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National Gallery of Art

25,761 works

Etching of a wooden cross in a grassy landscape with a town of spired buildings and hills, with German verse below.

The Cross of Christ

Augustin Hirschvogel, 1548

Etching of Christ with a banner entering Hell, freeing naked souls past a horned demon and a defeated devil.

The Harrowing of Hell

Augustin Hirschvogel, 1547

Etching of figures in a landscape, a kneeling nude man before a winged creature, smoke rising from distant buildings, with Ge

Job Learns of His Misfortunes

Augustin Hirschvogel, 1549

Engraved sheet with rulers' portrait medallions, a map of Eastern Europe, seated figures, travel vignettes and a ship.

Map of Eastern Europe with portraits of Sigismund von Herberstein, Emperor Charles V, Emperor Maximilian I, Ferdinand…

Augustin Hirschvogel, 1548

Engraving of a standing armored man in ornate plate armor holding a sword with a bird-head hilt.

Ludwig II, King of Hungary

Augustin Hirschvogel, 1546

Ink line drawing of a stylized female figure with a fan-shaped comb headdress, draped cloak, and two downward black arrows.

Die Hexe mit dem Kamm (Witch with a Comb)

Paul Klee, 1922

Engraved dedication page with a central tree of names, a risen Christ, two angels, and the inscription Ich bin die Auferstehu

Dedication: Ich bin die Auferstehung und das Leben (I am the resurrection and the life)

Ferdinand Olivier, 1823

Engraved landscape of a woman and child in a garden near a river, with a man working on wooden boards and a hilltop castle.

Montag - Rosenecker Garten vor Salzburg (Monday - Rosenecker Garden near Salzburg)

Ferdinand Olivier, 1823

Lithograph of a hilltop castle over wooded hills, with a man and dog, a woman leading goats, and a river in the foreground.

Dienstag - Bergveste Salzburg vor der Mittagseit (Tuesday - The Castle of Salzburg from the Noontime Side)

Ferdinand Olivier, 1823

Print of a footpath with a woman, child and seated old man, with a tower and grazing sheep on a hillside.

Mittwoch - Fusspfad auf dem Mönchsberge bey Salzburg (Wednesday - Footpath on the Mönchsberge near Salzburg)

Ferdinand Olivier, 1823

Print of the Watzmann mountain above Berchtesgaden, with a farmer digging, a woman and child at a gate, and a hilltop village

Donnerstag - Berchtesgaden und der Watzmann (Thursday - Berchtesgaden and the Watzmann Mountain)

Ferdinand Olivier, 1823

Etching of peasants mowing a meadow beside a wayside shrine, with mountains and trees in the distance.

Freitag - Wiesenplan vor Aigen bey Salzburg (Meadow before Aigen near Salzburg)

Ferdinand Olivier, 1823

Lithograph of St. Peter's graveyard in Salzburg with iron crosses, tombstones, an arcaded cloister and a rocky cliff behind.

Sonnabend - Gottesacker zu St. Peter in Salzburg (Saturday - Graveyard of St. Peter's in Salzburg)

Ferdinand Olivier, 1823

Engraved village scene of churchgoers outside a stone church with a saint statue, a whitewashed house and mountains behind.

Sonntag - Kircheneingang in Berchtesgaden (Sunday - Going to Church near Berchtesgaden)

Ferdinand Olivier, 1823

Engraved Gothic-style tailpiece with a central crucifix, a German Bible inscription, and vignettes of vineyard, harvest, and

Tailpiece: Selig sind die nicht sehen und doch glauben (Blessed are those who do not

Ferdinand Olivier, 1823

Circular woodcut of The Last Supper with Christ at a round table surrounded by apostles, a radiant halo, and a roasted fish o

The Last Supper

Jacob Cornelisz van Oostsanen after Albrecht Dürer, 1514

Circular print of a praying figure in a garden, an angel above, sleeping disciples in front, and torch-bearing soldiers appro

The Agony in the Garden

Jacob Cornelisz van Oostsanen, 1512

Circular print of Christ's betrayal, with soldiers with swords and lanterns seizing a robed figure beside a tree.

The Betrayal of Christ

Jacob Cornelisz van Oostsanen, 1512

Circular print of Christ led away by armed soldiers with torches, rendered in dense black hatching on pale paper.

Christ Led Away After His Arrest

Jacob Cornelisz van Oostsanen, 1512

Circular woodcut of a kneeling bearded figure mocked by armored men in an arched stone interior, with a seated judge behind.

The Mocking of Christ and Christ Before Caiaphas

Jacob Cornelisz van Oostsanen, 1513

Circular print of Christ bound to a column and whipped by soldiers while a crowd watches from a platform at left.

The Flagellation of Christ and Christ Before Pilate

Jacob Cornelisz van Oostsanen, 1514

Circular woodcut of Christ crowned with thorns, surrounded by soldiers and a crowd in an interior with a wooden bench.

Christ Crowned with Thorns

Jacob Cornelisz van Oostsanen, 1511

Circular woodcut of Christ presented to a crowd on a raised platform, with soldiers and onlookers in Renaissance dress.

Ecce Homo

Jacob Cornelisz van Oostsanen, 1514

Circular print of Christ carrying the cross, surrounded by soldiers, a jeering crowd, and mourning women beneath a tree.

Christ Carrying the Cross

Jacob Cornelisz van Oostsanen, 1514

Circular woodcut of the Crucifixion with Christ on the cross, mourners at the base, and a crowd of soldiers and horsemen.

The Crucifixion

Jacob Cornelisz van Oostsanen, 1514

Circular print of Christ's lamentation and entombment with mourners, crosses in background, and a kneeling woman in foregroun

The Lamentation and Entombment

Jacob Cornelisz van Oostsanen, 1514

Circular woodcut of the risen Christ with banner, surrounded by startled soldiers and rays of light, with women walking in th

The Resurrection and the Holy Women on Their Way to Christ's Sepulchre

Jacob Cornelisz van Oostsanen, 1514

Etching of elegant crowds seated and strolling in a tree-lined garden beside a statue on a pedestal, 1760.

Les chaises [lower half]

Gabriel Jacques de Saint-Aubin, 1760

Etching of men pulling a watering cart past a statue on a pedestal in a tree-lined garden, with onlookers nearby.

Le tonneau d'arrosage [upper half]

Gabriel Jacques de Saint-Aubin, 1762

Etching of a crowded Salon at the Louvre with dense paintings on walls and visitors in period dress on stairs and a balcony.

Vue du Salon du Louvre en l'année 1753 (View of the Salon in the Year 1753)

Gabriel Jacques de Saint-Aubin, 1753

Sepia print of a river bank with tall trees, barges on calm water, and small figures walking under a streaked sky.

Banks of the Loing near Saint-Mammès (Bords du Loing, pres Saint-Mammès)

Alfred Sisley, 1896

Old Horse (Le vieux cheval)

Henri de Toulouse-Lautrec, 1897

Black and white print of slender female figures by a forest pond, with jagged trees and rippling water in bold strokes.

Five Girls at a Forest Pond (Funf Madchen am Waldteich)

Otto Mueller, c. 1919

Black and cream print of a walled stone courtyard with a palm tree and houses with a tiled roof.

Courtyard with Tree and Houses (Ummauerter Hof mit Baum und Dachern)

Otto Mueller, 1920/1925

Black and white print of three nude women in an interior, one seated on a chair before a dark mirror, angular outlines and ha

Three Girls in front of a Mirror (Drei Madchen vor dem Speigel)

Otto Mueller, c. 1922

Black and white print of a reclining woman with pale face on a patterned couch in a dark interior.

Girl on a Couch (Madchen auf dem Kanapee)

Otto Mueller, 1921/1922

Black-and-white print of a landscape with a tree at upper right, rippling water at left, and grassy tufts along the shore.

Landscape with Tree and Water (Landschaft mitBaum und Wasser)

Otto Mueller, c. 1920

Black-and-white woodcut self-portrait of a man's head turned left, with bold angular shading and dark hair.

Self-Portrait Facing Left (Selbstbildnis nachlinks)

Otto Mueller, 1920

Drawing of a standing nude woman among trees and blue-green foliage, rendered in loose crayon and ink strokes.

Standing Nude in a Landscape

Three Girls in Profile (Drei Madchen im Profile)

Otto Mueller, 1921

Colored crayon and watercolor drawing of two nude women bathing among green grasses beside a blue sea.

Two Bathers

Otto Mueller, c. 1920

Untitled - Ferdinand Schmutzer

Ferdinand Schmutzer

Engraved oval portrait of a woman in an ermine-trimmed robe with fleur-de-lis pattern, beneath a royal crown.

Marie Leszczynska of Poland, Queen of France

Laurent Cars after Carle Van Loo, 1728

Engraved portrait of a woman in a ruff collar with a child in an embroidered dress beside a leaded window and flowers.

Mary, Queen of Scots

Francesco Bartolozzi after Federico Zuccaro, published 1779

Engraved half-length portrait of a bearded man in a tall pleated hat, ruff collar, and fur-trimmed cloak.

Phillip II of Spain

Hieronymus Wierix, possibly 1585

Engraved portrait of a man in military dress with a sash, sword and map, with a town in the background.

Peter the Great of Russia

Louis-Pierre Henriquel after Paul Delaroche

Engraved oval portrait of a woman in a ruff collar and pearl necklaces, framed by ornate floral and foliage border.

Maria Anna of Spain

Jacob Louis after Pieter Claesz Soutman

Engraved portrait of a woman in a jeweled bodice and headdress, framed by flowers and a coat of arms.

Maria of Burgundy, Empress and Wife of Maximilian I

Jonas Suyderhoff after Pieter Claesz Soutman

Engraved full-length portrait of a woman in an ermine-trimmed robe beside a crown, column and carved armchair.

Marie Therese of Spain, Dauphine of France

Nicolas de Larmessin IV after Jean-Baptiste Van Loo

Engraved oval portrait of a young woman with curled hair and pearl necklace, framed by cherubs, foliage and a coat of arms.

Mary I Stuart

Jonas Suyderhoff after Pieter Claesz Soutman after Gerrit van Honthorst, 1643

Engraved oval portrait of a man in a curled wig, ermine-trimmed robe and armor, framed by drapery and scrollwork.

King George II

Pieter van Gunst

Engraved half-length portrait of a man in armor with long hair and white collar, holding a rolled paper.

Oliver Cromwell

Francesco Bartolozzi after Robert Walker, 1802

Engraving of four Tudor royals in ornate robes flanking a central plinth with Latin inscriptions, set before classical archit

Henry VII and the Family of Henry VIII in Whitehall Palace

George Vertue after Hans Holbein the Younger

Engraved portrait of Lady Jane Grey in an oval frame, flanked by columns, a grieving figure, a crown and books.

Lady Jane Grey

George Vertue, 1748

Engraved group portrait of two men and a young attendant with a horse beneath a large tree, with a distant landscape.

Charles I of England and the Duke of Hamilton

Robert Strange, 1782

Engraved portrait of a man in a velvet coat and sash beside a cannon, with naval battle scene behind him.

Augustus Stellingwerf, First Lord Admiral of Friesland

Abraham Blooteling after Lodewyk van der Helst

Medieval illuminated initial showing the Virgin's death, with haloed apostles reading around her bed and Christ above in blue

Death of the Virgin

Attributed to Joshua Master, c. 1410

Illuminated initial showing three haloed women at a tomb with an angel and sleeping soldiers, beside red-ruled musical staves

The Three Holy Women at the Tomb

First Master of the Cortona Antiphonaries, 1250/1275

Engraving of galleys and a three-masted ship on the sea beneath a chariot, horses, and a sun in clouds.

Two Galleys behind an Armed Three-Master with Phaethon and Jupiter in the Sky

possibly by Cornelis Cort after Pieter Bruegel the Elder, 1565

Engraving of a large armed sailing ship on rough sea, heading toward a distant town under billowing clouds.

Armed Four-Master Sailing towards a Port

Frans Huys after Pieter Bruegel the Elder, 1565

Engraving of an armed three-masted ship anchored in calm water beside a walled city, with small boats nearby.

Armed Three-Master Anchored near a City

Frans Huys after Pieter Bruegel the Elder, 1565

Engraving of three sailing ships anchored near a fortified island with a round tower and rowing boats on calm water.

Four-Master (Left) and Two Three-Masters Anchored near a Fortified Island with a Lighthouse

Frans Huys after Pieter Bruegel the Elder, 1565

Wood engraving of a laurel-crowned scholar resting on stacked books, framed by Latin banners, putti and a dedicatory inscript

Conrad Celtis

Hans Burgkmair, 1507

Woodcut of a double-headed imperial eagle filled with allegorical roundels of muses, arts, and Latin inscriptions, by Hans Bu

The Imperial Eagle

Hans Burgkmair, 1507