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J. Paul Getty Museum

317 works

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Head of Man in Profile to the Left

Girolamo Macchietti, about 1571-1572

Pen and brown wash drawing of mythological figures, putti and a reclining nude woman, with faint grid lines on the sheet.

Birth of Bacchus

Giulio Romano, about 1533

Pen and wash drawing of a robed figure raising a reclining man from a bier before a crowd of onlookers and an arch.

Raising of the Son of the Widow of Naim (recto); Madonna and Child with Saints (verso)

Giovanni Battista Naldini, about 1570-1580

Watercolor of a standing archer in red tunic and blue cap holding a bow, beside a chained leopard lying on the ground.

An Azappo Archer with a Cheetah

Jacopo Ligozzi, after 1590

Head of a Youth

Domenico Beccafumi, about 1530

Red and black chalk drawing of the Holy Family with infant John the Baptist, plus faint figure studies on aged paper.

The Holy Family with the Infant Saint John the Baptist (recto); Amorous Putti at Play; Head of a Bird (verso)

Michelangelo, about 1530

Pen and wash drawing of the Crucifixion with Christ at center, mourning women below, and a mounted soldier at right.

The Crucifixion

Hans von Aachen, about 1587

Pen and ink drawing of the Holy Family with the Virgin, infant Christ, and an elderly man beside them.

The Holy Family

Baldassare Peruzzi, about 1515

Green-toned drawing of a palace staircase where a king and woman gesture while servants butcher an animal below.

The Parable of the King Who Prepared a Wedding

Maarten van Heemskerck, 1555

Brown ink and wash drawing of a rearing horse, a fallen man, attendants and a striding nude figure on a grey ground.

The Conversion of Saint Paul

Taddeo Zuccari, 1558/1559-1566

Pen and ink drawing of Christ turning from a kneeling hooded woman, with a mother and onlookers before a tower and town.

Christ Taking Leave of His Mother

Hans Leonhard Schäufelein, 1510

Brown ink drawing of a woman carrying a child beside oxen, with a city skyline and archway behind them.

Taddeo at the Entrance to Rome Greeted by Toil, Servitude, and Hardship, and by Obedience and Patience (the Ass and Ox)

Federico Zuccaro, about 1595

Pen and brown wash sketch of multiple figures, horsemen and clouded angels, with Latin inscriptions at upper left.

Sheet of Studies for "The Martyrdom of Saint George" (recto); Studies of a House, Tree, Heads, Artist's Tools, Decora…

Paolo Veronese, 1566

Pen and brown wash drawing of figures gathered at a table before a town building, with trees and a landscape beyond.

Scenes from the Life of the Prodigal Son

Master of Saint Christopher, about 1530

Circular pen and brown wash drawing of a bridal scene with women on a canopied bed and courtly figures in a columned interior

Bridal Scene

Jörg Breu the Elder, about 1520-1525

Pen and ink drawing of the Resurrection: a risen Christ rises above sleeping soldiers beside a tomb, with angels in clouds.

The Resurrection

Santi di Tito, about 1568

Pen and brown ink drawing of a young man's head with curly hair, looking upward, with cross-hatched shading.

The Head of a Young Man

Parmigianino, about 1539-1540

Black chalk drawing of a young man's head with curly hair, looking directly outward, on aged cream paper.

Head of a Man

Bronzino, about 1550-1555

Forest landscape with hunters, dogs, and a river, framed by an ornate border; Venus and Adonis scene at lower left.

Landscape with the Story of Venus and Adonis

Grey wash drawing of Saint Sebastian with an arrow in his side, tended by hooded figures, one holding a candle, over a grid.

Figures Tending to the Wounded Saint Sebastian

Andrea Lilio, about 1596

Pen and brown wash drawing of an armored man handing keys to a bearded robed figure, with helmeted attendants standing behind

Cardinal Albornoz Gives the Farnese the Keys to Valentino

Taddeo Zuccari, about 1565

Pen and brown ink drawing of the Holy Family with an angel and sketched head studies, by Guido Reni.

Holy Family with an Angel

Guido Reni, mid-late 1590s

Black chalk drawing of a young woman with curled hair and a lace collar, turned three-quarters to the viewer.

Portrait of a Young Woman

Andrea Previtali, about 1520-1525

Brown ink drawing of a city street with palazzo facades, two men in conversation, and a bearded artist seated at an easel.

Taddeo Rebuffed by Francesco Il Sant'Angelo

Federico Zuccaro, about 1595

Pen and wash drawing of a man gesturing to a group of women in classical dress beside columns, in an oval frame.

Odysseus and the Daughters of Lycomedes

Baldassare Peruzzi, about 1520

Red chalk drawing of a seated bearded man with curly hair and drapery, with a smaller curly-haired figure at left.

Saint Matthew

Antonio da Correggio, about 1523

Study of a Franciscan Monk (Possibly Saint Francis)

Cerano, about 1600

Red chalk drawing of nude figures, infants and struggling mothers in a crowded Massacre of the Innocents scene.

Massacre of the Innocents

Amico Aspertini, about 1510-1520

Pen and ink drawing of robed men at a prison, with a jailer holding a key, a barred window, and a crowd in the background.

The Seven Acts of Mercy: Freeing the Prisoners

Pieter Cornelisz. genaamd Kunst, 1532

Design for a Circular Dish (recto); Figure Studies (verso)

Taddeo Zuccari, about 1553-1556