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Art Institute of Chicago

24,198 works

Lithograph of an elderly woman in headscarf and shawl leaning on a walking stick, by Paul Gavarni, 1853.

Les Invalides du Sentiment: Elle a joué Zaïre

Paul Gavarni, 1853

Lithograph of an elderly man with spectacles and curled hair, leaning on a ledge in a dark coat and plaid trousers.

Les Invalides du Sentiment: Toujours étonnant!

Paul Gavarni, 1853

Lithograph of a stooped elderly man in a long coat and hat, leaning on a cane on a garden path near a house.

Les Invalides du Sentiment: - "On m'a pourtant, ma chère, Surnommé le trompeur!"

Paul Gavarni, 1853

Lithograph of a tousled-haired man in eyeglasses gazing upward against a rocky landscape with trees and clouds.

Les Invalides du Sentiment: Raphael

Paul Gavarni, 1853

Lithograph of a man leaning over a seated woman in a bonnet who reads a letter, with papers on a table beside them.

Les maris me font toujours rire: Et voilà le grandissime secret...

Paul Gavarni, 1852

Lithograph of a standing man and a seated woman writing at a desk, with a satirical caption below, by Paul Gavarni.

Les maris me font toujours rire: Item, pour avoir montré, au bal de la Préfecture...

Paul Gavarni, 1853

Lithograph of a bearded man smiling at a seated woman who looks down at cards on a table before a curtain.

Les maris me font toujours rire: Comme tu ments mal, mon chéri

Paul Gavarni, 1853

Lithograph of a smiling man with hands on hips beside a mantelpiece, by Paul Gavarni, 1853.

Les maris me font toujours rire: Je suis le mari de M'ame Jolibiais

Paul Gavarni, 1853

Lithograph of a seated man at a desk with a woman leaning over the chair behind him, with a caption beneath.

Say-So, Papa!, from Masques et Visages

Paul Gavarni, 1853

Engraving of two winged sea figures blowing horns beside a central urn, framed by scrolling acanthus ornament.

Ornament with Two Tritons, from Four Vignettes

Sebald Beham, c. 1544

Lithograph of a woman in a dark shawl holding a paper beside a reclining man on a sofa, in a draped interior.

Les maris me font toujours rire: Prends garde, chéri..

Paul Gavarni, 1853

Lithograph of two men talking in a doorway, one gesturing, the other in a cap and long coat, by Paul Gavarni.

Les maris me font toujours rire: Et le jeune homme...

Paul Gavarni, 1853

Woodcut of a robed figure looking up toward an angel in clouds, with sleeping figures in the foreground under a crescent moon

The Agony in the Garden, from The Fall and Redemption of Man

Albrecht Altdorfer, 1513

Lithograph of three men in top hats walking arm in arm, with French caption text below, by Paul Gavarni, 1853.

Les maris me font toujours rire: M'ame Jolibiais est grosse...

Paul Gavarni, 1853

Black and white woodcut of a crowd of armed men surrounding a robed figure beneath a burst of radiant light.

The Betrayal, from The Fall and Redemption of Man

Albrecht Altdorfer, 1513

Woodcut of Christ before Caiaphas: a robed figure faces a crowd of men in an interior with dense hatched lines.

Christ Before Caiaphas, from The Fall and Redemption of Man

Albrecht Altdorfer, 1513

Woodcut of a seated judge under a canopy confronting a figure as armed soldiers with pikes stand behind in an arched hall.

Christ Before Pilate, from The Fall and Redemption of Man

Albrecht Altdorfer, 1513

Woodcut of a bound man tied to a column being whipped by two armed men under a stone arch.

The Flagellation, from The Fall and Redemption of Man

Albrecht Altdorfer, 1513

Woodcut of Christ seated while two men press a crown of thorns onto his head beneath an arched stone architecture.

The Crowning with Thorns, from The Fall and Redemption of Man

Albrecht Altdorfer, 1513

Woodcut of Ecce Homo showing a robed figure presented to a crowd of soldiers and onlookers beneath a sun.

Ecce Homo, from The Fall and Redemption of Man

Albrecht Altdorfer, 1513

Woodcut of Pilate washing his hands before a crowd of soldiers with halberds, under a large hanging canopy in a stone interio

Pilate Washing His Hands, from The Fall and Redemption of Man

Albrecht Altdorfer, 1513

Woodcut of Christ carrying the cross past armored soldiers and a crowd with spears under a stone archway.

Bearing of the Cross, from The Fall and Redemption of Man

Albrecht Altdorfer, 1513

Engraved oval portrait of Lionel Sackville, Duke of Dorset, in a curled wig and ornate coat, with a caption below.

Lionel Sackville, Duke of Dorset

Alexander Bannerman, 1757

Engraved oval portrait of a man in a curled wig and armor, with a floral garland frame and a coat of arms below.

Mr. de Rapin Thoyras

George Vertue, Date unknown

Engraved portrait of an older man with powdered hair and lace cravat, labeled George Read, 1734-1798.

George Read

Albert Rosenthal, 1888

Engraved portrait of a man in a dark coat and white cravat holding a document, with the signature George Read below.

George Read

Samuel Sartain, Date unknown

Halftone reproduction of a portrait of Henry Bouquet in a military coat with braided buttons and white cravat.

Henry Bouquet

Unknown artist, Date unknown

Engraved print of three oval portraits of men in ornate scrollwork frames, labeled Chas Thomson, P. Randolph, and Rev. J. Duc

Fragments of portraits

Unknown artist, Date unknown

Woodcut of nude Adam and Eve in a forest, with a serpent in the tree and Eve holding an apple.

The Fall of Man, from The Fall and Redemption of Man

Albrecht Altdorfer, 1513

Woodcut of a temple scene where a priest refuses an elder's lamb offering at an altar beside a woman and glowing candles.

Joachim's Offering Refused, from The Fall and Redemption of Man

Albrecht Altdorfer, 1513