Geschichtsblättern": Eroberung und Plünderung der Stadt Mecheln am 1. Oktober 1572

Frans Hogenberg, 1572