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English & British

17,198 works

Etching of a seated man holding a paintbrush beside an easel in a cluttered studio with framed pictures and shelves.

Charles Cundall

Francis Dodd, 1926

Woodcut print of two boxers fighting in a roped ring, labeled November, from William Nicholson's 1897 almanac of sports.

An Almanac of Twelve Sports: Boxing

William Nicholson, 1897

Soft charcoal-toned print of a seated woman with bowed head and dark hair, arms resting on a chair rail, on pink paper.

Flirt

Albert de Belleroche, 1907

Mezzotint portrait of a seated man in a dark coat, hand raised to his temple, beside an inkstand in a carved armchair.

Sir Benjamin Thompson, Count von Rumford. Mezzotint by J. R. Smith, 1801, after himself

John Raphael Smith

Etching of a laughing theatre audience in tiered galleries, with a basket being lowered and candles lighting the upper boxes.

The Laughing Audience

William Hogarth, 1733

Etched crowd of caricatured scholars in caps and gowns around a lecturer reading from an open book at a pulpit.

Scholars at a Lecture

William Hogarth, 1736-37

Lithograph of a busy Bridge Street in Chester with timber-framed buildings, horse carts, and pedestrians.

Bridge Street, Chester, from Lithographic Impressions of Sketches From Nature

Charles Joseph Hullmandel, 1821

Lithograph of a tall rocky cliff beside a river, with a sailing ship, rowboat, figures and houses along the shore.

S.E. Vincent's Rock near Bristol

Charles Joseph Hullmandel, 1821

Stipple engraving portrait of an older man in a striped fur cap and dark coat, with Latin inscription below.

John Bayly. Stipple engraving by H.R. Cook after Smith of Chichester

Mezzotint portrait of a seated elderly man with long hair in a buttoned coat beside a stone column.

Sir Isaac Newton. Mezzotint by J. Faber, junior, 1726, after J. Vanderbank, 1725

John Vanderbank

Woodcut of an elderly woman in a black cloak and bonnet leaning on a cane beside a small dog.

Twelve Portraits: H. M. the Queen

William Nicholson, 1897

Stylized print of a woman in a long black cape and feathered hat holding a walking stick, labeled Sarah Bernhardt.

Twelve Portraits: Sarah Bernhardt

William Nicholson, 1899

Woodcut of a jockey in dark silks riding a horse, beside the large letter J and the words 'for Jockey.'

An Alphabet: J for Jockey

William Nicholson

Etching of the Horse Guards building in London with a clock tower, crowds, and horse-drawn carriages in the street.

London Set: Horseguards

William Walcot, 1924

Etching of a busy London street with classical columned buildings, an equestrian statue and crowds of pedestrians.

London Set: Bank (with the Royal Exchange)

William Walcot, 1924

Etching of a busy London square with a tiered fountain and winged statue, crowds, buses and classical buildings.

London Set: Piccadilly Circus (with Criterion Theatre)

William Walcot, 1924

Lithograph of a ruined stone church wall with arched windows, two standing men in tricorn hats, and a seated figure.

Eglise de Saint-Taurin, Evreux

Richard Parkes Bonington, 1824

Etching of a busy Bologna street with a tall tower rising above rooftops and figures walking on cobblestones.

Bologna

Richard Parkes Bonington, 1826/1827

Lithograph of the Gros-Horloge clock tower in Evreux with timber houses, market women and a horse in the street.

Tour du gros-horloge, Evreux

Richard Parkes Bonington, 1824

Lithograph of a crowded Rouen street with timber-framed houses, a domed church tower, and townspeople with a handcart.

Rue du gros-horloge, Rouen

Richard Parkes Bonington, 1824

Mezzotint portrait of Sir Joseph Banks in a powdered wig and fur-trimmed coat, holding a round object.

Sir Joseph Banks. Mezzotint by S. W. Reynolds, 1834, after Sir J. Reynolds

Joshua Reynolds

Engraved print of a statue of Dr Priestley standing beside a stone pillar, holding a pestle over a mortar.

Joseph Priestley. Stipple engraving by G. Stodart after J. F. Williamson, 1874

John Williamson

Drawing of a nude man kneeling and reaching upward with one arm, rendered in chalk on toned grey paper.

Study from Life: Nude Male

John Trumbull, ca. 1795-96

Monochrome print of a river with boats, a large tree on the left, a footbridge, and a cloudy sky.

The River Stour from Various Subjects of English Landscape Scenery

David Lucas, 1830

Mezzotint portrait of a seated balding man in a dark coat and cravat, holding a newspaper beside a draped curtain.

William Hyde Wollaston. Mezzotint by W. Ward, 1824, after J. Jackson

Stipple engraving of Sir Roderick Impey Murchison, a seated elderly man in a dark coat holding a walking stick.

Sir Roderick Impey Murchison. Stipple engraving by D. J. Pound after J. Mayall

John Jabez Edwin Mayall

Mezzotint oval portrait of a man in a curled periwig and lace cravat, with engraved name inscription below.

Sir William Petty. Mezzotint by J. Smith, 1696, after J. Closterman

John Closterman

Portrait of a bald man with blue eyes in a green velvet cap and brown silk robe against a dark background.

Ebenezer Storer II

John Singleton Copley, ca. 1767

Pencil sketch of a crouching nude man beside a shaggy animal, with a looming figure at upper right.

Sketch for "The Thought of Death alone, the Fear Destroys"

William Blake, c. 1795

Hand-coloured 1822 satirical print by Henry Alken with four scenes: a couple on a sofa, hanged men, a beheading, and men at a

Plate from Illustrations to Popular Songs

Henry Alken, 1822

Hand-colored print of the town of Perth beside a winding river, with boats, hills, and elegantly dressed figures on a grassy

The Town of Perth

John Heaviside Clark, n.d.

Hand-colored print of an excited angler in green coat raising a rod by a river, with a tree and a second fisherman.

The Finest Perch is Not for Me

Charles Turner, published June 18, 1825