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National Gallery of Art

10,104 works

Etching of the formal parterre gardens of the Palace of Nancy with scrolled flower beds and crowds of figures.

The Palace Gardens at Nancy

Jacques Callot, 1625

Etching of a Venetian canal scene with a Gothic palace, an arched bridge, gondolas, and figures on the quay.

Le Preson. V.

Canaletto, c. 1735/1746

Brown ink print of a wooded landscape with fallen tree trunks, a winding path, and a small figure near the roots.

Jason

Joseph Mallord William Turner, 1807

Sepia print of a helmeted armored figure on a fallen tree in a forest, with a coiled serpent in the background.

Jason

Joseph Mallord William Turner and Charles Turner, published 1807

Etching of a hillside road with trees, a carriage and covered wagon, walking figures, and a distant town under a cloudy sky.

Mountain Landscape with Five Bridges

Canaletto, c. 1735/1746

Etching of tall trees framing a wide plain, with a small group of figures in the foreground and an arched bridge in the dista

The Bridge in Middle Distance

Joseph Mallord William Turner, published 1808

Sepia landscape print of tall trees framing a river, arched bridge, and pale moon, with two seated figures in the foreground.

The Bridge in Middle Distance

Joseph Mallord William Turner and Charles Turner, published 1808

Etching of a city scene with a brick building, laundry on a loggia, and a rider on horseback atop a round tower.

The Equestrian Monument

Canaletto, c. 1735/1746

Etching of a wide river valley with a seated figure, trees on the right, a ruined castle, and distant hills under open sky.

Junction of Severn and Wye

Joseph Mallord William Turner, published 1811

Sepia print of an umbrella pine, a figure at a stone basin, and ruined arches and a temple under a pale sky.

Scene in the Campagna

Joseph Mallord William Turner and William Say, published 1812

Etching of a crowded courtyard with rooftops, hanging laundry, potted plants, an arched gateway, and small figures.

The Terrace

Canaletto, c. 1735/1746

Sepia landscape print with an umbrella pine, a seated figure, and a classical temple and arches in the distance.

Scene in the Campagna

Joseph Mallord William Turner, published 1812

Sepia engraving of farm workers hedging and ditching beside a large gnarled tree, with sheep and clouds in the distance.

Hedging and Ditching

Joseph Mallord William Turner and J.C. Easling, published 1812

Etching of a Venetian piazza with arcades, flagpoles, market umbrellas and cloaked figures, after Canaletto.

Le Procuratie niove e S. Ziminian V.

Canaletto, c. 1735/1746

Sepia print of farm labourers hedging and ditching beside a gnarled tree, with grazing sheep in the fields beyond.

Hedging and Ditching

Joseph Mallord William Turner, published 1812

Sepia print of a mill and wooden bridge beside a rushing river in a steep rocky gorge with tall trees.

Mill near the Grand Chartreuse

Joseph Mallord William Turner and Henry Edward Dawe, published 1816

Etching of a riverside market with tents and figures, a columned building on the left, a villa on the right, and hills behind

The Market at Dolo

Canaletto, c. 1735/1746

Brown etching of a wooded ravine with tall trees, rocky cliffs, and a wooden bridge leading to a small building.

Mill near the Grand Chartreuse

Joseph Mallord William Turner, published 1816

Sepia print of a river with large trees, a columned rotunda on the left bank, and buildings receding under a cloudy sky.

Isleworth

Joseph Mallord William Turner and Henry Edward Dawe, published 1819

Etching of a hillside with a ruined arch, a wooden cross, a pilgrim with a staff, and a fisherman in a boat.

Landscape with the Pilgrim at Prayer

Canaletto, c. 1735/1746

Pen and ink landscape of trees by a reflective river with a classical columned rotunda and distant buildings.

Isleworth

Joseph Mallord William Turner, published 1819

Sepia print of a river landscape with a willow, classical column, stone bridge and a white bird on a carved stone.

Isis

Joseph Mallord William Turner and William Say, published 1819

Etching of a landscape with a tall tower, ruined pillars, a walking figure with a dog, and a drooping tree.

Landscape with Tower and Two Ruined Pillars

Canaletto, c. 1735/1746

Etching of a woodland with leaning trees, a seated woman near a pool, and a crouching figure among ferns.

Aesacus and Hesperie

Joseph Mallord William Turner, published 1816

Sepia print of a classical landscape with ruined arches, tall pines, sarcophagi, and figures including a woman with a jug.

The Woman of Samaria

Joseph Mallord William Turner and Samuel William Reynolds I, published 1819

Etched landscape of a stone farmhouse with an arched opening, a well, figures, and a distant tower under a hatched sky.

Landscape with a Woman at a Well

Canaletto, c. 1735/1746

Etched landscape of a river with a weeping willow, a classical column, a perched bird on a pedestal, and distant wooded hills

Isis

Joseph Mallord William Turner, published 1819

Engraved title page with Italian lettering in a border of drapery swags, tassels and flower garlands.

Title Page

Giovanni Battista Tiepolo, published 1785

Etching of a Venetian square with a clock-faced church, classical columns, a statue, arcades and small figures.

Imaginary View of S. Giacomo di Rialto

Canaletto, c. 1735/1746

Line engraving of a wooded landscape with a classical arch, tombs, and women with a water jar beneath tall trees.

The Woman of Samaria

Joseph Mallord William Turner, published 1819