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Wien Museum

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Pencil sketch of a crowd with flags gathered in a street before buildings, with onlookers at upper windows.

Volksversammlung im Freien (Barrikade am Stephansplatz, 26. bis 28. Mai 1848)

Joseph Hasslwander, 1848

Pen drawing of a man in top hat pointing and speaking to three seated men on a tree stump outdoors.

Volksversammlung im Freien (zur Zeit der Barrkadentage 26. bis 28. Mai 1848, ein Student spricht zu drei Arbeitern)

Joseph Hasslwander, 1848

Pencil sketch of an outdoor crowd of men in top hats and women in crinolines with parasols beneath a tree.

Volksversammlung im Freien (zur Zeit der Barrkadentage 26. bis 28. Mai 1848)

Joseph Hasslwander, 1848

Evening street crowd with gas lamps, bare tree and sentries in bearskin helmets before an arched gateway, pencil and watercol

Volksversammlung vor dem Schweizertor am 30. Jänner 1889 abends nach der Verbreitung der Nachricht vom Tod des Kronpr…

Theodor Breidwiser, 1889

Pencil sketch of tall trees, shrubs and cypresses in a garden landscape, with an inscription reading Vom Monte Mario in Rom.

Vom Monte Mario in Rom

Johann Ender, 1823

Watercolor of a 19th-century butcher shop with hanging hams, a Fleischhauer sign, and figures in period dress on the street.

Vor dem Fleischhauerladen

Gustav Zafaurek, 1886

Pencil drawing of a man leaning from a shop doorway beside a woman in a long dress and a man in a top hat on a street.

Vor dem Friseurgeschäft

vermutlich: Anton Zampis, 1840

Watercolor street scene of children and a woman before a butcher shop window with hanging meat and a dog on cobblestones.

Vor einem Fleischer- und Selcherladen

Gustav Zafaurek, 1880

Red chalk drawing of a nude woman with outstretched arms on grey paper, with pencil construction lines around the figure.

Vorderseite: Frauenakt; Rückseite Dienstmänner

Josef Engelhart, 1910

Pencil and watercolor drawing of cavalry advancing over a suspension bridge past burning buildings and scattering crowds.

Vordringende kaiserliche Truppen an der Franzensbrücke am 28. Oktober 1848

Joseph Albrecht, 1849

Pencil sketch of a woman in flowing draped robes walking with bowed head, on tan paper.

Vorgebeugt schreitendes Mädchen

Hans Gasser, 1845

Loose pencil sketch of a seated couple leaning forward, the woman's arm around the man's neck, on cream paper.

Vornübergebeugt sitzendes Paar, ihr Arm um seinen Nacken gelegt

Gustav Klimt, 1908

Sepia drawing of a long bathhouse vestibule with paneled walls, lamps, and men in top hats and a bare-chested attendant.

Vorraum/Garderobe im Esterházy-Bad, Gumpendorfer Straße 59/Luftbadgasse 12

vermutlich: August Stefan Kronstein, 1880

Pen drawing of a Gothic Revival church with tall spires above an arcaded wall and street trees, titled Kaiser Franz Josef Jub

Vorzeichnung der Kaiser Franz Josef Jubiläumskirche zum Hl. Franz von Assisi (Wien 2., Mexikoplatz 12) für eine Licht…

Victor Luntz, 1900

Architectural elevation of a triumphal arch with columns, allegorical statues, garlands and imperial arms, with a ground plan

Vorzeichnung für die Triumphpforte für Leopold II., anlässlich seiner Rückkehr von der Krönung zum Kaiser des Heilige…

Johann Ferdinand Hetzendorf von Hohenberg, 1790

Ink and wash drawing of an interior with seated women, a kneeling man and standing figures around a writing table beneath a w

Vorzeichnung zu "Theresiens lezter Tag"

Johann Hieronymus Löschenkohl, 1780

Pencil sketch of a man in a plumed hat and cloak beside a seated classical female figure, preparatory study.

Vorzeichnung zum Ölgemälde des Grafen Fries

Angelica Kauffmann, 1787

Pencil sketch sheet with studies of women in headscarves and an interior with a stove and table.

Vorzeichnungen (Ammen)

Gustav Zafaurek, 1880

Pencil drawing of a man seated at a desk by a window in a room with framed pictures and shelves.

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Anatol im Zimmer von Emilie ("Denksteine")

Moritz Coschell, 1899

Pencil sketch of two men in a sitting room, one reading near a plant, the other reclining with a cigar by a fireplace.

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Anatol und Max ("Episode")

Moritz Coschell, 1899

Pencil sketch of a horse-drawn carriage with a coachman, two horses, a woman in a long dress and a man in an overcoat on a ci

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Anatol verabschiedet sich von Cora (Weihnachtseinkäufe)

Moritz Coschell, 1899

Pencil sketch of a woman in a feathered hat and feather boa, with a handwritten note on the mounting sheet.

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Anfangsvignette zu "Die Frage an das Schicksal"

Moritz Coschell, 1899

Pencil drawing of a man and woman looking out a window in a furnished room with curtains, a sculpture and a chest of drawers.

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Bianca und Max schauen aus dem Fenster ("Episode")

Moritz Coschell, 1899

Pencil drawing of a reclining woman on a sofa, a lounging man, and a standing man by an easel in a room with framed paintings

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Cora in Hypnose (Die Frage an das Schicksal)

Moritz Coschell, 1899

Pencil drawing of a kneeling woman in a long gown reaching toward a hearth in a room with a window and side table.

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Emilie sucht mit der Feuerzange den schwarzen Diamanten…

Moritz Coschell, 1899

Pencil drawing of a seated man in a bowler hat with a cane and a standing man leaning against a wall in an interior.

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Max und Anatol ("Agonie")

Moritz Coschell, 1899

Pen drawing of a couple embracing beside a title block reading Arthur Schnitzler, Anatol, illustrated by M. Coschell.

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Schlussvignette zu "Die Frage an das Schicksal"

Moritz Coschell, 1899

Pencil sketch of a man seen from behind and a woman in a feathered hat seated at a table with wine, 1899.

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Vignette aus "Abschiedssouper"

Moritz Coschell, 1899

Pencil sketch of two horses pulling a carriage with a man and woman passengers along a tree-lined road.

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Vignette aus "Agonie"

Moritz Coschell, 1899

Pencil and green-wash drawing of a furnished room with a marble fireplace, candelabra, bust, two armchairs and a side table.

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Vignette aus "Anatols Hochzeitsmorgen"

Moritz Coschell, 1900

Pencil drawing of a man and woman in period dress looking into a shop window under a street lantern.

Vorzeichnungen für Illustrationen in A. Schnitzler "Anatol": Vignette zu "Weinachtseinkäufe"

Moritz Coschell, 1899

Title page in German blackletter with coloured initials dedicating plans of the Heilandskirche in Vienna to Archduke Ferdinan

Votivkirche, Ausführungsprojekt, Blatt mit Widmung an Erzherzog Ferdinand Maximilian

Heinrich von Ferstel, 1859

Ink architectural elevation of a Gothic church choir with twin spires and detailed tracery, mounted on a card.

Votivkirche, Ausführungsprojekt, Chorfassade, Aufriss

Heinrich von Ferstel, 1859

Two red-tinted architectural floor plans of a Gothic church with a central tower plan, mounted on a beige board.

Votivkirche, Ausführungsprojekt, Grundrisse in der Höhe des Hauptschiffs und der Seitenschiffe

Heinrich von Ferstel, 1859

Pencil elevation drawing of a Gothic church main facade with twin spires and a central rose window.

Votivkirche, Ausführungsprojekt, Hauptfassade, Aufriss

Heinrich von Ferstel, 1859

Colored longitudinal section drawing of a Gothic church with spires, arched windows and a rose window, mounted on card.

Votivkirche, Ausführungsprojekt, Längsschnitt

Heinrich von Ferstel, 1859

Pen drawing of a Gothic church with twin spires and rose window, with a crowd of people gathered in front.

Votivkirche, Ausführungsprojekt, Perspektive

Heinrich von Ferstel, 1859

Architectural section drawing of a gothic church showing nave and chapel profiles with red-highlighted structural elements.

Votivkirche, Ausführungsprojekt, Schnitt durch das Langhaus und das Langhausjoch vor dem Querhaus

Heinrich von Ferstel, 1859

Pen drawing of a Gothic church side elevation with tall spires, pointed windows and a rose window, mounted on a tan board.

Votivkirche, Ausführungsprojekt, Seitenfassade zur Währingerstraße, Aufriss

Heinrich von Ferstel, 1859

Architectural drawing of a Gothic confessional booth with front elevation, side section, and floor plan in brown ink on paper

Votivkirche, Beichtstuhl für die Votiv-Kirche, Ansichten, Schnitt, Grundriss

Hermann von Riewel, 1878

Colored architectural elevation of an ornate choir screen and a gas candelabrum, labeled Votivkirche, 1878.

Votivkirche, Chorschranken und Gas-Kandelaber

Dominik Stadler, 1878

Pen drawing of a Gothic Revival church organ facade with pinnacles and pointed arches, with a floor plan below.

Votivkirche, Grundriss und Aufriss der Orgel

Heinrich von Ferstel, 1870

Architectural cross-section drawing of a Gothic church with a tall spire, rose windows, and pointed arches on paper.

Votivkirche, Querhaus und Schnitt durch den Chor

Heinrich von Ferstel, 1856

Ink architectural drawing of a Gothic church side elevation with pointed windows, pinnacles and a tower on paper.

Votivkirche, Seitenansicht

Heinrich von Ferstel, 1856

Ink and wash situation plan showing the Votivkirche church plan surrounded by pink-shaded city blocks and street lines.

Votivkirche, Situationsplan der Votivkirche vor dem Schottentor

Heinrich von Ferstel, 1878

Pen drawing of a cemetery gravestone with a hooded bust and inscription panel, beside a bare tree, 1900.

W. Scholz' Grab am alten Dornbacher Friedhof

Ludwig Wegmann, 1900

Pencil drawing of an ornate Gothic-style cabinet with arched tracery doors, carved animal panels and a decorative crest.

Waffenschrank

Carl von Hasenauer, 1860

Pencil sketch of a city street with a neoclassical building on the right and pedestrians and a carriage receding down the roa

Währinger Straße mit Josephinum

Rudolf von Alt, 1850

Pencil and crayon sketch of a forest path winding between tall trees with overhanging branches and grassy banks.

Waldinneres

Tina Blau, 1880

Pencil sketch of a forest landscape with rocks, ferns, a fallen log and tall trees on tan paper.

Waldlandschaft

Otto Wagner, 1859

Pencil and wash drawing of a forest scene with gnarled roots, large rocks, and dense undergrowth beneath tall trees.

Waldlandschaft

Otto Wagner, 1860

Pencil drawing of a gnarled tree with twisted branches and exposed roots in a forest landscape, with faint grid lines.

Waldlandschaft

Josef Kriehuber, 1876

Pencil drawing of a dense forest with tall leafy trees, dark shaded undergrowth and a light path in the foreground.

Waldlandschaft

Joseph Höger, 1860

Brown ink and wash drawing of a forest landscape with trees framing a rocky stream and small waterfall.

Waldlandschaft

Joseph Heicke, 1841

Pencil drawing of a forested hillside with tall trees on the crest, conifers below and a winding path in the foreground.

Waldlandschaft bei Judenburg

Karl Wiener, 1943

Watercolor landscape of two tall trees beside a meadow, with orange and green autumn woodland fading into a pale sky.

Waldlandschaft bei Mödling

Anton Heinrich Peschka, 1931

Pencil drawing of a forest landscape with a large tree on the left and a river flowing among trees on the right.

Waldlandschaft mit Fluß

Josef Kriehuber, 1876

Sepia drawing of a forest with large gnarled oak trees, a dirt path, two small figures walking, and a pale rock.

Waldlandschaft mit Staffage

Josef Kriehuber, 1876

Pencil drawing of a forest with large spreading trees, a winding path, small figures, and a hazy woodland background.

Waldlandschaft mit Staffage

Josef Kriehuber, 1870

Pencil drawing of a large oak tree in a woodland clearing with a path and rocks in the foreground.

Waldlandschaft mit Weg

Josef Kriehuber, 1869

Pencil drawing of a forest path lined with gnarled trees and dense foliage, with rocks at right and faint grid lines.

Waldpartie

Josef Kriehuber, 1840

Architectural floor plan in pencil and colored crayon of a long school building with a central staircase block.

Waldschule im Wienerwald, Grundriss

Otto Wagner, 1917

Pencil floor plan of a long school building with wings and central stair, on pale paper with color scale bars at the edges.

Waldschule im Wienerwald, Grundriss / verso: Huldigungsadresse der Akademie der bildenden Künste, Einband (Probedruck)

Otto Wagner, 1917

Pencil sketch of a dense woodland cluster of trees with layered foliage on a pale sheet, with a colour checker below.

Waldstück

Josef Kriehuber, 1876