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Animals in Prints

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Engraving of Trojans hauling a wooden horse into a city gate, with soldiers and horsemen in the foreground.

The Trojans Hauling the Wooden Horse into Troy

after Francesco Primaticcio Giulio Bonasone, 1545

Pen and brown ink sketch with wash of horsemen fighting, rearing horses and raised weapons, with faint inscriptions below.

Horsemen Fighting

Ercole Procaccini The Younger, 17th century

Sheet of sketches with a barking dog, militia men with rifles, women and children, a horse and wagon, and boys.

Barking Dog and Studies for "Militia Training"

James Goodwyn Clonney, 1841

Engraving of a washerwoman at a wooden tub, a boy blowing bubbles with a pipe, a cat, and a woman hanging laundry in a doorwa

The Washerwoman

Charles Nicolas Cochin I, 1739

Brown ink sketch on blue paper of a woman in flowing dress struggling with a lion, by Francesco Guardi.

An Elegantly Dressed Woman Struggling with a Lion

Francesco Guardi, 1780

Pen and ink drawing of Saint Andrew bound to an X-shaped cross with a crowd of onlookers and a dog below.

Martydom of Saint Andrew (recto); Head of a Woman (verso)

Ercole Procaccini The Younger, 17th century

Pen and wash drawing of sea deities with a trident-bearing Neptune, sea horses, nymphs and a putto among clouds.

Sea Deities

Ercole Procaccini The Younger, 17th century

Grey wash drawing of a wolf beside figures on rocky ground, sketched with loose pen lines.

The Discovery of Romulus and Remus (recto); Three Ancient Soldiers (verso)

Paolo Pagani, 1690-1700

Brown ink drawing of shepherds adoring the infant Christ in a stable, with a sheep and an ox nearby.

Adoration of the Shepherds

Giovanni Battista Paggi, 1554-1627

Pen and brown ink sketches of horsemen on horseback and a foreshortened nude figure on aged paper.

Studies of Horsemen and Study of a Figure for a Deposition (recto); Sketch for an Entablature (verso)

Palma il Giovane, 1548-1628

Trompe-l'oeil drawing of scattered prints on a table showing horses, cattle, a portrait, a bridge and walking figures.

Trompe-l'Oeil Exercise: Prints on a Table Top

Pietro Jacopo Palmieri, 1766

Grey wash drawing of a hilly lake landscape with two horsemen, a fisherman, a dog, and a large tree on the left.

Hilly Landscape with Two Cavaliers and Other Figures in the Foreground

Romolo Panfi, 1632-90

Pen and brown ink sheet with many figure studies, reclining, flying and draped figures, by Paolo Veronese, c. 1570-75.

Studies for The Allegories of Love

Paolo Veronese, 1570-75

Monochrome print of a female performer in a pale dress beside a pillar in a dark café with chandeliers and lamps.

Mlle Bécat at the Café des Ambassadeurs

Edgar Degas, 1877-78

Pen and ink drawing with studies of lion heads at various angles and a decorative cartouche below.

Six Studies of Animal Heads and of a Cartouche

Pellegrino Tibaldi, 1527-96

Pen and brown ink drawing with wash of armored soldiers, a rearing horse, and a prostrate man held down beside a tent.

Scene from Ancient History or Mythology: Theseus Punishing Procrustes (?)

Giuseppe Piattoli, 1785-1807

Etching of a mounted bullfighter grappling with a bull in an arena, spectators in the stands behind, by Goya.

Mariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull f…

Francisco Goya, 1816

Pencil drawing of an armored horseman with spear on a rocky shore, with a small boat and figures on rough water at right.

Romantic Subject

Bartolomeo Pinelli, 1829

Brown ink and wash drawing of putti with painting easel, brushes and drapery, representing the arts.

Putti with the Attributes of the Arts

Domenico Piola, 1627-1703

Brown ink and wash drawing of a nude archer aiming at a draped statue while a seated figure and crowd look on.

Male Figure with a Bow and Arrow Shooting at a Statue of a Woman with a Ball on her Head

Domenico Piola, 1627-1703

Pencil drawing of a fallen horse with saddle beside a dead knight in armor on an open plain with distant hills.

Fallen Horse and Dead Knight

Eugène Delacroix, c. 1827-1829

Pen and wash drawing of a robed figure gesturing to a crowd on a hillside, with people in the foreground reaching for food.

Miracle of the Loaves and Fishes

Attributed to Pedro Mena y Medrano, n.d.

Pen drawing of an ornamental letter B with acanthus scrolls, nude figures, a bull's head and a goat on blue paper.

Design for an Ornamental Initial: B

Teodoro della Porta, 1567-1638

Grey and white drawing on blue paper of a rider and companions meeting a bow-bearing huntress in an oval woodland scene.

Venus Disguised as a Huntress Appears to Aeneas (Aeneid I: 305 ff.)

Stefano Pozzi, 1699-1768

Grey-toned drawing of Vulcan seated beside a shield, with Venus and a cupid on clouds above and smiths at a forge behind.

Venus in the Forge of Vulcan (Aeneid VIII: 370 ff)

Stefano Pozzi, 1699-1768

Red chalk drawing of a seated bishop in a mitre with three attendant figures gazing upward on tinted paper.

Seated Bishop with Arms Extended and Three Attendant Figures (recto); Head of a Lion and Perspective Diagrams (verso)

Mattia Preti, 1613-99

Brown wash drawing of a soldier and crowd gathered around a kneeling female saint on a raised platform under a beam of light.

Martyrdom of a Female Saint (Agnes?)

Camillo Procaccini, 1605-9

Pen and brown ink drawing with wash of seated women, a standing draped figure, a horse head and an infant in an architectural

The Birth of Saint Francis of Assisi

Camillo Procaccini, 1555-1629

Pen and ink design sketch of an ornate fountain with a Madonna and Child, winged figures, a lion, and a monkey on the cornice

Design Fragment for the Left Side of the 'Fonte Gaia' in Siena

Jacopo della Quercia, 1415-16

Pen and ink drawing of mounted soldiers and a standing warrior before classical architecture, with an S.P.Q.R. banner.

Emperor greeted by a warrior

Marcantonio Raimondi, 16th century