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Wien Museum

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Pencil sketch of a standing nude woman with arms at her sides, signed Wien and dated 1942, on cream paper.

Stehender weiblicher Akt

Karl Wiener, 1942

Graphite sketch on brown paper of a standing female nude with head tilted and one arm raised, by Gustav Klimt.

Stehender weiblicher Akt

Gustav Klimt, 1898

Stehender weiblicher Akt im Profil

Gustav Klimt, 1903

Stehender weiblicher Akt im Profil nach links

Gustav Klimt, 1906

Stehender weiblicher Akt im Profil nach links

Gustav Klimt, 1911

Stehender weiblicher Akt im Profil nach links

Gustav Klimt, 1916

Stehender weiblicher Akt im Profil nach rechts

Gustav Klimt, 1901

Stehender weiblicher Akt im Profil nach rechts

Gustav Klimt, 1904

Pencil drawing on brown paper of a standing female nude seen from behind, signed Gustav Klimt, with a colour checker below.

Stehender weiblicher Akt in Rückenansicht

Gustav Klimt, 1901

Pencil line drawing of a standing nude woman with legs apart and arms bent, on pale paper, by Gustav Klimt.

Stehender weiblicher Akt mit gegrätschten Beinen und angewinkelten Armen

Gustav Klimt, 1911

Loose ink wash drawing of a standing female nude seen from behind, with a chair at left, on tan paper.

Stehender weiblicher Akt mit Sessel

Karl Wiener, 1930

Brown chalk sketch of a standing nude woman leaning on a tall staff, face left blank, on buff paper.

Stehender weiblicher Akt mit Stab

Karl Wiener, 1930

Stehender weiblicher Akt mit zurückgelehntem Kopf im Profil nach rechts

Gustav Klimt, 1907

Pencil sketch of a standing female nude turned left, hand resting near the hip, drawn on tan paper.

Stehender weiblicher Akt nach links

Gustav Klimt, 1904

Graphite drawing of a standing female nude with a separate study of an outstretched arm beside her, on tan paper.

Stehender weiblicher Akt und Armstudie

Gustav Klimt, 1888

Pencil sketch of a standing nude woman with raised arm beside a study of draped fabric on grey paper.

Stehender weiblicher Akt und Gewandstudie

Gustav Klimt, 1888

Red chalk sketch on brown paper of a standing female nude with crossed-out strokes and a small study at lower right.

Stehender weiblicher Akt; Frauenstudie (durchgestrichen)

Gustav Klimt, 1901

Colored pencil drawing of a tall spruce beside a house with a red tiled roof, shrubs and a young tree in front.

Steinberg

Karl Wiener, 1924

Steinbock

Hanna Gärtner, 1947

Steinbock (Studie zum Ferdinand Raimund Zyklus in Schloß Kogl, Attergau?)

Josef Engelhart, 1917

Lithographic portrait of a bespectacled man in a dark coat and cravat, titled Stephan Endlicher, 1848.

Stephan Ladislaus Endlicher

Josef Kriehuber, 1848

Pencil drawing of a shooting star streaking across a night sky above a dark silhouetted building on cream paper.

Sternschnuppe

Karl Wiener, 1943

Print of a grand staircase with ornate ceiling and figures in period dress, after a watercolor by Rudolf von Alt.

Stiegenhaus im K. K. Belvedere. / Aquarell von Prof. Rudolf Alt

Rudolf von Alt, 1882

Architectural drawing of a staircase with iron railing and paneled wall with window, ink and wash on paper.

Stiegenhaus in einem Palais, Gartenpalais Liechtenstein ?

Heinrich von Ferstel, 1870

Stier

Eduard Schnorr von Carolsfeld, 1818

Stier

Hanna Gärtner, 1947

Watercolor perspective of a Gothic church with twin spires, red roof and trees, under a blue sky with clouds.

Stiftskirche in Klosterneuburg, Perspektive

Friedrich von Schmidt, 1874

Graphite drawing of a cluster of apples and two pears with soft cast shadows on a tabletop.

Stilleben

Karl Wiener, 1920

Watercolor still life of red and yellow apples with crumpled white paper on a table against green and orange walls.

Stillleben mit Äpfeln

Anton Heinrich Peschka, 1936

Watercolor still life of golden pastries on a blue-rimmed plate over a checkered tablecloth, with a wooden chair at right.

Stillleben mit Gebäckteller

Egon Schiele, 1905

Textile design study with blue diagonal stripes, orange circles and red house shapes on a green speckled ground, with color s

Stoffentwurf Serie I: Valenzia (Blatt 1)

Anton Heinrich Peschka, 1920

Textile design study with red speckled ground, diagonal blue stripes and three abstract colored motifs on cream paper.

Stoffentwurf Serie I: Valenzia (Blatt 2)

Anton Heinrich Peschka, 1920

Textile design drawing with ochre speckled ground, blue and red diagonal stripes, two arched motifs and color swatches on pap

Stoffentwurf Serie I: Valenzia (Blatt 3)

Anton Heinrich Peschka, 1920

Textile design study with purple geometric panels, red arch shapes, diagonal blue lines, and handwritten pencil notes on pape

Stoffentwurf Serie I: Valenzia (Blatt 4)

Anton Heinrich Peschka, 1920

Textile design sheet with magenta speckled ground, diagonal stripes, two small painted motifs and color swatches.

Stoffentwurf Serie I: Valenzia (Blatt 5)

Anton Heinrich Peschka, 1920

Textile design sheet with two square abstract motifs of red and blue circles over a speckled yellow field, crossed by diagona

Stoffentwurf Serie I: Valenzia (Blatt 6)

Anton Heinrich Peschka, 1920

Textile design sketch with ochre field, triangular circle motifs, blue strokes and colour swatches on cream paper.

Stoffentwurf Serie II: Venezia (Blatt 1)

Anton Heinrich Peschka, 1920

Design sheet with purple speckled ground, blue linear motifs and orange triangles, with handwritten notes and color swatches.

Stoffentwurf Serie II: Venezia (Blatt 2 - Lampen Reklame)

Anton Heinrich Peschka, 1920

Design sketch with red textured field, colored circle motifs, blue curved lines, and a pencil automobile drawing on paper.

Stoffentwurf Serie II: Venezia (Blatt 3 - Autofahrten oder Automobile)

Anton Heinrich Peschka, 1920

Textile design sketch with purple speckled ground, colorful triangles, and blue wavy lines, labeled Serie II Venezia Blatt 4.

Stoffentwurf Serie II: Venezia (Blatt 4)

Anton Heinrich Peschka, 1920

Textile design drawing with triangles, wavy lines and blue stripes on a yellow ground, with color swatches and handwritten no

Stoffentwurf Serie II: Venezia (Blatt 5)

Anton Heinrich Peschka, 1920

Textile design study with turquoise field, red and orange triangles, wavy brown lines and blue vertical stripes on paper.

Stoffentwurf Serie II: Venezia (Blatt 6)

Anton Heinrich Peschka, 1920

Textile design sheet with red speckled ground, orange circular motifs, wavy lines and small colour swatches below.

Stoffentwurf Serie III: Lago di Como (Blatt 1)

Anton Heinrich Peschka, 1920

Textile design sheet with colored squares, blue diagonal lines and brown curves on a speckled ochre ground.

Stoffentwurf Serie III: Lago di Como (Blatt 2)

Anton Heinrich Peschka, 1920

Textile design sheet with ochre field, winding lines and multicolored squares, labeled Serie III Lago di Como Blatt 3 in penc

Stoffentwurf Serie III: Lago di Como (Blatt 3)

Anton Heinrich Peschka, 1920

Textile design sheet with violet speckled ground, blue and brown zigzag lines, and small colored squares, with handwritten no

Stoffentwurf Serie III: Lago di Como (Blatt 4)

Anton Heinrich Peschka, 1920

Textile design study with teal ground, geometric squares and triangles in orange and brown, and a diagonal blue stripe on pap

Stoffentwurf Serie III: Lago di Como (Blatt 5)

Anton Heinrich Peschka, 1920

Textile design sheet with magenta speckled ground, octagons, ovals and blue zigzag lines, with handwritten notes.

Stoffentwurf Serie III: Lago di Como (Blatt 6)

Anton Heinrich Peschka, 1920

Textile design sample with rust-brown ground, diagonal blue and multicolored circle bands, and handwritten color notes on cre

Stoffentwurf Serie IV: Campagna (Blatt 1)

Anton Heinrich Peschka, 1920

Textile design sheet with diagonal bands of purple and orange floral motifs over a speckled pink ground, by Anton Peschka.

Stoffentwurf Serie IV: Campagna (Blatt 2)

Anton Heinrich Peschka, 1920

Textile design drawing with green speckled ground, brown wavy lines and diagonal bands of purple floral motifs on paper.

Stoffentwurf Serie IV: Campagna (Blatt 3)

Anton Heinrich Peschka, 1920

Textile design study with diagonal grid and repeated small figures in ochre and blue, with German annotations and color swatc

Stoffentwurf Serie IV: Campagna (Blatt 4)

Anton Heinrich Peschka, 1920

Textile design sketch on cream paper with orange mottled ground, white wavy lines, dark zigzags and colored diamond shapes.

Stoffentwurf Serie IV: Campagna (Blatt 5)

Anton Heinrich Peschka, 1920

Textile design sheet with zigzag blue and brown lines, diagonal green bands and multicolored diamonds on purple, with color s

Stoffentwurf Serie IV: Campagna (Blatt 6)

Anton Heinrich Peschka, 1920

Engraving of Stonehenge with horsemen among standing stones, above a natural rock arch with figures gathered beneath it.

Stonehengi / Wundersame Felsen-Bühne

Johann Bernhard Fischer von Erlach, 1721

Hand-colored print of a narrow Cairo street with wooden balconies, palm trees, veiled women and a distant minaret.

Straße in Kairo

Károly Lajos Libay, 1857

Pencil sketch of a narrow street with tall buildings, a cart in the foreground and a pedestrian walking in the distance.

Straße in Landsberg

Tina Blau, 1876

Pen-and-ink sketch of a man's face with dense hatching on a hotel letterhead sheet, beside a color checker and ruler.

Straße in Sevilla

Josef Engelhart, 1892

Watercolor caricature of two street musicians, one playing guitar and one playing accordion beside a trunk.

Straßenmusikanten

Fritz Schönpflug, 1907

Pen drawing of a village street under a large tree, with a horse and cart, figures, and low houses on the left.

Strassenpartie in Heiligenstadt

Rudolf Pöpl, 1893

Watercolour street scene of a uniformed nobleman confronting a kneeling man while onlookers and a raised cane appear nearby.

Straßenszene "Der Vicegespan, der Jude und der Schusterbube. Presburger Anecdote. Ungarische Justiz"

Johann Christian Schoeller, 1844

Pen drawing of a thatched wooden hut with a family of peasants standing in front of it, dated 1783.

Strohgedeckte Holzhütte mit Bauernfamilie davor

Johann Christian Brand, 1783

Stubenmädchen (Illustration aus "Wien und die Wiener, in Bildern aus dem Leben", hg. von Adalbert Stifter, Pest 1844)

Adalbert Stifter, 1844

Colour panoramic print of a Vienna boulevard with crowds, carriages, a tram, tall trees and historic buildings.

Stubenring (Stadtseite), aus: Die Wiener Ringstraße in ihrer Vollendung und der Franz-Josefs-Quai

Friedrich Wilhelm Bader, 1877

Brown ink drawing of armed students in a vaulted university hall, with rifles, a drum, seated men at a table and wall busts.

Studentenwachstube der Akademischen Legion in der Aula der alten Universität im Jahre 1848

Franz Schams, 1848

Studie (Detail) zum Gemälde "Die Schachpartie"

Josef Danhauser, 1839

Pencil sketch of a seated man in a dark suit at a desk, with smaller sketched heads at right, dated Wien 1931.

Studie aus dem Prozeß Salem

Josef Engelhart, 1931

Graphite and chalk drawing of a plump nude boy hugging a comedy mask beside a pedestal, on brown paper.

Studie des Knaben mit Gans (Ganswürger) nach Boethos von Kalchedon

Anton Heinrich Peschka, 1906

Pencil and ink sketch of a genre scene: a seated man in a hat gestures to two children beside a bending older man, in an inte

Studie einer Genre-Szene (Rückseite: Studien männlicher Kostümfiguren)

Josef Engelhart, 1881

Studie einer jungen Frau: Oberkörper, Hand, Fuß

Josef Engelhart, 1885

Pencil sketch of a bearded man in a loose robe, half-length, with one hand on his hip, on pale paper.

Studie einer männlichen Halbfigur (Rückseite: Schiffschaukel)

Josef Engelhart, 1909

Charcoal and red chalk sketch of two women, one standing in front of the other, with signature and date at lower right.

Studie einer sitzenden Frau

Anton Heinrich Peschka, 1906

Pencil sketch of a dancing figure with raised arm, surrounded by a seated audience drawn in loose shaded strokes.

Studie einer Tanzenden

Josef Engelhart, 1909

Loose pencil sketch of a female dancer in a twisting pose with billowing skirt on cream paper.

Studie einer Tänzerin

Josef Engelhart, 1890

Studie eines Athleten

Gustav Klimt, 1904

Pencil study of a gnarled tree trunk with spreading roots and a small framed votive image set into the bark.

Studie eines Baumes mit Votivbild

Josef Kriehuber, 1876

Pencil study of a gnarled tree trunk with branches and a hollow, drawn on tan paper, mounted on dark blue card.

Studie eines Baumstammes

Josef Kriehuber, 1858

Pencil sketch of two men seated at a café table, one wearing a top hat, with loose hatched shading around them.

Studie eines Kaffeehauses in Paris

Josef Engelhart, 1891

Charcoal study of a leafless tree with a textured trunk and bare branches on a tan paper ground.

Studie eines kahlen Baumes

Josef Kriehuber, 1876

Pencil and ink study of a young boy in a wide-brimmed hat, head turned slightly, on torn cream paper.

Studie eines Knaben (beidseitig)

Josef Engelhart, 1894

Pencil sketch of a bearded man in a hat seated and drawing, with an animal study in the lower right corner.

Studie eines Malenden, Tierstudien

Josef Engelhart, 1894

Pencil sketch of a man in a hat bending over to touch a boat edge, drawn on yellowed paper.

Studie eines Mannes mit Boot

Josef Engelhart, 1913

Studie eines männlichen Aktes im Profil

Egon Schiele, 1908

Graphite sketch of a mossy, gnarled tree trunk curving upward with bare branches on tan paper, mounted on blue board.

Studie eines mit Moos bewachsenen Baumstammes

Josef Kriehuber, 1876

Pencil study of a weathered, hollowed dead tree trunk with broken forked limbs on tan paper.

Studie eines morschen ausgehöhlten Baumstammes

Josef Kriehuber, 1876

Pencil sketch of a seated man seen from behind, wearing a straw boater hat, resting his arm on a wooden chair.

Studie eines sitzenden Mannes (Rückenfigur)

Josef Engelhart, 1909

Pencil study of a seated man in a fur-trimmed cloak and cap, with pointed slippers, on a cream sheet with a color checker.

Studie eines Türken

Josef Engelhart, 1909

Pencil and watercolor study of architectural moldings and painted gold and blue friezes with German annotations.

Studie eines venezianischen Architekturprofils mit Friesdetails in Farbe (Reiseaufnahme)

Joseph von Wieser, 1877

Pencil study of a woman's head with lowered eyes and flowing hair on a brown paper sheet.

Studie eines weiblichen Kopfes

Gustav Klimt, 1903

Charcoal study of a nude standing male figure holding a tall staff, head bowed, on green-grey paper.

Studie für die Johannesstatue des Stollwerck-Mausoleum

Josef Engelhart, 1926

Pen and pencil perspective sketch of an oval plaza with stepped edges, figures and surrounding church and palace facades.

Studie für die Platzanlage vor der Karlskirche

Friedrich Ohmann, 1903

Pencil sketch on tan paper of a seated woman in an armchair, with loose contour lines and an inventory number in the corner.

Studie für ein Damenporträt, in Fauteuil sitzend

Gustav Klimt, 1902

Pencil perspective drawing of a long hotel facade on a city square with flags, pedestrians, a domed church and a column.

Studie für ein Hotel am Karlsplatz, Perspektive

Otto Wagner, 1910

Architectural site plan in ink showing a proposed hotel footprint, streets, tram lines and trees around Karlsplatz in Vienna.

Studie für ein Hotel am Karlsplatz, Situationsplan

Otto Wagner, 1910

Two ink and watercolor floor plans of a large civic building with labeled rooms, courtyards and corridors on a beige sheet.

Studie für ein Rathaus in Hamburg, Grundrisse

Joseph von Wieser, 1868

Watercolor and pencil sketch of a reclining man beside a seated figure under a sunset sky, within an ornamental frame.

Studie für eine Wandverkleidung (?)

Josef Engelhart, 1890