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Art Institute of Chicago

13,165 works

Etching of a woman carrying a child and a bundle across an open field at dusk, with a village silhouetted on the horizon.

Homewards

Jozef Israëls, n.d.

Etching of a girl in a bonnet leaning on a spade beside a tree, with a flat field and village in the distance.

Girl with a Spade

Jozef Israëls, 1873

Engraving of a seated woman with a lyre, two cherubs and a draped curtain within an oval frame, dated 1780.

Ticket for the Benefit of M. Gardini

Francesco Bartolozzi, 1780

Etching of an elderly man in a dark coat seated on a wooden church pew, hands clasped, with a cane beside him.

Old man in church

Antonio Piccinni, 1875

Man Standing in Church

Antonio Piccinni, 1875

Etching of Jesus's entombment at night, showing a shrouded body, mourners in robes, two crosses and a pale moon.

The Interment of Jesus

Antonio Piccinni, 1878

Engraved portrait of a long-haired man with painter's tools, palette and brushes, in an octagonal frame with inscription belo

Portrait of Sébastien Bourdon

Laurent Cars, 1733

Drypoint print of a seated woman nursing a bare infant on her lap beside a small table, drawn in fine loose lines.

Nursing

Mary Cassatt, c. 1890

Etching of a seated woman with dark hair gazing down at a pale parrot perched on her hands.

The Parrot

Mary Cassatt, 1891

Etching of a seated woman in a dark hat and dress, turned toward the viewer in an armchair.

Reflection

Mary Cassatt, c. 1890

Drypoint etching of a woman holding a child in a wide-brimmed hat, with a parrot perched on her shoulder.

Hélène of Septeuil

Mary Cassatt, c. 1890

Etching of a seated woman in a dark dress with hands clasped, gazing to the side in a sketchy interior setting.

The Mandolin Player

Mary Cassatt, c. 1889

Etching of a woman in a tall bonnet gazing into a small hand mirror, with loose linework on pale paper.

The Bonnet

Mary Cassatt, c. 1891

Woodcut of St. John seated in a cauldron over a fire as an executioner tends the flames, watched by a crowd of rulers and onl

The Martyrdom of St. John, from The Apocalypse

Albrecht Dürer, c. 1496-98, published 1511

Woodcut of St. Michael and winged angels fighting a dragon in the sky above a river landscape with a town and ships.

St. Michael Fighting the Dragon, from The Apocalypse

Albrecht Dürer, c. 1496-98, published 1511

Lord Russell

Francesco Bartolozzi, February 1, 1796

Sepia engraving portrait of a woman in a tall draped headdress and lace collar, titled The Lady Rich.

Lady Rich

Francesco Bartolozzi, January 1, 1795

Sepia engraved portrait of a woman in a wide folded headdress and pearl necklace, after a drawing by Hans Holbein.

Lady Mary

Francesco Bartolozzi, June 20, 1796

Engraved portrait of a young man in a flat cap and fur-trimmed robe, looking down while holding an open book.

John More

Francesco Bartolozzi, March 26, 1795

Fitz William, Earl of Southampton

Francesco Bartolozzi, January 24, 1793

Engraved sepia portrait of an older woman in a hood with fur-trimmed shoulders, titled The Lady Buts.

Lady Buts

Francesco Bartolozzi, June 17, 1796

Engraved portrait of a woman facing right, wearing a white headdress, pearl necklace and cameo pendant.

Portrait of a Woman Facing Right

Francesco Bartolozzi, 1798

Sepia engraved portrait of a woman in a pearl necklace and hood, hands clasped, after Hans Holbein.

Queen Jane Seymour

Francesco Bartolozzi, March 26, 1795

Sepia engraving of a woman in a white headdress and dark-banded bodice, turned three quarters toward the viewer.

Portrait of a Woman

Francesco Bartolozzi, January 1, 1798

Engraved portrait of a man in a fur-trimmed coat and dark cap, holding a folded paper, labeled Sir John Godsalve.

Sir John Godsalve

Francesco Bartolozzi, 1796

Mother Jak

Francesco Bartolozzi, April 10, 1797

Lady Barkley

Francesco Bartolozzi, September 22, 1795

Engraved portrait of a bearded man in a beret and puffed sleeves, inscribed Ormond, after Hans Holbein.

Ormond

Francesco Bartolozzi, July 14, 1797

Sir Richard Southwell

Francesco Bartolozzi, April 1, 1795

Engraved sepia portrait of a bearded man in a dark cap and light fur-trimmed coat, turned to the right.

Sir John Gage

Francesco Bartolozzi, March 12, 1796