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Art Institute of Chicago

24,211 works

Sepia etching of a stone aqueduct, grazing goats, tall trees and figures in a hilly landscape under a glowing sky.

The Bridge and Goats, plate 43 from LIber Studiorum

Joseph Mallord William Turner, published April 23, 1812

Sepia print of sailing barges and a rowing boat with sailors on calm water beneath a hazy sky.

Calm, plate 44 from Liber Studiorum

Joseph Mallord William Turner, published April 23, 1812

Sepia etching of a Scottish peat bog with figures and a horse, under a stormy sky with a rainbow over distant mountains.

Peat Bog, Scotland, plate 45 from Liber Studiorum

Joseph Mallord William Turner, published April 23, 1812

Sepia print of a seated woman holding a torch beside a sleeping figure under a crescent moon, with trees and a stream.

Rispah, plate 46 from Liber Studiorum

Joseph Mallord William Turner, published April 23, 1812

Sepia print of workmen hedging and ditching beside a large tree, with grazing sheep and a cloudy sky in the background.

Hedging and Ditching, plate 47 from Liber Studiorum

Joseph Mallord William Turner, published May 23, 1812

Sepia print of ruined castle towers above a river, with cattle on the bank, bathers in the water and a boat.

River Wye, plate 48 from Liber Studiorum

Joseph Mallord William Turner, published May 23, 1812

Sepia print of an Alpine valley with mountains, a distant town, vineyards and resting figures in the foreground.

Chain of Alps from Grenoble to Chamberi, plate 40 from Liber Studiorum

Joseph Mallord William Turner, published May 23, 1812

Sepia engraving of a glacier flowing between jagged mountain peaks under a cloudy sky, by J.M.W. Turner, 1812.

Mer de Glace, plate 50 from Liber Studiorum

Joseph Mallord William Turner, published May 23, 1812

Sepia engraving of a ruined Gothic abbey with pointed arches, a seated figure, and a windblown tree under a cloudy sky.

Rivaux Abbey, plate 51 from Liber Studiorum

Joseph Mallord William Turner, published May 23, 1812

Sepia print of cattle and a herdsman on moorland under a dark storm with rain falling over distant hills.

Solway Moss, plate 52 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1816

Sepia print of a wooded landscape with a reclining figure, a grazing cow, and a distant castle tower under a pale sky.

Solitute, plate 53 from Liber Studiorum

Joseph Mallord William Turner, published May 12, 1814

Sepia print of sailing boats battling rough waves at a harbour entrance, with a city skyline and church spire behind.

Entrance of Calais Harbour, plate 55 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1816

Sepia print of Dunblane Abbey ruins above a wooded riverbank, with washerwomen by the water and a distant bridge.

Dumblain Abbey, plate 56 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1816

Sepia print of Norham Castle ruins above a river, with cattle wading, a rowboat and sunlight breaking through clouds.

Norham Castle, plate 57 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1816

Sepia print of a wooded river with a footbridge and a ruined castle on the right, by J. M. W. Turner, 1816.

Berry Pomeroy Castle, plate 58 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1816

Colour print of nude Venus at her toilette with cherubs, a dove, pearls, flowers and teal drapery, after Boucher, 1783.

La Toilette de Venus (The Toilette of Venus)

Jean François Janinet, 1783

Sepia print of a hilltop castle tower above a river town, with trees on the left and rowing boats and figures in the foregrou

Ville de Thun, plate 59 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1816

Etching of a wooded valley with a figure and animal on a hillside path and a distant town under a pale sky.

The Flight into Egypt: Altered from Seghers

Rembrandt van Rijn, c. 1652

Sepia print of jagged alpine peaks, fir trees and a valley below, after J.M.W. Turner's Source of the Arveron.

The Source of the Arveron, plate 60 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1816

Sepia print of women and children gathering watercress by a stone bridge and river under a stormy sky, with a boat and cart.

Watercress Gatherers, plate 62 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1819

Sepia print of a river landscape with tall trees, a columned rotunda by the water, and buildings under a pale sky.

Isleworth, plate 63 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1819

Sepia engraving of a mountain valley with a river, stone bridge, white church, and two figures resting on rocks in the foregr

Bonneville, plate 64 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1816

Sepia engraving of fishermen in boats on rough water, with windswept trees, a sailing ship, and distant castle and hills.

Inverary Castle and Town, plate 65 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1816

Sepia print of a stone arch bridge, ruined tower, and shepherd with sheep and cow among trees.

East Gate, Winchelsea, plate 67 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1819

Hand-colored engraving of Rennes town hall with clock tower, carriages and crowds in a cobbled square.

Elevation Perspective of l'Hôtel de Ville, Rennes

Philippe-Nicolas Milcent, n.d.

Sepia print of a river landscape with a weeping willow, classical temple, stone bridge, and a white bird on a pedestal.

Isis, plate 68 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1819

Sepia print of a rugged Scottish mountain glen with rocky slopes, stormy clouds, boulders, and a stream in the foreground.

Ben Arthur, plate 69 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1819

Sepia print of a Gothic church interior with arches, a pulpit, seated congregation, and an ornate memorial monument.

Interior of a Church, plate 70 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1816

Sepia print of Christ and the Woman of Samaria beside a tomb, with a classical arch and ruins in a wooded landscape.

Christ and the Woman of Samaria, plate 71 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1819

Etching of a grazing cow in the foreground, three resting sheep behind it, and trees in a pastoral landscape.

A Cow and Three Sheep

Adriaen van de Velde, 1670