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The Metropolitan Museum of Art

33,907 works

Etching of a peasant woman leaning on a cow by a stone fountain beneath a large tree, with a distant building.

A peasant woman with a cow at a fountain decorated with the Medici arms, from "Six animal subjects" (Six sujets d'ani…

Stefano Della Bella, ca. 1646

Etching of a camel seen from behind beside a smaller camel, a seated figure, and a pyramid at left.

Plate 18: Camel viewed from behind with pyramid at left, from "Various animals" (Diversi animali)

Stefano Della Bella, ca. 1641

Etching of a charging wild boar with piglets running beneath it across a sketched landscape with clouds.

Plate 19: Wild Boar, from "Various animals" (Diversi animali)

Stefano Della Bella, ca. 1641

Etching of a camel seen from behind, with a second camel, a seated figure, and a pyramid in a desert landscape.

Plate 18: Camel viewed from behind with pyramid at right, from "Various animals" (Diversi animali)

Stefano Della Bella, after 1641

Etching of a large ox in the foreground with cattle and a herdsman behind it on open ground.

Plate 8: Ox, from "Various animals" (Diversi animali)

Stefano Della Bella, ca. 1641

Plate 7: Cow, from "Various animals" (Diversi animali)

Stefano Della Bella, ca. 1641

Etching of a saddled cart horse beside hay bundles, with a rider and ruins in the distant landscape.

Plate 22: Cart Horse, from "Various animals" (Diversi animali)

Stefano Della Bella, ca. 1641

Plate 3: seated monkey, from "Various animals" (Diversi animali)

Stefano Della Bella, ca. 1641

Etching of a buffalo lying down in a field, with a grazing cow at left and a ruined tower and water at right.

Plate 13: Buffalo lying down, from "Various animals" (Diversi animali)

Stefano Della Bella, ca. 1641

Etching of a shepherdess with a bundle beside a grazing horned goat on a grassy slope, with another goat lying nearby.

Plate 14: Shepherdess herding goats, from "Various animals" (Diversi animali)

Stefano Della Bella, ca. 1641

Plate 16: Stag, from "Various animals" (Diversi animali)

Stefano Della Bella, ca. 1641

Etching of a standing camel and a reclining camel in a landscape, with a small figure with a staff in the background.

Plate 17: Camels, from "Various animals" (Diversi animali)

Stefano Della Bella, after 1641

Etching of a reclining lion with a full mane, with a small animal standing in the distance on the left.

Plate 5: Reclining Lion, from "Various animals" (Diversi animali)

Stefano Della Bella, ca. 1641

Etching of a tall spotted dog standing beside two smaller dogs, one lying down and one standing on it, with a building at lef

Plate 11: Dogs, from "Various animals" (Diversi animali)

Stefano Della Bella, ca. 1641

Etching of a ram and sheep grazing in a pasture, with a small seated shepherd at the left edge.

Plate 12: Sheep and ram in a pasture, from "Various animals" (Diversi animali)

Stefano Della Bella, ca. 1641

Plate 15: Doe, from "Various animals" (Diversi animali)

Stefano Della Bella, ca. 1641

Engraving of the Judgment of Solomon: a king on a throne, a soldier with a raised sword, and two women pleading over a baby.

The Judgment of Solomon

Boëtius Adamsz. Bolswert, 1595-1633

Sepia print of the Virgin holding the infant Christ, with shepherds, a seated man with a staff, and cherubs in clouds above.

The Adoration of the Shepherds

Francesco Bartolozzi, before 1764

Oval engraving of Coriolanus showing a pointing armored man, kneeling women, a child, and a helmet on a pedestal in a tent.

Coriolanus: "The God of Soldiers, to shame invulnerable..." (Shakespeare, Coriolanus, Act 5)

Francesco Bartolozzi, November 3, 1785

Etching of castle ruins above a riverside town, with trees and a seated figure in the foreground.

Ruines du Château de Pierrefonds (Ruins of the Château de Pierrefonds)

Charles Meryon, 1858

Etching of a colonnaded Paris building and street crowd, with a fantastical procession of flying horses, a chariot and birds

Le Ministère de la Marine (the Admiralty, Paris)

Charles Meryon, 1865

Etching of the Grand Châtelet in Paris with conical towers, a gothic arched gate, and market stalls with people in the square

Le Grand Châtelet (Grand Châtelet, Paris circa 1780)

Charles Meryon, 1861

Etching of the Château de Chenonceau with an arched bridge over a river, turrets and steep roofs, shaded in fine hatching.

Château de Chenonceau, No 2

Charles Meryon, 1856

Engraved monument to Johann Christian Bach with a female figure crowning a medallion portrait, a cherub with lyre, and a sun

Monument to Johann Christian Bach

Francesco Bartolozzi, March 10, 1782

Etching of an elderly man in a dark robe holding a quill and paper against a dark curtain, by Rembrandt, 1658.

Portrait of Lieven Willemsz van Coppenol, Writing Master (the larger plate)

Rembrandt van Rijn, 1658

Print of Noah at a burning altar with kneeling family, a donkey and jars, and angels in clouds above.

The Sacrifice of Noah

Francesco Bartolozzi, 1765

Etching of a kneeling bearded man praying as an angel offers him a chalice amid clouds, with cherubs above.

Christ Praying in the Garden

Francesco Bartolozzi, 1754

Engraving of the weeping Madonna in an oval frame, with two angels holding a garland over a cross-shaped coat of arms below.

The Madonna Weeping

Francesco Bartolozzi, 1769

Engraving of the Virgin and Child with an angel, a boy holding a fish, a bearded old man reading, and a lion.

The Virgin with the Fish

Francesco Bartolozzi, 1775

Engraved portrait of a seated older man in dark clerical-style robes with a white collar, holding a quill, against a hatched

Portrait of Lievan van Coppenol

Cornelis Visscher, mid-17th century

Engraving of St. Francis of Assisi kneeling with an angel supporting him, beneath a flying angel and cherubs among clouds.

St. Francis of Assisi

Francesco Bartolozzi, 1763

Engraving of a robed saint on a cloud surrounded by cherubs, with a dedicatory inscription in a cartouche below.

S. Pierre Regalda (S. Pietro d'Alcantara)

Francesco Bartolozzi, 1746

Etching of Saint Roch with a staff among plague-stricken figures, angels in the clouds, and a distant city.

Saint Roch

Francesco Bartolozzi, 1756

Oval stipple engraving of a curly-haired child with hands clasped in prayer, gazing upward against a shaded background.

The Angelic Child

Francesco Bartolozzi, July 1, 1790

Engraving of two winged infants on clouds, one playing a lyre and one a flute beside an open music book.

Apollo and Mercury as Infants

Francesco Bartolozzi, 1797

Engraving of the Archangel Gabriel on a cloud, pointing upward and holding a lily branch, in a curved corner panel.

The Archangel Gabriel

Francesco Bartolozzi, 1762

Engraving of a reclining nude nymph in a shell carried by dolphins over the sea, with cherubs and a torch.

Acis and Galathea

Francesco Bartolozzi, March 1, 1787

Engraving of robed figures sacrificing at a flaming altar before a circular colonnaded temple in a wooded landscape.

Sacrifice to Diana

Francesco Bartolozzi, 1776

Sepia stipple engraving of Hebe, a woman with a flower crown holding a cup, in an oval vignette on a cream sheet.

Hebe

Francesco Bartolozzi, June 27, 1782

Sepia print of Minerva in helmet holding a shield beside a seated nude youth and a helmeted figure, within a ruled border.

Minerva and Mercury

Domenico Marchetti, March 1, 1787

The Tragic Muse

Francesco Bartolozzi, February 1, 1784

Engraving of a seated nude woman by water with a standing draped companion and a head at the edge of the scene.

Three Nymphs Bathing

Francesco Bartolozzi, March 1, 1787

Oval colored engraving of three nude women bathing in a classical setting with a white cloth and a column behind them.

Psyche Going to Bathe

Francesco Bartolozzi, December 12, 1786

Engraving of a nude woman seated while two attendants prepare drapery and hair in a classical interior setting.

Psyche Going to Dress

Francesco Bartolozzi, December 12, 1786

Sepia print of Venus embracing Adonis seated beneath a large tree, with a dove and stream in the foreground.

Venus and Adonis

Francesco Bartolozzi, August 21, 1778

Engraving of seated Britannia holding a laurel branch and spear, with a shield and globe beside her, on foliage ground.

Britannia

Francesco Bartolozzi, 1775

Stipple engraving of a winged female figure holding a bird, with a cherub and peacock, in an oval frame.

Air, from "The Four Elements"

Francesco Bartolozzi, October 1, 1784

Hand-colored engraving of a reclining nude water nymph on a sea creature with two cherubs and spraying water.

Water Nymph (Nymph Vouguant Sur Les Eaux)

Francesco Bartolozzi, 1799

Engraving of a winged-cloud female figure holding a flaming torch and a bird, with two cherubs in clouds around her.

Fire

Francesco Bartolozzi, October 1, 1784

Sepia engraving of reclining Venus on a draped bed surrounded by playful cupids, one holding a lit torch.

Venus Surrounded by Cupids

Francesco Bartolozzi, August 12, 1788

Oval brown engraving of a winged woman writing on a tablet with two putti beside her, titled History.

History

Francesco Bartolozzi, November 20, 1786

Vigilance

Francesco Bartolozzi, December 24, 1782

Sepia oval print of a seated woman in white near a stream as a man watches from a wooded background.

Damon and Musidora

Francesco Bartolozzi, February 2, 1782

Hand-colored print of nude Venus bathing by a waterfall in a forest, with two cherubs beside her.

Venus Bathing

Francesco Bartolozzi, March 1, 1800

Engraving of a crowned queen gesturing to a seated Roman commander, with captives, armed soldiers and a kneeling figure aroun

Caractacus Delivered to Ostorius

Francesco Bartolozzi, February 14, 1788

Red-toned oval print of Genius writing on a tablet beside reclining Beauty, with Cupid figures and a torch in a wooded settin

Genius and Beauty

Francesco Bartolozzi, September 15, 1782

Oval sepia print of a helmeted Prudence restraining Beauty as a winged cupid with a torch tugs at her drapery.

Prudence, Love and Beauty

Francesco Bartolozzi, September 15, 1782

Oval brown stipple engraving of a seated mother embracing a child, with a cherub on her shoulder and an infant holding flower

Maternal Love

Francesco Bartolozzi, 1784

Engraved allegory of a seated painter with palette and easel, approached by two women and a cherub holding a book.

Poetry and History Presenting Painting with Subjects

Francesco Bartolozzi, 1794

Stipple engraving of a man in a powdered wig and lace cravat, shown in three-quarter view within a rectangular border.

Francesco d' Ageno

Francesco Bartolozzi, 1785-90

Dr. Arne

Francesco Bartolozzi, May 10, 1782

Hand-coloured oval engraving of a woman with a fruit basket reaching toward a child picking cherries from a tree.

Pomona

Francesco Bartolozzi, January 1787

Pencil and wash drawing of a valley with a rocky gorge, trees, and a hilltop town with church towers under distant mountains.

Landscape Near Tivoli

Carl Ludwig Frommel, 1800-1863

Pen and gray wash design with circular New Testament scenes framed by ornate scrollwork and an angel holding a banner.

Design for a Painted Glass with Scene from the New Testament

Christoph Murer, 1598

Stipple engraving portrait of a man in a patterned gown and lace jabot holding rolled sheet music, after Reynolds.

Charles Burney

Francesco Bartolozzi, April 1, 1784

Wood engraving of Hamlet seated holding a skull beside Horatio standing in a barren landscape, from Magasin Pittoresque.

Hamlet and Horatio, from "Le Magasin Pittoresque"

Andrew, Best & Leloir, December 1837

Lithograph of a man carrying a wounded figure on his back beside a horse, with a dark rocky landscape behind them.

The Good Samaritan

Jules Joseph Augustin Laurens, 1857

Engraving of a rocky landscape with a horse and groom, large trees on the right, and a hilltop town under hatched clouds.

Landscape with a Horseman and His Groom

Battista Franco Veneziano, ca. 1552-61

Plate 6: Lion, from "Various animals" (Diversi animali)

Stefano Della Bella, ca. 1641

Plate 10: Elephant, from "Various animals" (Diversi animali)

Stefano Della Bella, ca. 1641

Etching of a large bear walking over rocky ground with a small cub behind it, against a rocky landscape.

Plate 4: Bear, from "Various animals" (Diversi animali)

Stefano Della Bella, ca. 1641

Plate 9: Leopard, from "Various animals" (Diversi animali)

Stefano Della Bella, ca. 1641

Etching of a pack horse with a lettered saddle blanket, a seated herder and sheep in a hilly landscape.

Plate 1: a pack horse, from "Various animals" (Diversi animali)

Stefano Della Bella, ca. 1641

Etching of a turbaned herdsman on horseback driving cattle across a hillside toward distant mountains, within a circular fram

Herdsman on Horseback Drives Animals

Stefano Della Bella, ca. 1646

Heads of Three Lions

Stefano Della Bella, ca. 1641

Etching of a stag leaping with a hound chasing it from the left and a doe running on the right across a landscape.

Hounds Chasing a Stag and a Doe

Stefano Della Bella, ca. 1654

Etching of a hunter with a staff facing a cornered stag while dogs attack and horsemen ride in the background.

Stag at bay, from "Animal hunts" (Chasses à différents animaux)

Stefano Della Bella, ca. 1654

Etching of two peasants on a country road, one riding a horse, with ruins, trees and hills behind them in a circular frame.

Landscape with Two Peasants, One Riding a Horse, from "Landscapes and seaports" (Paysages et ports de mer, dans des r…

Stefano Della Bella, 1656

Etching of two seated men in robes on a rocky shore, with sailing ships and a rowboat on the sea beside them.

Two Turkish Merchants in a Port, from "Landscapes and seaports" (Paysages et ports de mer, dans des ronds)

Stefano Della Bella, 1656

Etching of a hunter with a rifle and plumed hat beside goats, a seated woman under a tree, and grazing sheep and cattle.

Le Florentin à la chasse

Stefano Della Bella, ca. 1654

Etching of a seated young satyr on a rock by a river, with a bathing nude figure at left and trees in a circular frame.

Young Satyr About to Bathe in a River, from "Landscapes and seaports" (Paysages et ports de mer, dans des ronds)

Stefano Della Bella, 1656

Etched title page with two sea creatures flanking a crown and blank shield, with the text Paisages maritimes below.

Title Page: Paisages maritimes

Stefano Della Bella, ca. 1644

Etching of a seaport with a beached ship, workers with barrels, a sailing ship at anchor, and a large tree on the left.

Plate 1: seaport with ships, from "Seascapes" (Paysages maritimes)

Stefano Della Bella, ca. 1644

Seated Ecclesiastic

Stefano Della Bella, ca. 1662

Academy Study of a Young Man

Stefano Della Bella, ca. 1649

Etching of a twisted tree on a rock by water, with two cloaked women and a donkey at the left edge.

Landscape with two women, one mounted on a donkey

Stefano Della Bella, ca. 1660

Torso of a Man with a Shield and Eye Study, plate 19 from "Collection of various doodles and etching proofs" (Recueil…

Stefano Della Bella, ca. 1646

Etching in a circle of a woman nursing an infant beside a young satyr with a vine garland, set among foliage and rocks.

Satyr family, from 'Landscapes and seaports' (Paysages et ports de mer, dans des ronds)

Stefano Della Bella, 1656

Etching of a forest scene with a monument topped by a statue and coat of arms, a seated draughtsman at right, and strolling f

Plate 1: a monument with statues and a coat of arms in the center, a draughstman on the ground beneath a tree to righ…

Stefano Della Bella, ca. 1643

Engraving of five foot soldiers and a turbaned mounted rider in a wooded landscape, one soldier holding a halberd.

Five Foot Soldiers and a Mounted Turk

Albrecht Dürer, ca. 1495

Engraving of a ceremonial hall with a canopied throne, courtiers, banners and fleur-de-lis curtains framing the scene.

The Coronation of Louis XIV

Jean Le Pautre, 1655

Engraving of Christ gesturing to a man holding a coin, surrounded by onlookers before fluted columns and drapery.

The Triubute Money: Christ at center right gesturing to man at his left with coins in his hand, other figures surroun…

Domenico Campagnola, ca. 1564-89

Etching of the Château de Chenonceau built over arched bridge piers, with turrets, dormers and chimneys above flowing water.

Château de Chenonceau, No 1, after Ducerceau

Charles Meryon, 1856

Etching of the Château de Chenonceau with turrets and steep roofs rising above an arched bridge over flowing water.

Château de Chenonceau, No 2 (Château de Chenonceau, No 2)

Charles Meryon, 1856

Etching of a Gothic church apse with pointed-arch windows, tracery, and a balustraded roofline under a cloudy sky.

Chevet de St. Martin-sur-Renelle (The apse of the Church of St. Martin-sur-Renelle, Paris)

Charles Meryon, 1860

Etching of a narrow medieval street with half-timbered houses, steep gables, smoking chimneys and small figures below.

La Rue des Toiles, Bourges

Charles Meryon, 1853