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The Metropolitan Museum of Art

15,015 works

Etching of a young woman with a fan beside an older woman in a shawl with a cane, against a dark hilly landscape.

Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)

Francisco Goya, 1797-98

Etching of figures on the ground and standing near a wall, with a woman in a white shawl at center, from Goya's Disasters of

Plate 58 from 'The Disasters of War' (Los Desastres de la Guerra): 'It's no use crying out.' (No hay que dar voces.)

Francisco Goya, 1811-12

Etching of two men carrying a limp body past kneeling mourners beside a brick wall.

Plate 56, To the cemetery (Al cementerio), from "The Disasters of War" (Los Desastres de la Guerra)

Francisco Goya, 1810-11

Engraved interior of a woman setting a table while two children pray before their meal, with a fireplace and sideboard behind

Saying Grace

François Bernard Lépicié, 1744

Engraving of a seated draftsman sketching beside a standing man, with a classical statue and brazier in a dim interior.

The Drawing Lesson

Jacques-Philippe Le Bas, 1749-83

Lithograph of two women in classical dress, one reclining pale, one seated in dark robes, captioned Sarah Bernhardt in Phèdre

At the Théâtre de la Renaissance: Sarah Bernhardt in Phèdre

Henri de Toulouse-Lautrec, 1893

Charcoal drawing of a dark silhouetted woman in a long dress standing on a pale ground, holding a thin fishing rod.

A Woman Fishing

Georges Seurat, 1884

Etching of a grinning flame-haired figure standing atop a heavy beast while a second figure falls beside it.

Plate 56 from "Los Caprichos": To rise and to fall (Subir y bajar)

Francisco Goya, 1799

Lithograph of a woman with eyeglasses in a red-curtained theater box, with a gilded mask ornament on the balcony front.

The Box with the Gilded Mask

Henri de Toulouse-Lautrec, 1894

Loose sketch of a woman in a plumed hat and long gown with a man in a suit beside her, and a standing figure at left.

Réjane and Galipaux, in Madame Sans-Géne

Henri de Toulouse-Lautrec, 1893

Loose lithograph sketch of an elderly man in a top hat beside a woman in a fur-trimmed coat holding a muff.

"Les Vieux Messieurs" (The Old Gentlemen)

Henri de Toulouse-Lautrec, 1894

Léonie Yahne and Henry Mayer, in L'Age Difficile

Henri de Toulouse-Lautrec, 1895

Louise Blouet "Le Margoin"

Henri de Toulouse-Lautrec, 1900

Sketch of a ballerina in an extended arabesque pose on a striped stage floor, beside a draped curtain.

Miss Ida Heath, English Dancer

Henri de Toulouse-Lautrec, 1894

Poster showing a red-haired woman in a blue skirt with raised arms, with a sketched top hat and exhibition text, 1896.

Elles (poster for 1896 exhibition at La Plume)

Henri de Toulouse-Lautrec, 1896

Cassio Bowing

Théodore Chassériau, 1852

Ink and grey wash drawing of a woman with curly hair and hoop earrings, bare-shouldered and draped in cloth, turned to the si

Study related to "Why Born Enslaved!"

Jean-Baptiste Carpeaux, 1868-75

For You!…, from "The Old Tales"

Henri de Toulouse-Lautrec, 1893

Etching of the Holy Family with saints: Virgin holding the infant Christ, an elderly man with a staff, and onlookers beside a

Holy Family with Saints, from "Episodes from the New Testament"

Pierre Brébiette, 1610-42

Engraving of a sleeping Virgin and infant with an angel and a putto bringing fruit, set in a landscape with trees.

Angels Giving Fruit to the Sleeping Holy Family, from "Episodes from the New Testament"

Pierre Brébiette, 1610-42

Etching of a man leading a donkey below angels lifting the Virgin and Child into clouds, with a Latin caption below.

Angels Lifting Virgin and Child, from "Episodes from the New Testament"

Pierre Brébiette, 1610-42

Etching of a woman with an infant on a donkey, an attendant reaching to a palm tree, and winged putti in a rocky landscape.

Angels Giving Dates to Child, from "Episodes from the New Testament"

Pierre Brébiette, 1610-42

Charcoal study on gray paper of men straining to push a cannon, with a crowd of onlookers at the left.

Study for "The Enrollment of the Volunteers of 1792"

Thomas Couture, ca. 1848-51

Lawyer on His Way to Court (Se Rendant à l'Audience)

Thomas Couture, ca. 1860

Brown wash drawing of a glowing robed figure leaving a rocky tomb at night while soldiers rest and winged figures hover above

Le Christ sortant du tombeau

Gustave Doré, 1850-83

Etched frieze of a procession with robed figures, mitred bishops, and cherubs blowing trumpets, with the word GRAMMAIRE below

Triumph of Grammar

Pierre Brébiette, 17th century

Charcoal and chalk drawing of a bearded old man with downcast eyes wearing a laurel crown and draped cloth.

Head of a Bearded Old Man Wearing a Laurel Crown

Antoine François Callet, mid-18th-early 19th century

Pencil sketch of draped figures in a classical interior, one offering a cup beside a couch, with curtains and columns.

Scene from Ancient History: Cup Offered to an Invalid

Jacques-Louis David, n.d.

Grey wash drawing of a seated bearded man in draped robes, hand to face, resting on a stone block.

Crito

Jacques-Louis David, ca. 1786-87

Grey wash drawing of a draped standing figure and a reclining man on a bench before curtains and a column.

L'Apparition

Gustave Doré, 1850-83