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English & British

17,198 works

Woodcut print of a dandy in a long coat and breeches leaning on a cane, with the caption 'D is for Dandy' below.

An Alphabet: D is for Dandy

William Nicholson, 1897

Black and white woodcut of a dim interior with receding framed doorways and two figures in the lower left corner.

The Exhibition

William Nicholson, 1897-1898

Stylized black and tan print of a standing man with a mustache, against a flat background with a horizon line.

Twelve Portraits: Cecil Rhodes

William Nicholson, 1899

Woodcut-style portrait of an elderly bearded man in a dark coat and pale cloak, against a black and gold background.

Twelve Portraits: The Archbishop of Canterbury

William Nicholson, 1898

Woodcut portrait of an older man in a long coat leaning against a dark form, with a flat sea and shoreline behind him.

Twelve Portraits: Sir Henry Irving

William Nicholson, 1898

Twelve Portraits: Rudyard Kipling

William Nicholson, 1898

Stylized print of a bearded man in a dark coat holding a bowler hat against an ochre background, by William Nicholson.

Twelve Portraits: H.R.H. The Prince of Wales

William Nicholson, 1898

Flat woodcut-style portrait of a man in a white wig and red robe, resting his hands on a dark ledge, by William Nicholson.

Twelve Portraits: Sir Henry Hawkins

William Nicholson, 1898

Print of nude bathers in the foreground by a rock, with a thatched cottage, fence and horse and rider in the distance.

Bathers

Charles Haslewood Shannon, 1904

Sepia print of a stormy sea with a rescue boat near a wooden pier, a wrecked hull in the foreground, and ships in the distanc

Vessel in Distress of Yarmouth

Frank Short, c. 1908

Colour caricature of a man in a tan overcoat and black hat with a monocle, holding a cane, titled A Symphony, 1878.

Vanity Fair: A Symphony

Leslie Ward, 1878

Etching of old stone houses with steep roofs beside an arched stone bridge over a river with rocks and trees.

Houses by the Bridge, Orthez

Ian Strang, 1926

Two monochrome plates of Assyrian reliefs: a fish-robed god with a bucket, and a bearded figure in a fringed kilt beside a do

Monuments of Ninevah: Plate 6, Fish-god (Nimroud); Figure near an Entrance (Kouyunjik)

Austen Henry Layard, 1853

Print of a human-headed winged bull and a bearded winged figure in Assyrian relief from a gateway at Kouyunjik.

Monuments of Ninevah: Plate 3, Human-headed Bull and Winged Figure from a Gateway in the Wall Surrounding Kouyunjik (…

Austen Henry Layard, 1853

Engraving of the ruined Castle of Falaise seen from the north, with a square keep and round tower on rocky cliffs.

Architectural Antiquities of Normandy (Vol. II), Pl. 90: Castle of Falaise (North View)

John Sell Cotman, 1821

Lithograph of a fallow deer stag with large antlers standing on a grassy bank beside a lake, with hills behind.

Fallow Deer

William Barraud

Hand-colored print of Arundel Castle on a hill above a river, with a barge, grazing cattle, and a village in the foreground.

This View of Arundel Castle

John Baily, 1819

Woodcut-style print of a mounted policeman on a tan horse in front of a stone building, with a dark cast shadow below.

London Types: Policeman (Constitution Hill)

William Nicholson, 1898

Engraved interior with a man reading at a tea table, a standing woman, and a seated young woman beside a window.

Canto IV, Verse 328

William Blake after Mary Ann Flaxman, 1803

Ink and grey wash drawing of a robed bearded figure with arms raised, surrounded by reclining nude figures reaching upward.

Moses Staying the Plague (?) [recto]

William Blake, c. 1780/1785

Pen and ink drawing of three standing male figures, one bearded and robed, one with a raised arm, and one nude youth at right

"And Saul Said unto David, Go, and the Lord be with Thee" [recto]

William Blake, c. 1780/1785

Pen and grey wash drawing of several men seated in a circle around a central standing figure holding a cane.

Group of Men Seated in a Circle [recto]

William Blake, c. 1780/1785

Pencil sketch of ghostly figures near a tomb under a crescent moon, with loose, unfinished lines on tan paper.

A Resurrection Scene (The Gambols of Ghosts) [recto]

William Blake, 1805/1808

Engraving of a bearded God enthroned in light, with angels and a figure before him, and a biblical scene below.

Satan Before the Throne of God

William Blake, 1825

Mezzotint portrait of Queen Anne in crown and royal robes, holding a sceptre and orb against a dark background.

Queen Anne, holding an orb and a sceptre. Mezzotint by J. Faber after J. Closterman, 17--

John Closterman

Engraving of a crowded London street on May Day with dancing revelers, a fiddler, shop signs and onlookers at windows.

May-Day in London

William Blake after Samuel Collings, 1784

Engraving of men in 18th-century dress confronting each other with swords in a tavern room, with onlookers and a fireplace.

The Discomfited Duellists

William Blake after Samuel Collings, 1784

Engraving of a nude man with raised arms standing over a river, with pyramids, a crocodile, and a sun in the sky.

Fertilization of Egypt

William Blake after Henry Fuseli, 1791

Engraved full-length portrait of an armed man with a musket and pipe, with palm trees and figures in the background.

A Coromantyn Free Negro, or Ranger, armed

William Blake after John Gabriel Stedman, 1793

Engraving of a naked man hanging upside down by a chain from a gallows, with skulls and bones on the ground below.

A Negro hung alive by the Ribs to a Gallows

William Blake after John Gabriel Stedman, 1792

Engraved print of a standing marine private holding a musket with bayonet, with a fort and ship in the background.

A private Marine of Col. Fourgeoud's Corps

William Blake after John Gabriel Stedman, 1793

Engraving of monkeys climbing and leaping among tree branches and vines beside a river with a mountain in the distance.

The Mecoo & Kisbee Kishee Monkeys

William Blake after John Gabriel Stedman, 1793