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The Metropolitan Museum of Art

33,907 works

Sepia lithograph of two seated women beside an ornate chair, with a stagehand and curtain in a theater setting.

At the Curtain (Au Rideau), from "L'Estampe Originale"

Henri de Toulouse-Lautrec, 1895

Pencil sketch of a man's head tilted to one side, with loose hair and soft shading on a cream sheet.

Portrait of the Artist (?)

Charles Bargue, 1850-83

Loose crayon sketch of a helmeted warrior, a reclining woman on a bed, a seated man, and a standing woman.

A Scene from Offenbach's La Belle Hélène

Henri de Toulouse-Lautrec, 1900

Pencil sketch of two women in a theatre, one in a buttoned military-style uniform and cap, beside a feathered costume.

Marcelle Lender and Eva Lavalliére in a Revue at the Variétés

Henri de Toulouse-Lautrec, 1895

Yvette Guilbert (from Le Café Concert)

Henri de Toulouse-Lautrec, 1893

Paula Brébion (from Le Café Concert)

Henri de Toulouse-Lautrec, 1893

Gold ink line drawing of a stage performer in waistcoat and bow tie holding a cane, with a curtain sketched behind.

Mary Hamilton (from Le Café Concert)

Henri de Toulouse-Lautrec, 1893

Black and white lithograph of a female performer in a dark hat and jacket, mid-dance, with a flowing white skirt.

Edmée Lescot (from Le Café Concert)

Henri de Toulouse-Lautrec, 1893

Madame Abdala, from "Le Café Concert"

Henri de Toulouse-Lautrec, 1893

Lithograph of a man in a wide black hat and dark cloak with a white scarf, turning toward the viewer against a shadowy backdr

Aristide Bruant (from Le Café Concert)

Henri de Toulouse-Lautrec, 1893

Black and white lithograph of a stout man in a striped jacket gesturing with raised arm against a speckled background.

Caudieux at the Petit Casino (from Le Café Concert)

Henri de Toulouse-Lautrec, 1893

Ducarre at Les Ambassadeurs (from Le Café Concert)

Henri de Toulouse-Lautrec, 1893

A Spectator (from Le Café Concert)

Henri de Toulouse-Lautrec, 1893

Lithograph of a standing man in a checked suit and bowler hat holding a cane, with a dark shadow at upper left.

American Singer (from Le Café Concert)

Henri de Toulouse-Lautrec, 1893

Etching of a hunched man in a cloak and hat standing beside a horned bull on a shaded ground.

The cloaked man

Francisco Goya, 1859

Etching of a standing woman in a dark shawl and pale lace-trimmed skirt against a hatched dark background.

A Maja standing against a dark background with figures

Francisco Goya, 1859

Head of a Horse

Edgar Degas, ca. 1878

Engraving of a bagpipe player beside a dog and cat, with two women and a cow among vines at left.

Bagpipe Player

Pierre Brébiette, 1610-50

Etching of horned satyrs picking grapes from a pergola, with a reclining piper at left and goats grazing at right.

Birth of the Satyrs

Pierre Brébiette, 1610-42

Etching of nude dancers in a circle beside a bearded man with a staff, with lyre and pipe musicians in a landscape at right.

Orpheus

Pierre Brébiette, 1610-42

Etching of a bearded, vine-crowned figure drinking beside a barrel, with a putto playing a lute and a woman with a lute nearb

Bon Temps

Pierre Brébiette, 1610-42

Brown and grey wash drawing of a moonlit sky over a cottage and rocks, with two figures walking across a dark field.

Moonlight

Charles-François Daubigny, ca. 1860

Etching of a feast with a crowned Bacchus-like figure and drunken revelers around wine vessels, with an inscription below.

A False Bacchus Crowning Drunkards

Francisco Goya, 1778

Etching of a standing woman with hands on hips, wearing a dark lace mantilla and a pale skirt with lace trim.

A Maja standing with hands on her hips

Francisco Goya, 19th century ?

Pencil sketch of tall trees on a riverbank with rocky cliffs and distant hills receding to the right.

Le Martinet near Montpellier

Jean-Baptiste Camille Corot, 1836

Watercolor of a tiger stalking toward a fallen animal across a dusky rocky plain, with a bird flying overhead.

Tiger Stalking Prey

Antoine-Louis Barye

Etching of a seated blind singer in a wide-brimmed hat playing guitar, head tilted back, against a dark hatched background.

Blind Singer

Francisco Goya, Ca. 1824-28 (published second half of the 19th century)

Grey wash sketch of a donkey rider facing a lance-bearing knight on a thin horse, with a squire in the scene.

Don Quixote and Sancho Panza

Honoré Daumier, 19th century

Loose sketch of a street performer balancing on a chair with arms raised, beside a man in red leaning on a barrel.

Street Show (Paillasse) (recto); a clown playing a drum (verso)

Honoré Daumier, 1825-79

Etching of a mythological sea procession with nude nymphs on a shell chariot, cupids flying overhead, and sea creatures in wa

Triumph of Galatea

Pierre Brébiette, 1610-42

Engraving of the Judgment of Paris with nude goddesses, a peacock, a seated figure with a caduceus, and a reclining river god

Judgment of Paris

Pierre Brébiette, 1610-42

Etching of nude women attending a seated figure on a rocky shore, with cherubs flying overhead and sea creatures in the waves

Toilet of Thetis

Pierre Brébiette, 1610-42

Etching of a Bacchanale with satyrs, draped women, a horse, and a classical bust on a pedestal in a frieze-like composition.

Bacchanale

Pierre Brébiette, 1610-42

Etching of Bacchus and Ceres seated together with a leopard, urn, grapevine, and a cherub holding a cup.

The Alliance of Bacchus and Ceres

Pierre Brébiette, 1610-42

Etching of St. Catherine beside a broken wheel, angels above, and fallen figures and a seated ruler in the background.

St. Catherine

Pierre Brébiette, 1610-42

Olive-toned lithograph of a sad young man standing with hands in pockets, head bowed, bow tie at collar, on pale paper.

Adolphe (The Sad Young Man)

Henri de Toulouse-Lautrec, 1894

Portrait Bust of Mademoiselle Marcelle Lender

Henri de Toulouse-Lautrec, 1895

Etching of a bacchanal procession with draped women, a satyr leading a goat, and an altar beside garlanded architecture.

Bacchanal

Pierre Brébiette, 1615-42

Etching of playful putti in a landscape, with a child riding a centaur, a child aiming a bow, and a classical urn among trees

Children's Games

Pierre Brébiette, 1615-42

Etching of Saint John seated on a cloud with a haloed head, resting his foot on an eagle beside a winged medallion.

St. John

Pierre Brébiette, 1615-42

Etching of St. Mark seated with a quill and book, a resting lion at his side in the foreground, clouds behind.

St. Mark

Pierre Brébiette, 1615-42

Engraving of a Bacchic procession with satyrs, putti, grapevines, and animals including a lion, goat, and elephant.

Triumph of Bacchus

Pierre Brébiette, 17th century

Ink and wash drawing of a man in a straw hat reading on a bench under large trees, by Honoré Daumier.

A Man Reading in a Garden (recto); Preliminary sketch for a Man Reading in a Garden (verso)

Honoré Daumier, ca. 1865

Watercolor of two white storks on a pale path before rocky hills and reddish shrubs under a stormy sky.

Herons in Landscape

Antoine-Louis Barye, 1810-75

Watercolor of a brown vulture with a pale neck perched on a grey rock against a mottled blue sky.

Vulture

Antoine-Louis Barye, 1810-75

Watercolor of a spotted leopard lying on a pale rocky ledge with hills in the muted background.

Leopard Lying Down

Antoine-Louis Barye, 1810-75

Watercolor of a striped tiger reclining on grass in a dim, shadowy landscape with shrubs and a hill.

Tiger

Antoine-Louis Barye, 1810-75

Watercolor of a bear attacking a bull on rocky ground beneath a dusky, pink-tinged sky with hills in the distance.

Bear Killing Bull

Antoine-Louis Barye, 1810-75

Watercolor drawing of a crouching leopard on grass with a coiled serpent in the lower right corner.

Leopard and Serpent

Antoine-Louis Barye, 1810-75

Brown watercolor drawing of a lion resting under a rocky overhang with hills in the background.

Lion Resting

Antoine-Louis Barye, 1810-75

Watercolor drawing of a bison resting on grassland, head turned right, with a pale sky and distant trees behind it.

Bison Lying Down

Antoine-Louis Barye, 1810-75

Brown wash drawing of a sleeping elephant with tusks resting on the ground beside dark forest trees.

Sleeping Elephant

Antoine-Louis Barye, 1810-75

Watercolor drawing of a lion crouching over prey on grass, with a dark hillside landscape behind it.

Lion Devouring Prey

Antoine-Louis Barye, 1810-75

Watercolor of four deer resting in a grassy field under a cloudy sky, with shrubs and hills in the distance.

Deer in Landscape

Antoine-Louis Barye, 1810-75

Watercolor drawing of a lion lying low on sandy ground before misty, layered hills in muted browns and greys.

Lion Sleeping

Antoine-Louis Barye, 1810-75

Watercolor of a tiger rolling on its back in a grassy landscape with dark hills under a grey sky.

Tiger Rolling on Its Back

Antoine-Louis Barye, 1810-75

Brown wash drawing of a caracal with a pheasant in a rocky, scrubby landscape under a cloudy sky.

Caracal and Pheasant

Antoine-Louis Barye, 1810-75

Watercolor drawing of a crouching spotted leopard on a green hillside beneath a dark, stormy sky.

Leopard Watching Serpent

Antoine-Louis Barye, 1810-75

Watercolor of a tiger lying on earthy ground in a landscape with rocks, hills and a blue cloudy sky.

Tiger in Landscape

Antoine-Louis Barye, 1810-75

Two dead horses lie on grass before dark rocks, with a flock of birds circling in a grey-green sky.

Dead Horses

Antoine-Louis Barye, 1810-75

Watercolor of a bear attacking a bull in a misty, shrubby landscape under a dusky pink sky.

Bear Killing a Bull

Antoine-Louis Barye, 1810-75

Muted watercolor of two deer on a grassy ledge with pale rocks and dark hills behind, signed BARYE in the lower right.

Izards in the Glaciers (Pyrenean Chamois)

Antoine-Louis Barye, 1810-75

Three elephants wade near a reflective pool under a dark dusk sky, with a fourth elephant on a distant ridge at left.

Elephants by a Pool

Antoine-Louis Barye, 1810-75

Watercolor drawing of a stag beside a bare twisted tree at dusk, with does in the distance under pink clouds.

Deer and Tree Against Sunset

Antoine-Louis Barye, 1810-75

Drawing of a group of bison on a grassy plain with trees and rocks under a cloudy sky.

Group of Bison

Antoine-Louis Barye, 1810-75

Watercolor of vultures perched on a gnarled dead tree under a dusky, cloudy sky, with a carcass on rocky ground.

Vultures on a Tree

Antoine-Louis Barye, 1810-75

Watercolor of a striped tiger walking across an open, overcast landscape with rocks and shrubs in the foreground.

Tiger Approaching Pool

Antoine-Louis Barye, 1810-75

Charcoal drawing of a farmhouse, large tree, cart and ducks in a puddle on a dirt road under cloudy skies.

Farmyard with Ducks

Jules Dupré, 1830-1889

Pencil sketch of a seated ballet dancer bending to tie her slipper, with faint grid lines and a handwritten note.

Dancer Adjusting Her Slipper

Edgar Degas, 1873

Charcoal and white chalk drawing on pink paper of a seated ballet dancer in a tutu, head turned, arms resting on knees.

Seated Dancer

Edgar Degas, 1873-74

Pencil and chalk sketch of a young girl in a dress holding a ballet barre while extending one leg to the side.

Little Girl Practicing at the Bar

Edgar Degas, ca. 1878-80

Etching of a man clutching his head beside a reclining woman in a pale dress, with a handwritten caption reading Tantalo.

Plate 9: Tantalus (Tantalo), from "Los Caprichos"

Francisco Goya, ca. 1798-99

Etching of an elderly man in a robe recoiling at a table with two shadowy figures behind him, from Goya's Los Caprichos.

Plate 13: They are Hot (Estan Calientes), from "Los Caprichos"

Francisco Goya, ca. 1798

Etching of two women in dark mantillas seated on wooden chairs against a shaded background, with a handwritten caption below.

Plate 15: Pretty Advice (Bellos Consejos), from "Los Caprichos"

Francisco Goya, 1799

Etching of a woman embracing a kneeling man beside a broken pot, with laundry hanging behind them and a wicker basket at left

Plate 25: If he broke the pot (Si quebró el cantaro), from "Los Caprichos"

Francisco Goya, ca. 1797-98

Etching of a mounted soldier with raised saber amid smoke, with fallen and kneeling figures on the ground below.

Plate 17: They do not agree (No se convienen), from "The Disasters of War" (Los Desastres de la Guerra)

Francisco Goya, ca. 1810

Etching of a woman in a dark gown and ruff riding a grey horse across a landscape, with an inscription beneath.

Isabel de Bourbon on horseback, after Velázquez

Francisco Goya, 1778

Etching of Philip IV on a rearing horse in a hilly landscape, after Velázquez, by Goya, 1778.

Philip IV on horseback, after Velázquez

Francisco Goya, 1778

Etching of a seated court dwarf in a lace-collared cloak, after Velázquez, with an inscription beneath, 1778.

Portrait of the court dwarf known as el Primo, after Velázquez

Francisco Goya, 1778

Etching of a nobleman on a rearing horse holding a baton, with a tree and hills in the background, after Velázquez.

Gaspar de Guzmán, Count Duke of Olivares on horseback, after Velázquez

Francisco Goya, 1778

Etching of an elderly man in a cloak holding a book, labeled Aesopus, after Velázquez, by Goya, 1778.

Aesop, after Velázquez

Francisco Goya, 1778

Etching of an elderly bearded man in a wide hat and cloak beside a jug on a ledge, after Velázquez, by Goya, 1778.

Menippus, after Velázquez

Francisco Goya, 1778

Etching of a seated man in a fur-trimmed cloak and wide hat, resting on a large open book beside a candle.

Portrait of the court dwarf El Primo, after Velázquez

Francisco Goya, 1778

Dark etching of hooded mourners beside a shrouded body on the ground in a shadowy landscape.

'Funereal Folly' from the 'Disparates' (Follies / Irrationalities)

Francisco Goya, ca. 1815-19 (private printing ca.1854)

Etching of nude women and armed men on a dark rocky hill, with a child held aloft and a body lying in the distance.

Plate 27 from "The Disasters of War" (Los Desastres de la Guerra): 'Charity' (Caridad)

Francisco Goya, 1810

Etching of soldiers pointing at a kneeling woman and child, with a fleeing crowd and a hill with ruins behind.

Plate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi)

Francisco Goya, 1810

Etching of several bodies lying sprawled on rocky ground beneath a dark, heavily hatched sky, from Goya's Disasters of War.

Plate 23 from "The Disasters of War" (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes)

Francisco Goya, ca. 1810

Etching of wounded figures lying in a crowded ward while caregivers tend them, with dense dark hatching behind.

Plate 25 from "The Disasters of War" (Los Desastres de la Guerra): 'These too' (Tambien estos)

Francisco Goya, 1810

Etching of tumbling and prostrate figures among broken wooden debris and an overturned chair in a dark interior.

Plate 30 from "The Disasters of War" (Los Desastres de la Guerra): 'Ravages of War' (Estragos de la guerra)

Francisco Goya, 1810

Etching of people fleeing through flames and smoke, a man carrying a woman across a street, from Goya's Disasters of War.

Plate 41 from "The Disasters of War" (Los Desastres de La Guerra): 'They escape through the flames' (Escapan entre la…

Francisco Goya, 1810

Etching of figures tending wounded men beside a stream with a broken tree, from Goya's Disasters of War series.

Plate 20 from "The Disasters of War" (Los Desastres de la Guerra): 'Get them well, and on to the next' (Curarlos y á…

Francisco Goya, 1810

Etching of figures in a dark landscape: a man carries a limp body while a woman covers her face beside fallen bodies.

Plate 21 from "The Disasters of War" (Los Desastres de la Guerra): 'It will be the same' (Será lo mismo)

Francisco Goya, ca. 1810

Etching of several dead men sprawled on barren ground with a broken sword and ruined building behind them.

Plate 22 from "The Disasters of War" (Los Desastres de la Guerra): 'Even worse' (Tanto y mas)

Francisco Goya, 1810

Etching of men among fallen figures and scattered rifles on rocky ground, with a distant tower behind, by Goya.

Plate 24 from "The Disasters of War" (Los Desastres de la Guerra): 'They can still be of use' (Aun podrán servir)

Francisco Goya, 1810

Etching of a pile of naked corpses on a hill, with two clothed men standing above them under an open sky.

Plate18 from "The Disasters of War" (Los Desastres de la Guerra): 'Bury them and keep quiet' (Enterrar y callar)

Francisco Goya, 1810

Etching of a standing man over sprawled bodies on a battlefield, with a dark smoke cloud rising behind them.

Plate 12 from "The Disasters of War" (Los Desastres de la Guerra): 'This is what you were born for' (Para eso habeis…

Francisco Goya, 1810