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Petit Palais, Paris

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Engraved landscape with a river, trees, classical buildings, and two figures in the foreground, one kneeling at the water.

Landscape with Diogenes after Nicolas Poussin No. 1

Étienne Baudet

Engraved longitudinal section of the Holy Sepulchre basilica showing domes, arcades, and keyed chapels with lettering.

Journey to the Holy Land, Twentieth plate. Lieure 330 [Longitudinal section of the Basilica of the Holy Sepulchre]

Jacques Callot, 1620

Etching of hooded figures and cats in a dark crowded scene, with a seated bearded man and a figure holding cats.

Cat's paws and a pious habit. General Disparate, pl. 9 (H : 256)

Francisco Goya, 1823

Engraved landscape of rocky peaks, a giant seated on a mountain, nymphs by an urn, cattle and a large tree.

Landscape with Polyphemus after Nicolas Poussin No. 2

Étienne Baudet

Etched architectural section of the Holy Sepulchre basilica with domed chapel, arches, staircase and Italian key text.

Journey to the Holy Land, Twenty-first plate. Lieure 331 [Longitudinal section of the Basilica of the Holy Sepulchre,…

Jacques Callot, 1620

Etching of a rearing horse throwing its rider backward, with a fallen figure on rocky ground at left.

The woman and the colt, may another tame them. The raptor horse, unbridled disparate, pl. 10 (H : 257)

Francisco Goya, 1823

Engraved allegorical diploma with two classical male figures, a laurel wreath, and seated female figures beside a lion.

Diploma of the Royal Academy (Dutuit, page 340)

Francesco Bartolozzi

Engraved ground plan of the Holy Sepulchre with a circular colonnade, central chapel, and lettered key in Italian.

Journey to the Holy Land, Twenty-fourth plate. Lieure 337 [Plan of the Basilica of the Holy Sepulchre]

Jacques Callot, 1620

Etching of a dark interior with a raised-armed woman before a group of hooded elderly women and a crouching figure.

Poor Disparate, pl. 11 (H : 258)

Francisco Goya, 1823

Etched landscape of a river winding through a forest, with two figures resting on the bank beneath large trees.

Landscape after Van der Meulen

Adrien Frans Boudewyns

Etched ground plan of the church of Saint Anne in Jerusalem with lettered key, cloister, cells and cistern.

Journey to the Holy Land, Thirty-first plate. Lieure 344 [Plan of the church of Saint Anne of Jerusalem]

Jacques Callot, 1620

Etching of ruffled dancing figures, men and women, in a dark tonal setting by Goya, 1823.

If she danced at sea, she took what she found. Cheerful Disparate, pl. 12 (H : 259)

Francisco Goya, 1823

Etching of a haloed God seated on clouds with winged angels on either side, with a Latin Genesis inscription below.

Scenes from the Old and New Testament after Raphael (Dutuit page 340)

Pietro Sante Bartoli

Engraved architectural plan and perspective section of the Holy Sepulchre of the Virgin church with lettered key.

Journey to the Holy Land, Thirty-third plate. Lieure 346 [Plan of the church of the Holy Sepulchre of the Virgin]

Jacques Callot, 1620

Etching of a man strapped to a large bat-like wing flying through a dark sky, with other gliding figures nearby.

Way of flying. Where there is desire there is strength, pl. 13 (H : 260)

Francisco Goya, 1823

Etching of Cain killing Abel with sheep nearby, offerings burning on altars, and God appearing in clouds above.

Scenes from the Old and New Testament after Raphael no. 2 (Dutuit page 340)

Pietro Sante Bartoli

Engraved longitudinal section of the Holy Sepulchre church interior with arched vaults, steps, altars and lettered keys.

Journey to the Holy Land, Thirty-fourth plate. Lieure 347 [Longitudinal section of the church of the Holy Sepulchre o…

Jacques Callot, 1620

Etching of grotesque masked carnival figures in exaggerated poses, one in a tall pointed hat, against a dark landscape.

Carnival joys, tomorrow you will be ashes. Carnival Disparate, pl. 14 (H : 261)

Francisco Goya, 1823

Engraving of kneeling figures looking up at a divine figure among clouds pointing to a rainbow arch.

Scenes from the Old and New Testament after Raphael no. 3 (Dutuit page 340)

Pietro Sante Bartoli

Engraved plan and elevation of a church with lettered labels, showing arches, a staircase and the Holy Sepulchre tomb.

Journey to the Holy Land, Thirty-fifth plate. Lieure 348 [Plan and elevation of the church of the Holy Sepulchre of t…

Jacques Callot, 1620

Dark etching of a crowd beneath a swirling cloth, with figures reaching upward on the right and a robed figure on the left.

Without recommending oneself to God or the devil. Clear Disparate, pl. 15 (H : 262)

Francisco Goya, 1823

Etching of Abraham restraining his kneeling son as an angel intervenes, with a ram beside a fire and a Latin inscription belo

Scenes from the Old and New Testament after Raphael no. 4 (Dutuit page 340)

Pietro Sante Bartoli

Etched bird's-eye view of walled Jerusalem with dense domed buildings, numbered landmarks and a lettered key below.

Journey to the Holy Land, Thirty-sixth plate. Lieure 349 [Plan of the city of Jerusalem]

Jacques Callot, 1620

Etching of hooded and cloaked figures in a dark night scene, with a pointing man at right and a winged form above.

Wounds heal but not bad words. Triple Disparate, pl. 16. (H : 263)

Francisco Goya, 1823

Etching of biblical scenes: an elderly man reclining on a draped bed, attended by figures, with a hunting scene and a family

Scenes from the Old and New Testament after Raphael no. 5 (Dutuit page 340)

Pietro Sante Bartoli

Engraved plan of a funerary complex with burial chambers and passages, plus drawings of domed tombs and sarcophagi.

Journey to the Holy Land, Thirty-eighth plate. Lieure 351 [Plan of the funerary complex]

Jacques Callot, 1620

Dark etching of grotesque figures gathered around a seated old woman and a small dog, with a laughing man pointing.

Loyalty. He who does not love you, slanders you by mocking. Quiet folly, pl. 17 (H : 264)

Francisco Goya, 1823

Etching of an angel wrestling a bearded man beside a dog, with a curtained tent and sheep pen in the background.

Scenes from the Old and New Testament after Raphael no. 6 (Dutuit page 340)

Pietro Sante Bartoli

Engraved architectural plate showing a vaulted tomb chamber elevation with arched doorways, smaller detail views, and a label

Journey to the Holy Land, Thirty-ninth plate. Lieure 352 [Elevation of the funerary complex]

Jacques Callot, 1620

Etching of hooded figures gathered at night around a reclining body, with a kneeling woman looking up at an old man pointing.

God creates them and they get together. Funeral folly, pl. 18 (H : 265)

Francisco Goya, 1823