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Art Institute of Chicago

24,211 works

Sepia print of ruined Romanesque cathedral arches, columns and windows, with rubble and a small standing figure.

Holy Island Cathedral, plate 11 from Liber Studiorum

Joseph Mallord William Turner, published February 20, 1808

Sepia etching of Pembury Mill in Kent showing a waterwheel, a man working in a doorway, a cart, and a dog.

Pembury Mill, Kent, plate 12 from Liber Studiorum

Joseph Mallord William Turner, published June 10, 1808

Sepia print of a river valley with an arched stone bridge, tall trees in the foreground, and three seated figures.

The Bridge in Middle Distance, plate 13 from Liber Studiorum

Joseph Mallord William Turner, published June 10, 1808

Sepia print of ruined Dunstanburgh Castle on a headland above rocky sea shore, with a cottage and waves in the foreground.

Dunstanborough Castle, plate 14 from Liber Studiorum

Joseph Mallord William Turner, published June 10, 1808

Sepia print of a stormy mountain lake with lightning, sailboats, and figures working beside a cart on the shore.

Lake of Thun, plate 15 from Liber Studiorum

Joseph Mallord William Turner, published June 10, 1808

Sepia print of pyramids and a city under a lightning-filled storm, with fallen palms and figures in the foreground.

The Fifth Plague of Egypt, plate 16 from LIber Studiorum

Joseph Mallord William Turner, published June 10, 1808

Etching of Saint Sebastian tied to a tree as a winged angel descends with a laurel wreath.

Saint Sebastian Crowned by an Angel

Willem Panneels, n.d.

Sepia etching of a farmyard with a rooster, pigs, chickens, a wooden cart, and two figures at a fence under trees.

The Farm Yard with the Cock, plate 17 from Liber Studiorum

Joseph Mallord William Turner, published March 29, 1809

Etching of Hercules and Omphale seated in a wooded landscape, with a club, a draped cloth, and a classical terrace behind the

Hercules and Omphale

Johannes Tischbein, n.d.

Sepia engraving of a waterfall plunging through a wooded gorge, with small seated figures on rocks in the foreground.

The Fall of the Clyde, plate 18 from Liber Studiorum

Joseph Mallord William Turner, published March 29, 1809

Sepia print of a rough sea with a three-masted ship and a small tilting sailboat under cloudy skies.

The Leader Sea Piece, plate 20 from Liber Studiorum

Joseph Mallord William Turner, published March 29, 1809

Sepia etching of a Morpeth street with a pack horse, a woman with a basket, and a ruined tower on a hill.

Morpeth, plate 21 from Liber Studiorum

Joseph Mallord William Turner, published March 29, 1809

Sepia print of figures gathered by a wooden trough beneath large trees, with a distant mansion in the background.

Juvenile Tricks, plate 22 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1811

Sepia print of a stormy Yorkshire coast with a shipwreck, rescuers on rocks, and a lighthouse on the cliffs.

Coast of Yorkshire, plate 24 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1811

Sepia print of a hill landscape with grazing sheep in the foreground and a figure on a ridge under streaked clouds.

Hind Head Hill, plate 25 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1811

Sepia print of a river valley with a ruined castle, large trees on the right, and a seated figure in the foreground.

Junction of Severn and Wye, plate 28 from Liber Studiorum

Joseph Mallord William Turner, published June 1811

Sepia print of boys on a beach beside a large ship, with small boats and wading figures in the surf.

Marine Dabblers, plate 29 from Liber Studiorum

Joseph Mallord William Turner, published June 1811

Sepia print of a wooded river with rocky banks and a man wading in the water holding a long pole.

Near Blair Athol, plate 30 from Liber Studiorum

Joseph Mallord William Turner, published June 1, 1811

Sepia print of a river town with a long bridge over rapids, figures on rocks in the foreground, and houses on a hillside.

Lauffenbourgh on the Rhine, plate 31 from Liber Studiorum

Joseph Mallord William Turner, published January 1, 1811

Sepia print of three boys fishing by a river with willow trees, reeds, a resting dog, and a building in the distance.

Young Anglers, plate 32 from Liber Studiorum

Joseph Mallord William Turner, published June 1, 1811

Sepia print of a country road with horses, cattle and figures below a hilltop ruined abbey with sheep.

St. Catherine's Hill near Guilford

Joseph Mallord William Turner, published June 1811

Sepia print of two Martello towers near a chalk cliff, with figures and boats on the beach under stormy clouds.

Martello Towers near Bexhill, Sussex

Joseph Mallord William Turner, published June 1811

Sepia print of Inverary Pier on Loch Fyne at morning, with a sailboat, figures on the shore and misty mountains.

Inverary Pier Loch Fyne, Morning

Joseph Mallord William Turner, published June 1, 1811

Sepia print of a rocky mountain landscape with a dead tree, fallen armor on a path, and birds flying over distant cliffs.

From Spenser's Fairy Queene

Joseph Mallord William Turner, published June 1811

Sepia print of a water mill beside a stream, with a woman on a wall, horses drinking at right, and a dog on the path.

Water Mill, plate 37 from Liber Studiorum

Joseph Mallord William Turner, published February 1, 1812

Sepia landscape print with a tall umbrella pine, a kneeling figure at a stone basin, and classical ruins in the distance.

Scene in the Compagna, plate 38 from Liber Studiorum

Joseph Mallord William Turner, published February 1, 1812

Sepia print of a vaulted stone crypt with columns, arches, and cattle resting on the floor in patches of light.

Crypt of Kirkstall Abbey, plate 39 from Liber Studiorum

Joseph Mallord William Turner, published February 11, 1812

Sepia print of a sunset seascape with two sailboats, figures on a sandy beach, and a beached rowboat.

The Midmay Sea-Piece, plate 40 from LIber Studiorum

Joseph Mallord William Turner, published February 11, 1812

Sepia etching of a forest path with gnarled trees, two reclining figures and a dog in the foreground.

Procris and Cephalus, plate 41 from Liber Studiorum

Joseph Mallord William Turner, published February 14, 1812

Sepia print of a ruined tower on a wooded hill with trees, travelers on a path, and a distant coastline.

Winchelsea, Sussex, plate 42 from LIber Studiorum

Joseph Mallord William Turner, published April 23, 1812