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The Metropolitan Museum of Art

14,955 works

Etching of a woman in a headscarf holding a cup above two prone figures on dark ground, under a stippled sky.

Plate 59 from "The Disasters of War" (Los Desastres de la Guerra): 'What is the use of a cup?' ( De qué sirve una taza?)

Francisco Goya, 1811-12 (published 1863)

Etching of a cart with a spoked wheel, a figure lifting a limp body down to kneeling figures beside an archway.

Plate 64 from "The Disasters of War" (Los Desastres de la Guerra): 'Cartloads to the cemetery' (Carretadas al cemente…

Francisco Goya, 1811-12 (published 1863)

Etching of two men carrying a limp body past a stone wall, with mourners kneeling on the ground behind them.

Plate 56 from "The Disasters of War" (Los Desastres de la Guerra): 'To the cemetery' (Al cementerio)

Francisco Goya, 1811-12 (published 1863)

Etching of figures gathered around a collapsed man, with women bending over him and a basket carrier at right, on a dark back

Plate 53 from "The Disasters of War" (Los Desastres de la Guerra): 'There was nothing to be done and he died' (Espiró…

Francisco Goya, 1811-12 (published 1863)

Etching of hooded grotesque figures swirling in a chaotic crowd under a pale sky, from Goya's Disasters of War.

Plate 42 from "The Disasters of War" (Los Desastres de la Guerra): 'Everything is topsy-turvey' (Todo va revuelto)

Francisco Goya, 1810 (published 1863)

Etching of a woman offering food to a reclining man beside a stone wall, with two onlookers at right.

Plate 49 from "The Disasters of War" (Los Desastres de la Guerra): 'A woman's charity' (Caridad de una muger)

Francisco Goya, 1811-12 (published 1863)

Etching of women mourning beside a stone wall, with a body lying on the ground at right.

Plate 52 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not arrive in time' (No llegan á tiempo)

Francisco Goya, 1811-12 (published 1863)

Etching of women carrying bundles past a dead animal and a crowd under a hatched, stormy sky.

Plate 45 from "The Disasters of War" (Los Desastres de la Guerra): 'And this too' (Y esto tambien)

Francisco Goya, 1810 (published 1863)

Etching of a night scene with men restraining a woman as a small child covers her face nearby, titled Madre infeliz.

Plate 50 from "The Disasters of War" (Los Desastres de la Guerra): 'Unhappy mother!' (Madre Infeliz!)

Francisco Goya, 1811-12 (published 1863)

Etching of soldiers attacking a robed man on the ground, with the caption Esto es malo, from Goya's Disasters of War.

Plate 46 from "The Disasters of War" (Los Desastres de la Guerra): 'This is bad' (Esto es malo)

Francisco Goya, 1810 (published 1863)

Etching of gaunt figures gathered around a bowl in a dim interior, one figure lying on the ground in the foreground.

Plate 51 from "The Disasters of War" (Los Desastres de la Guerra): 'Thanks to the millet' (Gracias á la almorta)

Francisco Goya, 1811-12 (published 1863)

Etching of ragged figures gathered around a large wolf-like animal, with a kneeling woman and children in the foreground.

Plate 74 from "The Disasters of War" (Los Desastres de la Guerra): 'That is the worst of it!' (Esto es lo peor!)

Francisco Goya, 1814-15 (published 1863)

Etching of a seated hooded figure beside a pile of grotesque masks, with a chair and cluttered interior in the background.

Plate 68 from "The Disasters of War" (Los Desastres de la Guerra): 'What madness!' (Que locura!)

Francisco Goya, 1814-15 (published 1863)

Etching of two stooped men with canes walking past a carried figure and a crowd beside a column.

Plate 67 from "The Disasters of War" (Los Desastres de la Guerra): 'This is not less so' (Esta no lo es menos)

Francisco Goya, 1814-15 (published 1863)

Etching of a woman in a pale dress fleeing with hands to her head, a dog running beside her, and a seated figure in a cap at

Plate 65 from "The Disasters of War" (Los Desastres de la Guerra): 'What is this hubbub?' (Qué alboroto es este?)

Francisco Goya, 1814-15 (published 1863)

Etching of a robed clergyman balancing on a rope above a crowd, arms outstretched, with a building at right.

Plate 77 from "The Disasters of War" (Los Desastres de la Guerra): 'May the cord break' (Que se rompe la cuerda)

Francisco Goya, 1814-15 (published 1863)

Etching of a fallen figure with a mitred clergyman and a crowd of onlookers in a dark, hatched setting.

Plate 79 from "The Disasters of War" (Los Desastres de la Guerra): 'Truth has died' (Murió la verdad)

Francisco Goya, 1814-15 (published 1863)

Drawing of a nude reclining man on rocks with two draped figures reaching toward him, white highlights on tan paper.

The Drunkenness of Noah, Genesis 9:21-23

Daniel Seiter, 17th-early 18th century

Etching of two anglers leaning on a wooden footbridge over a river, with a rowboat, ducks, a tree and a distant cottage.

Two Anglers on a Bridge

Adriaen van Ostade, 1647

Engraving of an allegorical hunting scene with horsemen, hounds, a falconer, cherubs holding a coat of arms, and trees.

Allegory of the Flourishing State of the United Provinces

Jan Saenredam, 1602

Etching of a shoemaker working under a counter while a customer smokes outside and a dog sleeps beneath ivy, 1671.

The Shoemaker

Adriaen van Ostade, 1671

Grey wash drawing of a woman with a cup leaning over a sleeping bearded man beside a candle and draped cloth.

Jael and Sisera

Leonaert Bramer, 1611-74

Pencil drawing of a standing man in a tall top hat and fur-collared overcoat, with a German inscription at lower left.

Portrait of H. Gluckmann of Poland

Bartolomeo Pinelli, n.d.

Silhouette Portrait of John Marshall

William Henry Brown, 1844

Silhouette Portrait of Martin Van Buren

William Henry Brown, 1844

Black silhouette of a man in a top hat and long coat with a walking stick, beside a tree, with horses behind a fence.

Silhouette Portrait of John Randolph

William Henry Brown, 1844

Standard Bearer

Urs Graf, 1500-30

Pen and brown wash drawing of a commander kneeling before a crowned ruler on a throne, with soldiers and vessels in the foreg

Holofernes before Nebuchadnezzar (Judith 2:4-13)

Maerten de Vos, 1587

Grey wash drawing of a rider, horse-drawn wagon, and dog on a road, with an obelisk and tower in the distant landscape.

Travellers and wagons fording a river in a Southern landscape

Hendrik Verschuring, ca. 1646-62

Night scene in blue wash of helmeted soldiers with a torch chasing a nude running fugitive through a dark landscape.

Night scene with soldiers chasing a fugitive (Mark XIV, 5-52)

Leonaert Bramer, 1611-74