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The Metropolitan Museum of Art

33,763 works

Etching of tall trees over a small wooden footbridge crossing a stream, with reeds in the foreground and a distant tower.

A Small Bridge over a Stream

Anthonie Waterloo, 17th century

Watercolor drawing of soldiers and a chariot procession through a classical colonnaded hall, with robed figures raising their

Allegory of Victory of Russians over Napoleon's Army, from a poem by Cremes

Franz von Hauslab the Younger, ca. 1814

Etching of a dense forest on a rocky ledge, with two small figures and a dog on a path and hills in the distance.

The Little Hunchback

Anthonie Waterloo, 17th century

Colored drawing of a crowned king on a throne with a bearded man and a young man in white gesturing before him.

Daniel interprets Nebuchadnezzar's Dream

Franz von Hauslab the Younger, 1815-83

Drawing of two figures on rocky ledges in a shadowed cave, one in armor holding a spear, the other with an arm raised.

Soldiers in a Cave Receiving Blessings from Heaven

Franz von Hauslab the Younger, 19th century

Grey wash drawing of a priest before a radiant sun raising arms over a chained couple, with plumed guards and drapery.

Sun King Anointing a Bound Couple, from August von Kotzebue's Die Sonnenjungfrau

Franz von Hauslab the Younger, 19th century

Grey wash drawing of Roman figures gathered in a classical columned hall, with a seated elder and an arm gesture in the foreg

Assembly of Roman Figures, from Regulus, a play by Collin

Franz von Hauslab the Younger, 19th century

Watercolor of two mounted soldiers in blue uniforms beneath a classical colonnade with carved reliefs and a distant hilltop t

Two Mounted Soldiers in Classical Ruins, for a poem by Cremes

Franz von Hauslab the Younger, 1812-83

Etching of two travellers resting in a shaded woodland beside a path, with dogs and a large twisted tree.

Two Travellers Resting in the Woods

Anthonie Waterloo, 17th century

Etched landscape of a wooded path with tall trees, a fence, a cottage, and a woman and children resting at the roadside.

A Mother and Children Resting

Anthonie Waterloo, 17th century

Etching of a peasant with a shovel on a dirt path beside large trees, sheep grazing, and a fence in the distance.

A Peasant with a Shovel

Anthonie Waterloo, 17th century

Etching of a forest scene with a seated traveller and dog beside a stream, tall trees filling the composition.

A Traveller Resting

Anthonie Waterloo, 17th century

Etching of a forest path with tall trees on the left, a small wooden footbridge over a stream, and an open landscape beyond.

The Entrance to a Forest by a Small Wooden Bridge

Anthonie Waterloo, 17th century

Etched landscape of a forest path, a large tree, and a man and woman with a dog beside a stream.

A Man and a Woman Crossing a Stream

Anthonie Waterloo, 17th century

Red chalk anatomical studies of shoulder muscles and a raised arm, with a faint graphite skull outline at left.

Ecorché: Two Studies of the Muscles of the Shoulder and of the Arm, Raised

Eugène Delacroix, 1810-63

Etching of a farmhouse courtyard with a large tree, a vine trellis arbor, figures dining at tables, and a horse by a well.

The Little Trellis

Jacques Callot, early 17th century

Engraving of Jesus and the tribute money in a colonnaded hall, framed by an ornate rococo border with cherubs and candelabra.

Le Denier de César (The Tribute Money), from Le Nouveau Testament (The New Testament)

Jacques Callot, printed 18th century

Etching of a dense forest with large oak trees, an angel beside a seated woman, and a reclining child in a clearing.

Hagar Consoled by the Angel

Anthonie Waterloo, 17th century

Etching of a wooded river landscape with a stone bridge, cottage, and a group of figures gathering in the foreground.

Zipporah Circumcising her Son

Anthonie Waterloo, 17th century

Etching of a wooded landscape with a waterfall, rocky cliffs, two small figures on a knoll, and a distant town.

Tobias and the Angel

Anthonie Waterloo, 17th century

Etching of a wooded landscape with a large tree, a dirt path, a small group of walking figures and distant hills.

The Banishment of Hagar

Anthonie Waterloo, 17th century

Etching of a dense forest with large trees, a nude figure running on a bank and another figure reaching from a stream.

Alpheus and Arethusa

Anthonie Waterloo, 17th century

Etching of a dense forest with a large oak, a fleeing woman in reeds and a pursuing horned figure by a stream.

Pan and Syrinx

Anthonie Waterloo, 17th century

Etched landscape of a tall tree grove with a reclining couple, a winged child and hounds in the foreground, and hills beyond.

Venus and Adonis

Anthonie Waterloo, 17th century

Etching of a dense forest with a large tree, a small wooden footbridge with a woman and child, and resting figures on a path.

A Peasant Woman and Daughter on a Small Wooden Bridge

Anthonie Waterloo, 17th century

Etching of a large tree beside a thatched inn with travelers on a dirt road and rolling hills in the distance.

A Large Linden Tree Before an Inn

Anthonie Waterloo, 17th century

Etching of a thatched farmhouse among tall trees beside a river, with a rowing boat and distant town on the water.

A Farmhouse Beside the Water

Anthonie Waterloo, 17th century

Etching of a wooded landscape with tall trees, a wooden fence, a dirt path and a small figure walking on the right.

A Horseman by a Fence

Anthonie Waterloo, 17th century

Etching of a path winding through a woodland clearing with tall trees, a figure in the foreground and two distant walkers.

A Path Through the Woods

Anthonie Waterloo, 17th century

Etched forest landscape with a dirt path, wooden fence, and a shepherd with grazing animals on a grassy hummock.

Shepherd Asleep on a Hummock

Anthonie Waterloo, 17th century

Two studies of a saddled horse and of a horse with a boy astride; verso: Study of a bean plant

Jacob de Gheyn II, ca. 1602

Engraving of the crucifixion of Christ between two thieves, with mourners, soldiers, and a skeleton in an ornate architectura

Christ on the Cross between Two Thieves

Philips Galle, n.d.

Engraved interior of a decorated church nave with a barrel vault, draped hangings, and figures walking toward an altar.

Decoration ordered by Cardinal de Retz in the Church of San Luigi, Rome, for the Saint's Feast Day

Dominique Barrière, 1665

Brown wash drawing of a sea nymph on a dolphin with a triton and a cherub beside her on a rocky ledge.

A Sea Nymph and a Triton on a Dolphin

Peter Anton von Verschaffelt, 18th century

Oval fan with an engraved rebus of cupids, an eagle, ships and scales, edged in coloured silk fringe on a wooden handle.

A fan with a rebus on Love on one side Fortune on the other

Stefano Della Bella, ca. 1639

Pencil and wash drawing of a pyramid-topped memorial with laurel wreath cartouche and inscription for J.B. van Bree.

Pyramid monument for J.B. van Bree

G. Fock, 1857 or after

Sepia frontispiece print with a framed harbour landscape, Gothic arches, a rolled scroll and architectural fragments.

Frontispiece from "Liber Studiorum"

Joseph Mallord William Turner, May 1812

Sepia print of cows near a wooden footbridge over a river, with large trees and figures on the bank under a cloudy sky.

Bridge and Cows, part I, plate 2 from "Liber Studiorum"

Joseph Mallord William Turner, June 11, 1807

Sepia print of a classical landscape with pine trees, a tambourine dancer, seated women, a river, and a stone arch.

The Woman and Tambourine, part I, plate 3 from "Liber Studiorum"

Joseph Mallord William Turner, June 11, 1807

Sepia etching of Basle with a wooden bridge over a river, twin cathedral spires, rowing boats and a sunburst sky.

Basle, part I, plate 5 from "Liber Studiorum"

Joseph Mallord William Turner, June 11, 1807

Sepia print of a woman on a fallen log with a coiled dragon in the bushes below a hillside and trees.

Jason, part I, plate 6 from "Liber Studiorum"

Joseph Mallord William Turner, June 11, 1807

Sepia print of a thatched barn with horses, cattle, a farm cart and workers handling hay in a rural yard.

The Straw Yard, part II, plate 7 from "Liber Studiorum"

Joseph Mallord William Turner, February 20, 1808

Sepia etching of a traveler with a pack on a rocky mountain path beneath a boulder, with snowy peaks and a valley beyond.

Mt. St. Gothard, part II, plate 9 from "Liber Studiorum"

Joseph Mallord William Turner, February 20, 1808

Sepia print of sailing ships battling rough waves beside a wooden pier under a dramatic, cloudy sky.

Ships in a Breeze, part II, plate 10 from "Liber Studiorum"

Joseph Mallord William Turner, February 20, 1808

Sepia etching of ruined Holy Island Cathedral showing rounded arches, carved columns, and overgrown rubble on the ground.

Holy Island Cathedral, part III, plate 11 from "Liber Studiorum"

Joseph Mallord William Turner, February 20, 1808

Sepia etching of Pembury Mill, Kent, showing a waterwheel, a miller with sacks inside the mill, and a sleeping dog.

Pembury Mill, Kent, part III, plate 12 from "Liber Studiorum"

Joseph Mallord William Turner, June 10, 1808

Sepia print of a river valley with an arched stone bridge, tall trees framing the view, and figures seated in the foreground.

The Bridge in Middle Distance, part III, plate 13 from "Liber Studiorum"

Joseph Mallord William Turner, June 10, 1808

Sepia etching of Dunstanborough Castle ruins on a cliff above a rocky shore with waves and a cottage in the foreground.

Dunstanborough Castle, part III, plate 14 from "Liber Studiorum"

Joseph Mallord William Turner, June 10, 1808

Sepia print of a stormy Egyptian landscape with lightning over pyramids, a city, a fallen animal and two figures.

The Fifth Plague of Egypt, part III, plate 16 from "Liber Studiorum"

Joseph Mallord William Turner, June 10, 1808

Sepia etching of a farmyard with a rooster, chickens, pigs, a wooden cart, and two men leaning on a fence.

The Farm-Yard with the Cock, part IV, plate 17 from "Liber Studiorum"

Joseph Mallord William Turner, March 29, 1809

Sepia print of a stone arch bridge over a deep rocky gorge, with bare trees in the foreground and cliffs under a stormy sky.

Little Devil's Bridge over the Russ, above Altdorft, Switzerland, part IV, plate 19 from "Liber Studiorum"

Joseph Mallord William Turner, March 29, 1809

Sepia print of a three-masted ship and small sailboat on rough seas under a stormy sky, with seagulls.

The Leader Sea Piece, part IV, plate 20 from "Liber Studiorum"

Joseph Mallord William Turner, March 29, 1809

Sepia engraving of umbrella pines, a domed ruin and a walking figure on a path beside carved stone fragments.

The Temple of Minerva Medica, part V, plate 23 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1811

Sepia print of a hill under a stormy sky, with sheep and a reclining figure in the foreground and a winding road.

Hind Head Hill, On the Portsmouth Road, part V, plate 25 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1811

Sepia engraving of a windmill beside a canal lock with a donkey, cattle, figures and a cloudy sky.

Windmill and Lock, part VI, plate 27 from "Liber Studiorum"

Joseph Mallord William Turner, June 1, 1811

Sepia etching of a river valley with a winding river, ruined tower, large trees on the right, and a reclining figure in the f

Junction of Severn and Wye, part VI, plate 28 from "Liber Studiorum"

Joseph Mallord William Turner, June 1811

Sepia print of three boys fishing by a river with willow trees and pale buildings across the water.

Young Anglers, part VII from "Liber Studiorum"

Joseph Mallord William Turner, June 1, 1811

Sepia engraving of a vaulted Gothic crypt with cows resting in light from an archway, by J.M.W. Turner, 1812.

Crypt of Kirkstall Abbey, part VIII, plate 39 from "Liber Studiorum"

Joseph Mallord William Turner, February 11, 1812

Sepia print of a sunset over choppy sea with two sailing boats, figures on a sandy beach, and wreckage in the foreground.

The Mildmay Sea-Piece, part VIII, plate 40 from "Liber Studiorum"

Joseph Mallord William Turner, February 11, 1812

Sepia print of a dense forest with tall trees, where two figures and a dog rest on a path in the foreground.

Procris and Cephalus, part VIII, plate 41 from "Liber Studiorum"

Joseph Mallord William Turner, February 14, 1812

Sepia etching of a ruined tower on a wooded hill with travelers in the foreground and a distant coast under clouds.

Winchelsea Sussex, part VIII, plate 42 from "Liber Studiorum"

Joseph Mallord William Turner, April 23, 1812

Sepia etching of an arched aqueduct, goats and a shepherd on a road, tall trees and a full moon over a distant valley.

The Bridge and Goats, part IX, plate 43 from "Liber Studiorum"

Joseph Mallord William Turner, April 23, 1812

Sepia print of sailing boats on calm water under a hazy sky, with seagulls and a rowing boat with figures in the foreground.

Calm, part IX, plate 44 from "Liber Studiorum"

Joseph Mallord William Turner, April 23, 1812

Sepia print of Alpine peaks over a valley town, with vineyards and resting figures in the foreground under sunbeams.

Chain of Alps from Grenoble to Chamberi, part X, plate 49 from "Liber Studiorum"

Joseph Mallord William Turner, May 23, 1812