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The Metropolitan Museum of Art

33,907 works

Etching of a crouching, chained prisoner with shackled ankles and wrists against a dark hatched background.

'The custody is as barbarous as the crime' (Tan bárbara la seguridad como el delito)

Francisco Goya, ca. 1815 (published after 1867)

Etching of a blind guitarist with a raised cape riding on the horns of a charging bull.

'Barbarous Entertainment', a blind guitarist on the horns of a bull

Francisco Goya, 1800-1804 (published 1828-67)

Etching of a bound man bent forward, arms tied behind him, ankles shackled, against a dark hatched background.

'If he is guilty, let him die quickly' (Si es delinquente qe. muera presto)

Francisco Goya, ca. 1815 (published 1859)

Grey wash drawing of an old woman bent under two grotesque figures riding on her back, labeled 'Pesadilla'.

'Nightmare'; an old woman carrying figures on her back; page 20 from the Witches and Old Women Album (D)

Francisco Goya, ca. 1819-23

Violinist, Study for "The Dance Lesson"

Edgar Degas, ca. 1878-79

Charcoal and blue pastel drawing of a nude woman bending forward to dry herself with a towel.

Bather Drying Herself

Edgar Degas, ca. 1883-84

Charcoal and pastel drawing of a nude woman seen from behind, bending forward with blue pastel highlights on her back.

Bather Sponging Her Knee

Edgar Degas, ca. 1883-84

Pastel portrait of a woman with dark hair and a magenta ornament, in three-quarter view against a tan paper ground.

Madame Loubens

Edgar Degas, ca. 1869

Madame Lisle

Edgar Degas, ca. 1866-70

Édouard Manet, Seated, Right Profile

Edgar Degas, ca. 1868

Édouard Manet at the Races

Edgar Degas, ca. 1868-69

Charcoal and chalk drawing of a bearded man leaning on a table, one hand against his cheek, on blue-grey paper.

Edmond Duranty

Edgar Degas, 1879

Etching of a woman riding a white horse balanced on a tightrope, with a crowd of spectators behind.

'Punctual Folly' from the 'Disparates' (Follies / Irrationalities. Plate B)

Francisco Goya, ca. 1815-19 (published before 1877)

Etching of a garroted man seated against a post, with a lit candle at left and hatched dark background.

Garroted Man

Francisco Goya, ca. 1775-78

Lithograph of a bull goring a picador's horse in an arena while spectators watch from the stands.

A picador caught by a bull, from the "Bulls of Bordeaux"

Francisco Goya, 1825

Lithograph of bulls in a bullring with spectators in the stands and a fallen man beside a cape-waving figure.

Spanish Entertainment from the 'Bulls of Bordeaux'

Francisco Goya, 1825

Lithograph of a bullfight in a divided ring, with a matador facing a charging bull and crowds watching from the barrier.

Bullfight in a divided ring, from the 'Bulls of Bordeaux'

Francisco Goya, 1825

Etching of the Holy Family: seated Virgin, bearded Joseph behind, a standing boy and a reclining infant in the foreground.

Virgin kneeling before Christ

Pierre Brébiette, 1610-42

Graphite study of a standing woman with coin necklace and sash, one arm raised behind her head, leaning against a shaded wall

Study for "The Almeh"

Charles Bargue, 1879

Pencil drawing of tall crowded houses with chimneys above a shaded street market with awnings and small figures.

Houses

Charles Bargue, 1845 (?)

Etching of a grinning crouching giant with floating faces beside a small cloaked figure on a dark background.

'Dancing Giant' from the 'Disparates' (Follies / Irrationalities)

Francisco Goya, ca. 1815-19 (published between 1854-63)

Etching of a tall white shrouded ghost towering over fleeing men at night beside a bare tree.

'Folly of Fear' from the 'Disparates' (Follies / Irrationalities)

Francisco Goya, ca. 1815-19 (published ca. 1848)

Etching of grotesque figures gathered around a seated woman and a dog in a dark setting, from Goya's Disparates series.

'Loyalty' from the 'Disparates' (Follies / Irrationalities)

Francisco Goya, ca. 1815-19 (private printing ca.1854)

Etching of a woman in a ruff collar riding a decorated horse across a landscape, after Velázquez.

Margaret of Austria on horseback, after Velázquez

Francisco Goya, 1778

Etching of a guitar-playing street musician among a crowd, with oxen, a child, and a distant tower under a cloudy sky.

Blind Guitarist

Francisco Goya, ca. 1778

Etched portrait of a man with a curled mustache and cravat, holding a smoking pipe, with a bird cage and relief panel nearby.

Portrait of Edmond de Goncourt

Félix Bracquemond, 1881

Etching of several bulls in chaotic motion, one flipped upside down in the foreground, against a dark background.

'Little Bulls' Folly' from the 'Disparates' (Follies / Irrationalities, Plate D)

Francisco Goya, ca. 1815-19 (published before 1877)

Etching of a caped man raising a sword while a figure is tossed in a blanket by a crowd of onlookers.

'Well-Known Folly' from the 'Disparates' (Follies / Irrationalities, Plate A)

Francisco Goya, ca. 1815-19 (published before 1877)

Etching of a large elephant in spotlight at right, with three robed figures holding a scroll at left against a dark rocky wal

'Animal Folly' from the 'Disparates' (Follies / Irrationalities)

Francisco Goya, ca. 1815-19 (published before 1877)

Color lithograph of a woman in a pink dress and yellow glove beside a window with a chandelier and blue night scene.

At Les Ambassadeurs (Au Café-Concert / At the Café Concert), from "L'Estampe Originale"

Henri de Toulouse-Lautrec, 1894