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Staatliche Kunsthalle Karlsruhe

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Etching of a curly-haired young boy in a fur-trimmed cloak seated beside a wooden box with a pole across his lap.

Le petit Savoyard

François Boucher, 1735

Etching of two children sharing a drink, with a dog watching beside a bush and stone steps behind them.

Les petits buveurs de lait

François Boucher, 1735

Pen drawing of a circular plaque design with a heraldic shield, rampant lion, scrollwork and grotesque masks, dated 1562.

Riss für Rundscheibe mit nicht identifziertem Wappen

Jost Amman, 1562

Pen drawing of a circular roundel with a heraldic rearing horse and lion, a helmet and crown, framed by ornate scrollwork and

Riss für Rundscheibe mit nicht identifiziertem Wappen

Jost Amman, 1562

Drawing of a standing male nude seen from behind, one hand on hip and one arm resting on a block, in chalk on grey-blue paper

Stehender Rückenakt, den linken Arm eingestützt

Anton Raphael Mengs

Etching of a life drawing class with students on tiered benches sketching a nude model on a platform at right.

Aktsaal der Kunstgewerbe-Schule

Max Klinger, 1881

Sepia wash drawing of a rocky grotto with small figures on a ledge above water, framed by hanging trees.

Felshang mit Grotte und Soldaten über einem Gewässer

Hubert Robert, 1764

Bildnis Markgraf Carl Friedrichs, in Wolken von Fama und Putten umgeben

Etched interior of a vaulted hall with sculptures, busts, and display tables, with figures standing among the collection.

Alte Kunstkammer im Königlichen Schloss

Max Klinger, 1881

Pen drawing of a circular roundel design with a coat of arms, scrolling ornament, flowers, and a name cartouche.

Riss für Rundscheibe mit Wappen Sebastian Kobler

Jost Amman, 1562

Etching of the old arts and crafts museum with a long roof, gabled house, trees, and wooden fences.

Altes Kunstgewerbe-Museum

Max Klinger, 1881

Etching of a bearded man in an oval medallion on a pedestal, beside a seated mourning woman with a palm frond and a cemetery.

Professor Gropius

Max Klinger, 1881

Tonal print of a classical bust above a dreaming man seated at a table with a steaming cup.

Titelblatt mit träumendem Künstler

Max Klinger, 1881

Etching of a classical pediment with reclining figures, a helmeted head, two roundels, and a garland with the word SALVE.

Portalgiebel und zwei Fresken

Max Klinger, 1881

Etching of a crowd gathered at a columned museum portal, with a seated statue and a man holding a ceremonial banner.

Portal des neuen Kunstgewerbe-Museums

Max Klinger, 1881

Etched decorative frieze with a winged central figure, sphinxes, bookshelves, a telescope, and two seated scholarly scenes be

Zwei Fassadenreliefs

Max Klinger, 1881

Etching of a crowd of finely dressed figures gathered behind an ornate wrought iron railing beneath a vaulted ceiling.

Schmiedeeisernes Gitter im Vorraum

Max Klinger, 1881

Etching of a crowned central figure on a throne between winged torch-bearers, with nude figures in arches and globes at right

Mittelfigur aus dem Fries im Lichthof

Max Klinger, 1881

Colorful drawing of yellow rooftops and buildings below blue hills, with textured crayon-like strokes.

Blick auf Florenz

August Babberger, 1911

Expressive watercolor and crayon drawing of yellow village houses with gray roofs and chimneys among green trees.

Stampa, Bergell

August Babberger, 1911

Watercolor landscape with blue mountains, a yellow sun, and wavy dark strokes suggesting a path and trees.

Landschaft am Klausenpass (Nachmittag)

August Babberger, 1921

Abstracted landscape in brown, green, blue and yellow with dark trees, a blue band of sky and a pale path in the lower left.

Regenwolken über der Balmalp

August Babberger

Ink and wash drawing of stylized figures, one playing an accordion, arranged in a group with an arched shape above.

Familie Babberger

August Babberger, 1917

Pastel drawing of a bald, mustached man with a direct stare, set against angular white and brown abstract forms.

Selbstbildnis mit Scheerhorn

August Babberger

Black ink drawing of jagged mountain peaks above a rocky valley with trees and a stream.

Berglandschaft im Bergell

August Babberger

Sketch of a house beside a winding road with trees and a fence, in pencil and soft colored crayon on paper.

Höll: Vor dem Haus im Winter (Straße)

August Babberger, 1937

Colored pencil drawing of a summer valley with two gray houses, green meadows, conifers and blue hills.

Höll: Sommerlandschaft mit zwei Schwarzwaldhäusern vorn

August Babberger, 1927

Expressive crayon drawing in teal and blue showing angular ship-like forms on rough waves under scattered white clouds.

Das Scheerhorn im Schnee und der Griesstock

August Babberger, 1936

Etching of a crowded glass-walled rink with people in 19th-century dress, chairs, and a fallen skater at lower right.

Ort (Ein Handschuh, Opus VI, Blatt 1)

Max Klinger, 1881

Etching of a winged cupid figure resting beside a reclining figure, with a chair, a glove, and a branch with roses.

Amor (Ein Handschuh, Opus VI, Blatt 10)

Max Klinger, 1881

Etching of a park promenade with a roller-skating man, a fallen hat, pedestrians, a dog, a gazebo and trees.

Handlung (Ein Handschuh, Opus VI, Blatt 2)

Max Klinger, 1881

Etching of a blossoming tree beside a melancholic reclining figure with a candle, with hills in the distance.

Wünsche (Ein Handschuh, Opus VI, Blatt 3)

Max Klinger, 1881

Etching of a sailboat in a storm, a man at the tiller, and a hand reaching up from rough dark waves.

Rettung (Ein Handschuh, Opus VI, Blatt 4)

Max Klinger, 1881

Etching of a horse with reins under a radiating sunrise, with ornamental scrollwork along the bottom border.

Triumph (Ein Handschuh, Opus VI, Blatt 5)

Max Klinger, 1881

Etching of stormy waves breaking on a shore covered with rose-like blossoms, with ornate lamp posts on a rock at left.

Huldigung (Ein Handschuh, Opus VI, Blatt 6)

Max Klinger, 1881

Etching of a sleeping man in bed as a giant hand emerges from the wall and a frightened figure recoils beside a candle.

Ängste (Ein Handschuh, Opus VI, Blatt 7)

Max Klinger, 1881

Etching of an interior with draped curtains, a tripod table holding gloves, and floral garlands framing the sides.

Ruhe (Ein Handschuh, Opus VI, Blatt 8)

Max Klinger, 1881

Engraving of nude Hercules with lion skin confronting a many-headed hydra among rocks, skulls, and a distant castle.

Herkules tötet die Hydra (Taten des Herkules)

Heinrich Aldegrever, 1550

Elderly man in a dark cloak playing a bagpipe while seated, painted in loose brown tones.

Dudelsack blasender Italiener

Johann Baptist Kirner, 1832

Painting of a seated elderly woman with spectacles, headscarf and a book on her lap, gazing upward against a pale background.

Sitzende alte Italienerin mit einem Buch im Schoß

Johann Baptist Kirner, 1832

Painted interior of a rustic room with a tiled stove, wooden bed with blue quilt, green table and carved chair.

Schwarzwälder Bauernstube mit Bett und Sitzbank am Kachelofen

Johann Baptist Kirner

Oil sketch of a boy in a straw hat seated on grass, arm outstretched and holding a knife, against a pale sky.

Italienerbub, auf einem Heukarren sitzend

Johann Baptist Kirner, 1832

Watercolour drawing of a kneeling Italian woman in traditional dress leaning on a bench beside a sketched sleeping child.

Kniende Italienerin, sich über ein Kind beugend

Johann Baptist Kirner, 1832

Watercolor and pencil drawing of a seated elderly man in a wide hat, resting both hands on a walking stick.

Sitzender älterer Italiener, beide Hände auf einen Stock gestützt, nach links gewendet

Johann Baptist Kirner, 1832

Watercolor of an elderly woman in folk dress carrying a basket on her head and holding a walking stick.

Alte Italienerin mit Kopflast

Johann Baptist Kirner, 1832

Pencil and watercolor sketch of a standing woman in a white cap and skirt carrying a large brown jug.

Italienerin mit Krug

Johann Baptist Kirner

Italiener mit roter Zipfelmütze, eine langstielige Pfeife rauchend

Johann Baptist Kirner, 1832

Watercolor drawing of a seated young woman in a red headscarf, blue bodice and coral necklace, hands clasped over her knees.

Italienisches Mädchen mit roter Kopfbedeckung, die Hände über den Knien gefaltet

Johann Baptist Kirner, 1832

Watercolor of two peasant men, one seated on a wooden chair in a red vest, the other standing beside him in a brown coat.

Zwei Hotzenwälder Bauern, der linke auf einem Holzstuhl sitzend, rechts dahinter der zweite stehend

Johann Baptist Kirner, 1816

Watercolor drawing of a seated boy in a wide-brimmed hat holding an open book, with a sketched landscape behind him.

Junge mit breitkrempiger Kopfbedeckung, vor einer Landschaft sitzend und ein aufgeschlagenes Buch haltend

Johann Baptist Kirner, 1816

Watercolor sketch of five rural children in red headscarves and a straw hat beside a hay mound.

Fünf Schwarzwälder Bauernkinder

Johann Baptist Kirner, 1816

Three pencil and watercolor studies of a woman in traditional costume with a tall hat, shown from behind, side, and seated.

Drei Figurenstudien einer Bäuerin in Triberger Tracht

Johann Baptist Kirner, 1816

Pencil and watercolor sketch of a seated woman with an infant, a standing girl, and a reclining boy in a cap.

Drei Schwarzwälder Bauernkinder

Johann Baptist Kirner, 1816

Pencil and watercolor sketch of a barefoot woman seen from behind in a striped skirt and blue bodice on stone steps.

Italienerin, Rückenansicht

Johann Baptist Kirner

Pencil drawing with colour of a seated young man in a tricorn hat and red vest with buttons, arms crossed.

Sitzender junger Mann in Hanauer Tracht

Johann Baptist Kirner

Pencil and wash drawing of an elderly man in a tricorn hat seated on a chair, hands clasped over his knees.

Sitzender alter Bauer mit Dreispitz

Johann Baptist Kirner

Ink and wash sketch of two girls and a woman in headscarves beside a small child, set against a sketched landscape.

Zwei junge Mädchen und ein Kind vor einer Landschaft

Johann Baptist Kirner

Pen and watercolor drawing of an elderly peasant man in a wide-brimmed hat leaning on a hoe.

Bauer mit breitrandigem Hut, sich auf eine Hacke stützend

Johann Baptist Kirner

Sepia drawing of a wooded landscape with figures tending grapevines on a path, mountains and a distant castle beyond.

Noah pflanzt Weinberge (1. Mose 9, 20)

Johann Wilhelm Schirmer, 1855

Brown-toned drawing of robed travelers on donkeys passing sheep and camels beneath tall palms and tropical trees.

Abrahams Einzug ins gelobte Land (1. Mose 12, 5ff)

Johann Wilhelm Schirmer, 1855

Sepia drawing of a wooded landscape with a kneeling man in the foreground and three robed figures beside ruins.

Abraham empfängt die Verheißung Isaaks im Hain Mamre (1. Mose 15, 1ff)

Johann Wilhelm Schirmer, 1855

Brown-toned drawing of figures fleeing through a dark rocky landscape toward a glowing cave opening, with trees and a distant

Loths Flucht (1. Mose 19, 24-26)

Johann Wilhelm Schirmer, 1855

Brown ink drawing of a bearded man and a boy carrying wood through a rocky forest with mountains in the distance.

Der Gang zum Opfer (1. Mose 22, 6)

Johann Wilhelm Schirmer, 1855

Brown-toned drawing of Abraham and Isaac at an altar in a wooded landscape, with an angel descending above smoke.

Die Opferung Isaaks (1. Mose 22, 11-12)

Johann Wilhelm Schirmer, 1855

Sepia drawing of a forest with a bearded man and child at a stone well, a seated figure in the distance, and mountains beyond

Die Austreibung der Hagar mit Ismael (1. Mose 21, 14)

Johann Wilhelm Schirmer, 1855

Brown-toned drawing of a barren coast with dunes, rock cliffs, a seated woman by a boulder and the sea beyond.

Hagar in der Wüste (1. Mose 21, 16)

Johann Wilhelm Schirmer, 1855

Brown-toned drawing of an angel pointing to a kneeling woman on a rocky desert ledge, with a child lying below.

Die Rettung der Hagar (1. Mose 21, 17)

Johann Wilhelm Schirmer, 1855

Brown-toned drawing of a wooded landscape with a mourning figure kneeling beside a stone tomb near a rocky cave.

Klage um Sarahs Tod (1. Mose 23, 2)

Johann Wilhelm Schirmer, 1855

Sepia drawing of a landscape with olive trees, a hilltop fortress, a stone well, two figures meeting and camels resting.

Elieser und Rebekka am Brunnen (1. Mose 24, 17-18)

Johann Wilhelm Schirmer, 1855

Sepia drawing of a forest path with tall trees, a stone bridge, and small travellers on horseback in the distance.

Die Begegnung von Isaak und Rebekka (1. Mose 24, 62-63)

Johann Wilhelm Schirmer, 1855

Brown ink landscape of robed mourners carrying a bier past gnarled trees and a boulder, with a shepherd and flock beyond.

Abrahams Begräbnis in der Höhle im Hain Mamre (1. Mose 25, 9)

Johann Wilhelm Schirmer, 1855

Etching of a winged creature carrying a white glove away from a window, with reaching arms and blossoms below.

Entführung (Ein Handschuh, Opus VI, Blatt 9)

Max Klinger, 1881

Black-and-white print of a reclining nude man under a sun with rays and clouds, with the title Robert Schumann Lieder-Buch be

Robert Schumann Lieder-Buch

August Babberger, 1910

Etching of a windswept tree on a rocky shore with figures gathered below and a classical column frame.

Die Jugend Amors (Amor und Psyche, Opus V, Blatt 1)

Max Klinger, 1880

Etching of a draped woman standing on a rocky cliff above the sea, with a pale sun and an ornate floral border.

Psyche auf dem Felsen (Amor und Psyche, Opus V, Blatt 10)

Max Klinger, 1880

Etching of a winged nude figure crouching at a window beside a curtain, with a mountain and starry night sky behind.

Amor kommend (Amor und Psyche, Opus V, Blatt 12)

Max Klinger, 1880

Etching of three seated women on a classical columned terrace overlooking trees and a distant mountain.

Psyche und ihre Schwestern (Amor und Psyche, Opus V, Blatt 18)

Max Klinger, 1880

Etching of Psyche leaning over a sleeping Eros by lamplight, framed by a border of roses and a face below.

Psyche mit der Lampe (Amor und Psyche, Opus V, Blatt 19)

Max Klinger, 1880

Etching of a nude woman with arms raised beside a tree, a bench and bust, overlooking the sea, in an ornate classical border.

Psyche verlassen (Amor und Psyche, Opus V, Blatt 22)

Max Klinger, 1880

Etching of draped women walking past cypress trees and a fountain, with a temple on a hill and an ornate classical border.

Psyche wandernd (Amor und Psyche, Opus V, Blatt 28)

Max Klinger, 1880

Etching of a bearded seated god with staff, a gesturing woman beside him, and an eagle, within an ornate decorative border.

Jupiter und Venus (Amor und Psyche, Opus V, Blatt 33)

Max Klinger, 1880

Etching of classical women on a colonnaded terrace with marble steps, framed by a decorative border of roses and shells.

Psyche und Venus (Amor und Psyche, Opus V, Blatt 34)

Max Klinger, 1880

Etching of a figure on a cliff ledge above a chasm, with an eagle descending, framed by classical columns and medallions.

Psyche und der Adler Jupiters (Amor und Psyche, Opus V, Blatt 37)

Max Klinger, 1880

Etching of a winged figure seated by trees on a rocky shore with cliffs and sea, framed by an ornamental border.

Amor findet Psyche (Amor und Psyche, Opus V, Blatt 41)

Max Klinger, 1880

Etching of bearded Jupiter embracing winged Cupid beside draped cloth, within an ornamental border with lion and winged figur

Amor bei Jupiter (Amor und Psyche, Opus V, Blatt 42)

Max Klinger, 1880

Full-length watercolor and pencil drawing of a standing man in rural costume holding a hat and umbrella.

Stehender Bauer in Kinzigtäler Tracht mit Hut und Regenschirm unter dem linken Arm

Johann Baptist Kirner, 1825

Colored drawing of a seated young woman in Schapbach folk costume with a striped skirt and embroidered bodice, outdoors on gr

Im Freien sitzende junge Bäuerin in Schapbacher Tracht

Johann Baptist Kirner

Etching of a dancing woman before a classical banquet scene with reclining guests, columns, and garlands.

Hochzeitsfest Amors und Psyche[s] (Amor und Psyche, Opus V, Blatt 44)

Max Klinger, 1880

Pencil sketch of a crowd beside a railway track with a monument, hills and a church spire in the distance.

Eine Prozession wird von einer Eisenbahn getrennt

Johann Baptist Kirner, 1816

Pencil sketch of craggy rock cliffs and hills with a small boy standing in the foreground at right.

Landschaftsstudie: Blick auf Felsen und einen Jungen im Vordergrund

Johann Baptist Kirner, 1816