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Art Institute of Chicago

24,198 works

Woodcut of a kneeling bearded man with raised hands as a winged angel descends above a flock of sheep and rocks.

The Annunciation to Joachim, from The Fall and Redemption of Man

Albrecht Altdorfer, 1513

Engraved title plate with an armored knight, a bearded man in a hat, a skull, and Latin verse in a central cartouche.

Title-Plate, from The Riding School, or Exercise of Cavalry

Attributed to Zacharias Dolendo, 1599

Engraving of an armored cavalryman with sword on shoulder riding a rearing horse over hilly ground.

A Cavalryman, Sword to Shoulder, Riding to the Right, plate 14 from The Riding School, or Exercise of Cavalry

Attributed to Zacharias Dolendo, 1599

Engraving of an armored cavalryman raising a sword while his horse rears to the left over grassy ground.

A Cavalryman Raising his Sword, Riding to the Left, plate 15 from The Riding School, or Exercise of Cavalry

Attributed to Zacharias Dolendo, 1599

Woodcut of an embracing couple framed by a stone arch, with a town and domed sky in the background.

The Meeting of Joachim and Anne, from The Fall and Redemption of Man

Albrecht Altdorfer, 1513

Engraving of an armored horseman with a raised lance on a rearing horse, plumed helmet, flat landscape behind.

A Cavalryman Raising a Lance, plate 11 from The Riding School, or Exercise of Cavalry

Attributed to Zacharias Dolendo, 1599

Woodcut of a young girl climbing temple steps toward a priest at a lectern, with bearded men watching under a tall arch.

Presentation of the Virgin, from The Fall and Redemption of Man

Albrecht Altdorfer, 1513

Woodcut of an angel with a scepter approaching a seated woman reading a book under a radiant halo in a beamed room.

The Annunciation, from The Fall and Redemption of Man

Albrecht Altdorfer, 1513

Woodcut of the Nativity with kneeling figures, a star above a thatched stable, and an arched doorway.

The Nativity, from The Fall and Redemption of Man

Albrecht Altdorfer, 1513

Woodcut of kneeling men before a child in a timbered interior with a stone arch and a star above.

The Adoration of the Magi, from The Fall and Redemption of Man

Albrecht Altdorfer, 1513

Woodcut of the Circumcision scene: a priest in a tall hat and robe with attendants, under radiating light and a glowing motif

The Circumcision, from The Fall and Redemption of Man

Albrecht Altdorfer, 1513

Woodcut of the Presentation in the Temple: a high priest receives an infant at an altar in an arched stone interior.

The Presentation in the Temple, from The Fall and Redemption of Man

Albrecht Altdorfer, 1513

Woodcut of a woman riding a donkey with a child while a man leads them past a hilltop town and a bare tree.

The Flight into Egypt, from The Fall and Redemption of Man

Albrecht Altdorfer, 1513

Woodcut of a boy seated among bearded elders in a vaulted hall, one elder holding an open book.

Christ among the Doctors, from The Fall and Redemption of Man

Albrecht Altdorfer, 1513

Engraving of two jesters in oval frames, one holding coins and a bauble, the other gesturing with a small head-shaped object.

Two Fools

Attributed to Zacharias Dolendo, 1596

Woodcut of a radiant standing figure on a rock with two figures in clouds and three kneeling men below.

The Transfiguration, from The Fall and Redemption of Man

Albrecht Altdorfer, 1513

Woodcut of a bearded man in a robe taking leave of a kneeling woman beneath a tree, with onlookers in the background.

Christ Taking Leave of His Mother, from The Fall and Redemption of Man

Albrecht Altdorfer, 1513

Woodcut of Christ riding a donkey under a stone arch as figures kneel and hold palm branches.

The Entry into Jerusalem, from The Fall and Redemption of Man

Albrecht Altdorfer, 1513

Black and white woodcut of Christ at a round table with apostles, a radiant light behind him and a lattice window above.

The Last Supper, from The Fall and Redemption of Man

Albrecht Altdorfer, 1513

Woodcut of soldiers nailing a figure to a cross beneath a tree, with spears, a distant town, and a crescent moon above.

Nailing to the Cross, from The Fall and Redemption of Man

Albrecht Altdorfer, 1513

Woodcut print of soldiers hoisting Christ on a large cross, with spears and banners behind them and foliage at right.

Raising of the Cross, from The Fall and Redemption of Man

Albrecht Altdorfer, 1513

Woodcut of the crucified Christ with haloed head, mourning women kneeling below, and soldiers and a town in the distance.

The Crucifixion, from The Fall and Redemption of Man

Albrecht Altdorfer, 1513

Woodcut of mourners bending over a limp nude body beside a tree, with rocky hills and clouds behind them.

The Lamentation of the Virgin, from The Fall and Redemption of Man

Albrecht Altdorfer, 1513

Black ink print of a couple in kimono before a folding screen, with a cat and mouse at lower right.

Lovers, a Cat, and a Mouse in front of a Folding Screen

Attributed to Sugimura Jihei, c. 1684/98

Black and white print of mourners lowering a body into a stone tomb inside a dark cave with hanging stalactites.

The Entombment, from The Fall and Redemption of Man

Albrecht Altdorfer, 1513

Woodcut of Christ with a radiant halo descending among nude figures while a horned winged demon hovers in the dark sky.

Christ into Limbo, from The Fall and Redemption of Man

Albrecht Altdorfer, 1513

Woodcut of a nude risen figure with a halo holding a banner staff above a tomb, with sleeping soldiers below.

The Resurrection, from The Fall and Redemption of Man

Albrecht Altdorfer, 1513

Woodcut of a haloed Christ holding a banner, facing a kneeling woman in a headdress, with a rocky landscape behind them.

Christ Appears to the Magdalen, from The Fall and Redemption of Man

Albrecht Altdorfer, 1513

Woodcut of robed figures on a rocky hill gazing up at a figure ascending into clouds.

The Ascension, from The Fall and Redemption of Man

Albrecht Altdorfer, 1513

Woodcut of mourners gathered around a reclining figure beneath a vaulted arch, rendered in fine parallel lines.

The Death of the Virgin, from The Fall and Redemption of Man

Albrecht Altdorfer, 1513