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The Metropolitan Museum of Art

14,994 works

Etching of Tangier's fortified waterfront with boats on the water and two men on a hill near a round tower and gate.

Part of Tangier from above

Wenceslaus Hollar, 1670

Etched panoramic view of a walled town with church spires, rolling wooded hills, and a coat of arms above.

Ansbach and Coburg, View (a) of two views (a&b)

Wenceslaus Hollar, 1627-36

Engraving of a funeral procession with clergy, mourners and a draped horse crossing a town square lined with buildings.

Funeral of General Johan Baptiste von Taxis (from Jules Chifflet, "Les marques d'honneur de la Maison de Tassis," Ant…

Wenceslaus Hollar, 1645

Engraved title page with a winged cherub head, two coats of arms, fruit cornucopias, and a Latin dedication inscription.

Title to the Entry into Hemissem

Wenceslaus Hollar, 1650

Engraved street view of the Vieux Louvre facade with carriages, pedestrians, dogs and a hay cart in the foreground.

Vue de la Grande Façade du Vieux Louvre

Jacques Rigaud, originally published 1729, inscribed 1752

Engraved 18th-century view of Paris riverfront with Notre Dame, the Seine, boats, carriages and crowds on the quay.

Autre Vue Particulière de Paris depuis Nôtre Dame, Jusques au Pont de la Tournelle

Jacques Rigaud, 1729

Grey paper sketch with grid lines showing two angels with wings and drapery, study for Val de Grâce by Pierre Mignard.

Two Angels, Study for the Val de Grâce

Pierre Mignard I, 17th century

Engraving of Venus reclining while Cupid holds a mirror and attendants dress her hair, with a chariot in clouds above a class

Plate 1: The Toilette of Venus; Venus reclining at center, gazing into a mirror held by Cupid, attendants fix her hai…

Étienne Baudet, 1672

Engraving of a 17th-century interior with women and children cooking by a fireplace and a servant setting a long dining table

Winter

Abraham Bosse, ca. 1637

Etching of a kneeling man at a wooden railing as two hooded figures, one holding a crucifix, look down from above.

Plate 47 from "The Disasters of War" (Los Desastres de la Guerra): 'This is how it happened' (Así sucedió)

Francisco Goya, 1810 (published 1863)

Etching of a nude man astride a horse as a soldier with a raised sword and fallen figures appear in a landscape behind.

Plate 37 from "The Disasters of War" (Los Desastres de La Guerra): 'This is worse' (Esto es peor)

Francisco Goya, 1810 (published 1863)

Etching of a cloaked man standing among three fallen bodies on a dark plain under a hazy sky.

Plate 60 from "The Disasters of War" (Los Desastres de la Guerra): 'There is no one to help them' (No hay quien los s…

Francisco Goya, 1811-12 (published 1863)

Etching of a winged creature perched over a prone figure, with bats flying in a dark sky above.

Plate 72 from "The Disasters of War" (Los Desastres de la Guerra): 'The Consequences' (Las resultas)

Francisco Goya, 1814-15 (published 1863)

Etching of huddled figures, a woman shielding a child, and kneeling men with rifles in a dark, grim scene.

Plate 26 from "The Disasters of War" (Los Desastres de la Guerra): 'One can't look' (No se puede mirar)

Francisco Goya, 1810 (published 1863)

Etching of soldiers attacking a crowd, with a fallen woman at left and a woman raising her arms; caption reads Y son fieras.

Plate 5 from "The Disasters of War" (Los Desastres de la Guerra): 'And they are like wild beasts' (Y son fieras)

Francisco Goya, 1810 (published 1863)

Pencil sketch of a man in a top hat holding a horse's bridle beside a carriage carrying two women.

Easing the Curb

Sir John Tenniel, 1869

Watercolor interior of a billiard room with a green table, fireplace, framed paintings, lamps and a flower arrangement by a w

Interior of the billiard room at Lupton House, Devonshire, designed by George Wrightwick for Sir J.B.Y. Buller

Reid Turner, 1838

Grey wash drawing of elegantly dressed figures talking beneath an oak tree near a fence and thatched cottage.

Drawing for a book illustration

Samuel Wale, 1738-86

Grey wash drawing of lions attacking a rearing horse and two men on the ground, with a distant landscape.

Lions Attacking Two Men and a Horse

James Ward, 1801-59

Engraving of Jupiter hurling lightning at falling giants below a cloud bank filled with gods and cherubs.

Fall of the Giants, Jupiter in the clouds overhead striking the Giants with lightning

Girolamo Fagiuoli, ca. 1539-49

Engraving of laurel-crowned Apollo with a lyre beside Pegasus, touching a bearded head with a laurel branch.

Apollo holding pipes in his right hand accompanied by Pegasus

Angiolo Falconetto, 1556-60

Engraving of figures in a classical landscape with columns, putti, a lion and a statue of Apollo and Minerva within an ornate

Annibale Carracci Introduces Painting to Apollo and Minerva

Pietro Aquila, 1674

Engraving of Venus and Mars embracing in a bedchamber while Vulcan hammers at his forge in the foreground.

Venus and Mars Embracing as Vulcan Works at His Forge

Enea Vico, 1543

Black-and-white print of Venus and nude nymphs lamenting over a reclining figure, with cherubs and a boar in the landscape.

Venus and the Nymphs Lamenting the Death of Adonis

Luca Cambiaso, 1560-65

Engraving of a bacchanal with nude revelers, a heavy Silenus, satyrs and a flute player beneath grapevines.

Bacchanal with Silenus

Andrea Mantegna, before 1475

Print of a sleeping cupid with curly hair and a large wing, reclining on draped cloth, rendered in fine black hatching on gre

A sleeping cupid

Bartolomeo Coriolano, 1630-45

Engraving of mythological figures: nude women, a seated god with a sleeping cupid, a rearing chariot, and an eagle carrying a

Jupiter tumbling from a horse-drawn carriage at right, Ganymede riding Jupiter's eagle upper center, below Venus and…

Master of the Die, 1530-60

Engraving of Trojans pulling a wooden horse through a city gate, with soldiers, horsemen and men carrying sacks in the foregr

The Trojans pulling the wooden horse into the city

Giulio Bonasone, 1545

Engraving of four barefoot female figures in flowing classical dress dancing and holding ribbons against a hatched background

Four Dancing Muses

Gian Marco Cavalli, ca. 1497

Etching of the mythological flaying of Marsyas, with two muscular figures on a rock amid hatched trees and faces peering from

The Flaying of Marsyas

Giovanni Pietro Possenti, mid-17th century