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National Gallery of Art

25,760 works

Pen and brown wash drawing of a man gesturing toward a woman with a staff, with a distant crowd and buildings behind them.

Ergasto and Corisca

Johann Wilhelm Baur, 1640

Brown ink and wash drawing of an old man with a staff beside figures tending a reclining body in a wooded landscape.

Nicandro and Amarilli

Johann Wilhelm Baur, 1640

Pen and wash drawing of three seated figures in a pastoral landscape with trees, water and clouds.

Linco, Silvio and Dorinda

Johann Wilhelm Baur, 1640

Pen and brown wash drawing of shepherds gathered before a columned classical building, with a seated figure and a dog in fron

Chorus of Shepherds: Carino, Montano and Mirtillo

Johann Wilhelm Baur, 1640

Pen and brown wash drawing of figures reaching toward each other before a crowd and classical buildings, labeled Corisca, Ama

Corisca, Amarilli and Mirtillo

Johann Wilhelm Baur, 1640

Pen and brown wash drawing of a staff-bearing figure in a wooded landscape with a hill behind.

Corisca

Johann Wilhelm Baur, 1640

Pen and wash drawing of an archer aiming a bow across a wooded landscape, labeled Silvio und Dorinda.

Silvio and Dorinda

Johann Wilhelm Baur, 1640

Brown ink and wash drawing of hunters and shepherds with staffs gathered around a reclining figure under clouds.

Chorus of Hunters and Shepherds

Johann Wilhelm Baur, 1640

Pen and ink drawing with wash of three figures embracing in a wooded landscape under clouds.

Silvio, Dorinda and Linco

Johann Wilhelm Baur, 1640

Brown wash drawing of a gesturing figure beside seated shepherds, one playing a pipe, under trees.

Chorus of Shepherds and Ergasto

Johann Wilhelm Baur, 1640

Pen and wash drawing of a reclining figure gesturing before a rocky, wooded landscape, labeled Ecco et Silvio.

Silvio

Johann Wilhelm Baur, 1640

Brown ink and wash drawing of robed figures in a classical interior with columns, a domed ceiling, and a crowd of onlookers.

Tirenio, Montano and Carino

Johann Wilhelm Baur, 1640

Pen and brown wash drawing of three robed men before a classical colonnade and a crowd, inscribed Montano, Carino, Dameta.

Montano, Carino and Dameta

Johann Wilhelm Baur, 1640

Pen and brown wash drawing of a theatre-like interior with columns, seated audience, two figures, and a canopied bed.

Amarilli and Mirtillo

Johann Wilhelm Baur, 1640

Brown ink drawing of two men on a path, one bearded with a staff, beside a round classical building and trees.

Titiro and Messo

Johann Wilhelm Baur, 1640

Pen and brown wash drawing of two figures conversing before a classical building with columns and a sky of loose clouds.

Corisca and Linco

Johann Wilhelm Baur, 1640

Engraved interior of a formal 1645 marriage contract ceremony with nobles, clergy and chandeliers at Fontainebleau.

Ceremony of the Contract of Marriage between Vladislas IV, King of Poland, and LouiseMarie of Gonzaga, Princess of Ma…

Abraham Bosse, 1645

Engraved title page of a king bestowing knighthood on a kneeling man beneath columns and a draped canopy, with courtiers watc

The King Giving the Accolade and Creating Knights of S. Michel Who Receive the Order of the Holy Spirit

Abraham Bosse, 1633

Engraving of a formal procession of nobles and soldiers with drummers crossing an arcaded courtyard at Fontainebleau.

March of the King and Knights of the Holy Spirit in the Courtyard at Fontainebleau

Abraham Bosse, 1633

Engraving of a formal assembly in a decorated hall, with seated dignitaries before a dais and crowded galleries above.

Meeting in the Chapel at Fontainebleau

Abraham Bosse, 1633

Engraving of a long banquet hall with plumed guests at tables, attendants in the aisle, and a canopied royal table at the end

Banquet Given by the King to the New Knights

Abraham Bosse, 1633

Engraving of Mercury and Venus: two nude figures in a wooded landscape with a river and distant city.

Mercury and Venus

Hans Burgkmair, c. 1520

Engraved title plate with a crowned coat of arms, ornate cartouche showing soldiers and kneeling figures in a courtyard, and

The Siege of La Rochelle [plate 1 of 16; set comprises 1952.8.97-112]

Jacques Callot and Abraham Bosse, 1628/1631

Engraved print of a bearded man in armor and lace collar in an oval medallion, surrounded by flags, weapons and a crown.

The Siege of La Rochelle [plate 2 of 16; set comprises 1952.8.97-112]

Michel Lasne and Abraham Bosse, 1628/1631

Engraved plate of soldiers and horsemen before walled city, framed by ornate scrolls and a royal crown with coat of arms.

The Siege of La Rochelle [plate 3 of 16; set comprises 1952.8.97-112]

Jacques Callot and Abraham Bosse, 1628/1631

Engraved plate with a winged head cartouche, large title capitals and a column of French text about the siege of La Rochelle.

The Siege of La Rochelle [plate 4 of 16; set comprises 1952.8.97-112]

Assistant of Jacques Callot, 1628/1631

Etching of a coastal town under siege, with armed troops, smoke, sailing ships and fortifications along the shore.

The Siege of La Rochelle [plate 5 of 16; set comprises 1952.8.97-112]

Jacques Callot, 1628/1631

Etching of a walled port city under siege, with star-shaped bastions, troops, tents, cannon smoke and ships in the bay.

The Siege of La Rochelle [plate 6 of 16; set comprises 1952.8.97-112]

Jacques Callot, 1628/1631

Etching of a fortified town under siege, with bastions, cannon smoke, troops and numbered positions across the landscape.

The Siege of La Rochelle [plate 7 of 16; set comprises 1952.8.97-112]

Jacques Callot, 1628/1631

Engraved plate with Latin text under an ornate cartouche featuring a central mask and swags of drapery and ribbon.

The Siege of La Rochelle [plate 8 of 16; set comprises 1952.8.97-112]

Assistant of Jacques Callot, 1628/1631