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Art Institute of Chicago

13,165 works

Woodblock print of Lao Laizi with a mirror, figures in colorful robes before a pillar and blue curtain, mountains behind.

Lao Laizi (Ro Raishi), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)"

Utagawa Kuniyoshi, c. 1848/50

Woodblock print of a woman in red reaching toward a leaping carp beside a pine tree and rock, with a text panel above.

Jiang Shi (Kyo Shi), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)"

Utagawa Kuniyoshi, c. 1848/50

Woodblock print of an elderly woman seated under a tree beside a young girl in red offering her a flower.

Madame Tang (To Fujin), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)"

Utagawa Kuniyoshi, c. 1848/50

Woodblock print of a striped tiger on a rocky ledge facing two children who raise their arms in alarm beside green shrubs.

Yang Xiang (Yo Kyo), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)"

Utagawa Kuniyoshi, c. 1848/50

Woodblock print of a flying woman in blue robes reaching toward a man on a seaside cliff in a green robe.

Dong Yong (To Ei), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)"

Utagawa Kuniyoshi, c. 1848/50

Woodblock print of an elderly man seated on a table as a child fans him, with pine branches and a lantern above.

Huang Xiang (Ko Kyo), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)"

Utagawa Kuniyoshi, c. 1848/50

Woodblock print of a man with flying yellow hair, arms raised, amid jagged lightning above a rocky shore.

Wang Pu (O ho), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)"

Utagawa Kuniyoshi, c. 1848/50

Woodblock print of a man with a staff and a woman in red holding an infant beside a tree, under a blue sky.

Guo Ju (Kaku Kyo), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)"

Utagawa Kuniyoshi, c. 1848/50

Japanese woodblock print of a seated man in red robe and green headscarf beneath a tree, with text panel above.

Zhu Shouchang (Shu Jusho), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)"

Utagawa Kuniyoshi, c. 1848/50

Japanese woodblock print of a man with a staff beside a kneeling figure and a deer under a large tree, with text panel.

Tanzi (Enshi), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)"

Utagawa Kuniyoshi, c. 1848/50

Japanese woodblock print of a man with a sword and torch confronting a kneeling child beside a basket at night.

Cai Shun (Sai Jun), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)"

Utagawa Kuniyoshi, c. 1848/50

Woodblock print of a rider in red and green on a galloping brown horse, with snowy mountains and birds in the sky.

Yu Qianlou (Yu Kinro), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)"

Utagawa Kuniyoshi, c. 1848/50

Woodblock print of a robed man placing his hand on a child's head beside a flowering shrub, with Japanese text above.

Lu Ji (Riku Seki), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)"

Utagawa Kuniyoshi, c. 1848/50

Woodblock print of a man in a red robe climbing a pine tree above the sea, with text panel and red title cartouche.

Zeng Shen (So Shin), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)"

Utagawa Kuniyoshi, c. 1848/50

Woodblock print of two children and a sword-raising man beside banana plants and a waterfall, with a text panel above.

Zhang Xiao and Zhang Li (Cho Ko, Cho Rei), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi…

Utagawa Kuniyoshi, c. 1848/50

Woodblock print of a child fanning a sleeping old man on a red bed under a green blanket, with smoke and a moon.

Wu Meng (Go Mo), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)"

Utagawa Kuniyoshi, c. 1848/50

Woodblock print of a bearded scholar in a green robe on a red balcony, with an attendant and a yellow cloth over water.

Huang Tingjian (Ko Teiken), from the series "Twenty-four Paragons of Filial Piety in China (Morokoshi nijushiko)"

Utagawa Kuniyoshi, c. 1848/50

Engraving of angels appearing through clouds to shepherds with cattle and sheep in a rural landscape, 1599.

The Annunciation to the Shepherds

Jan Saenredam, 1599

Two hikers cross a mountain stream on a fallen tree trunk beneath dense forest and rocky peaks, in a hatched line print.

Hiker Crossing Over a Mountain Stream on a Tree Trunk with a Woman

Janus Genelli, 1804

Lithograph of a gaunt seated woman beside skulls and bones, with a distant harbor town and ships in the background.

Her Majesty Famine, Queen of Sicily

Maximilien Luce, 1898, published May 22, 1898

Woodblock print of caricatured kabuki actor faces with handwritten Japanese labels and a red title cartouche.

Caricatures of Laughing Actors Scribbled on a Wall (Hakumensho kabe no mudagaki)

Utagawa Kuniyoshi, c. 1848/51

Sepia etching of a vaulted ancient gallery with timber roof and arches, with small figures in the foreground.

The Antique Gallery, plate ten from Les Soirées de Rome

Hubert Robert, n.d.

Etching of a woman in a headscarf and necklace leaning on a stone windowsill, with dark shadows around her.

Woman at a Window

Jean-Pierre Norblin de la Gourdaine, 1759

Female Head

Jean-Baptiste Carpeaux, 1860

Colour anatomical print of a man's head tilted back, showing neck and face muscles dissected and labeled with letters.

Neck and Face Muscles, plate three from Myologie complete

Jacques Fabien Gautier d'Agoty, 1746

Two etched landscapes on one sheet: trees, a stone wall and hilltop village above, and a shaded path toward buildings below.

Two Italian Landscapes

Wilhelm von Kobell, n.d.

Hand-colored print of a woodland scene with a woman, a sheep, a young man in a blue sash and two wigged gentlemen.

Annette et Lubin (Annette and Lubin)

Philibert-Louis Debucourt, 1789

Engraving of a man and child seated under a tree, looking over a lake, mountains and a village with a church spire.

Oh How Beautiful is God's Nature

Johann Heinrich Lips, n.d.

Engraving of a bearded old man seated under a tree, gesturing toward a setting sun over distant hills and water.

Goodbye

Johann Heinrich Lips, 1816

Engraved title page with a cartouche reading La Vie de N.S. Jesus Christ, surrounded by angels, a cross and kneeling figures.

The Life of our Lord Jesus Christ

Gabriel Huquier, 1720/32