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Wien Museum

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Drawing of a ballerina in a tutu beside a goat in a gothic stone arcade, with a hunched figure in the shadows.

Fanny Elssler als "Esmeralda" mit Ziege und Quasimodo in Notre Dame nach Victor Hugo

Paul Bürde, 1849

Hand-coloured costume print of a woman in a blue and red dress beside a stone column, with ivy and mountains behind her.

Fanny Elßler als "Fenella" in "Die Stumme von Portici" (Costümbild Nr. 3 zur Theaterzeitung)

Andreas Geiger, 1832

Lithograph of dancer Fanny Elssler in a lace bonnet and ribbon sash, arm raised beside a rose bush.

Fanny Elssler als "Schweizer Milchmädchen"

Karl Agricola, 1830

Lithograph of a dancer in a white costume with a flower wreath and peacock feather, looking over her shoulder.

Fanny Elssler als "Sylphide" in "La Sylphide"

Franz Krüger, 1830

Hand-colored costume print of Fanny Elßler as Fenella in blue skirt and red bodice before a column and volcano landscape.

Fanny Elßler als Fenella in der "Stummen von Portici" (Costümbild Nr. 3 zur Theaterzeitung)

Andreas Geiger, 1832

Hand-colored drawing of Fanny Elßler in a blue and red costume as Fenella before a column and mountains.

Fanny Elßler als Fenella in der Stummen von Portici (Vorlage für das Costümbild Nr. 3 zur Theaterzeitung)

Johann Christian Schoeller, 1832

Hand-colored costume plate of dancer Fanny Elßler in a pink and black lace dress with scattered flowers at her feet.

Fanny Elßler in der Cachucha (Costümbild Nr. 48 zur Theaterzeitung)

Andreas Geiger, 1837

Hand-colored print of dancer Fanny Elßler in a blue skirt posing before an arched bridge, with musicians and onlookers.

Fanny Elßler in der Cracovienne (Costümbild Nr. 92 zur Theaterzeitung)

Johann Wenzel Zinke, 1842

Engraved portrait of a woman in a dark star-patterned classical gown leaning on a column, titled Fanny Janauschek als Medea.

Fanny Janauschek (eig. Franziska Magdalene, 1828-1904), als "Medea"

Johann Andreas Fleischmann, 1875

Pencil drawing of a multi-storey palace facade with arched doorways, balconies and pilasters on aged paper.

Fassade eines Palais

Joseph von Wieser, 1868

Ink and pencil drawing of a villa facade with a tower above and a floor plan of rooms and courtyard below.

Fassade und Grundriss einer Villa

Joseph von Wieser, 1868

Ink elevation of a palace facade with arched windows above a faint pencil floor plan on aged paper.

Fassade und Grundriss eines Palais

Joseph von Wieser, 1868

Pencil drawing of a palace facade with arched entrance and windows, above a floor plan with columns and rooms.

Fassade und Grundriss eines Palais, Detail

Joseph von Wieser, 1868

Ink and pencil architectural drawing of a palace facade, floor plan with Vestibule and Salon, and column and arch details.

Fassaden, Grundrisse und Details eines Palais

Joseph von Wieser, 1868

Pencil architectural drawing of a facade elevation and floor plan with grid patterns, on cream paper, by Otto Wagner.

Fassadenaufriss, Detail / verso: Stadtbahn, Bahnhof Hauptzollamt, Grundriss

Otto Wagner, 1894

Pen and wash architectural elevation of a multi-storey building facade with arched windows, balustrades and a central ornamen

Fassadenentwurf für 2., Czerningasse 27

Joseph von Wieser, 1885

Engraving of mounted Austrian officers in plumed helmets led by Feldzeugmeister Benedek, with a numbered caption below.

Feldzeugmeister Benedek und sein Stab

Adolf Neumann, 1870

Pencil sketch of a standing man in a suit and vest with a watch chain, hand in pocket, signed Felix Fischer 1925.

Felix Fischer (1855-1927), Fabrikant

Josef Engelhart, 1925

Pencil portrait of a man in a plumed hat and uniform decorated with medals, shown in three-quarter view.

Felix Prinz zu Schwarzenberg (1800-1852), Staatsmann, Diplomat

Andreas Staub, 1825

Pencil sketch of a layered rock outcrop with a tree and shrubs growing on top, with grass and foliage around it.

Felspartie

Franz Steinfeld, 1841

Architectural drawing of a window elevation with pilasters, carved keystone and scroll bracket, with dimension annotations.

Fenster eines Wohnhauses, Vorder- und Seitenansicht

Heinrich von Ferstel, 1870

Lithographic portrait of Ferdinand Esslair, a man with folded arms in a double-breasted coat, dated 1820.

Ferdinand Esslair, Königl. bayerischer Hofschauspieler und Regisseur

Joseph d. Ä. Lanzedelly, 1820

Engraved portrait of Ferdinand II in an oval frame with laurel wreath, ruff collar, allegorical figures and coat of arms.

Ferdinand II. (1578-1637)

Wolfgang Kilian, 1619

Ferdinand Kaiser (geb. 1784), Buchhändler in Wien

Johann Adam Klein, 1818

Halftone portrait of a bearded man in a dark suit and bow tie, printed on cream paper with a caption below.

Ferdinand Kürnberger (1821-1879), Schriftsteller, Kritiker

Andreas Krampolek, 1870

Lithograph portrait of a bearded man in spectacles and long overcoat, one hand on his hip, with a signature below.

Ferdinand Laub, Königlich Preußischer Kammer-Virtuos

Josef Kriehuber, 1858

Lithograph portrait of Ferdinand Raimund, a man with curly hair and folded arms, in a dark coat and cravat.

Ferdinand Raimund

Josef Kriehuber, 1835

Lithograph portrait of Ferdinand Raimund with curly hair, dark jacket and cravat, leaning on rock and holding a book.

Ferdinand Raimund

Josef Kriehuber, 1829

Hand-colored 1821 print of a man in a pink coat and wide-brimmed hat standing on a path before a hilly landscape.

Ferdinand Raimund als Rosenroter Geist in "Die Fee aus Frankreich"

Christoph Frank, 1821

Hand-coloured print of a man in tricorn hat and period coat gesturing before a moonlit town and stone wall.

Ferdinand Raimund als Tobias in "Das Gespenst auf der Bastei"

Ludwig Krones, 1819

Lithographic portrait of a man with swept-back hair and beard in a dark coat and cravat, on cream paper.

Ferdinand von Arlt (1812-1887), Augenarzt

Adolf Dauthage, 1859

Lithographic portrait of a man in a dark jacket and bow tie, with printed caption naming F. Arlt and a signature.

Ferdinand von Arlt (1812-1887), Augenarzt

J. Glinski, 1850

Pastel portrait of a bearded man seated in an armchair, wearing a dark jacket, against an ochre background.

Ferdinand von Saar (1833-1906)

Ludwig Michalek, 1888

Pen sketch of a symmetrical ornamental festival arch with a central dome, columns and scrolls on cream paper.

Festdekoration zum Einzug der Prinzessin Stephanie, Aufrissskizze

Otto Wagner, 1881

Watercolor elevation of a fortress tower with crenellated top, corner turrets, arched windows and a heraldic shield.

Festungsturm (Akademiearbeit)

Heinrich von Ferstel, 1847

Lithograph of Fethi Ahmed Pascha on horseback with officers in uniform, with Arabic and German inscriptions below.

Fethi Ahmed Pascha (Ahmet Fethi Pascha), 1801 - 1858, osmanischer Militär, Diplomat und Gründer des ersten archäologi…

fraglich: Franz von Hauslab, 1835

Pencil and brown wash drawing of a boy in a cap and coat seated in a carriage holding its rails, dated 1840.

Fiakerbub am Graben

Anton Richter, 1840

Pencil sketch of a seated man in a peaked cap, arms around his knees, with an inventory number in the lower right.

Figurale Detailstudie (kroatischer Soldat vor Wien 1848)

Carl Anton Goebel, 1848

Pencil sketch of a man in a fur cap with moustache and a rider on a horse with bridle and saddle cloth.

Figurale Detailstudie (Seressaner vor Wien 1848)

Carl Anton Goebel, 1848

Figurale Detailstudien (Seressaner und kroatische Soldaten vor Wien 1848)

Carl Anton Goebel, 1848

Pencil sketch of figure studies with a standing man in a top hat, a long-robed figure, and seated figures on pale paper.

Figurale Detailstudien (Seressaner vor Wien 1848)

Carl Anton Goebel, 1848

Pencil figure sketch of two standing figures in long garments on cream paper, with handwritten dated note below.

Figurenskizze

Karl Wiener, 1943

Pencil figure study on pale paper showing a standing full-length figure in a long robe with loose, sketched contour lines.

Figurenstudie

Gustav Klimt, 1910

Figurenstudie

Viktor Tischler, 1920

Figurenstudie

Karl Wiener, 1926

Figurenstudie "Herr Dreher" (Rückseite: Figurenstudie mit Frau und zwei Männern)

Josef Engelhart, 1909

Graphite sketch of a standing woman holding a rectangular panel, with face and hand detail studies on tan paper.

Figurenstudie (Illustrationsentwurf?) und Detailstudien

Gustav Klimt, 1897

Charcoal study of a standing woman in a draped gown on brown paper, face unfinished, one hand raised.

Figurenstudie (stehende Frau)

Karl Wiener, 1926

Lithograph portrait of a seated man with curly hair and mustache, resting his hands on a cane in an armchair.

Filippo Colini

Josef Kriehuber, 1847

Lithographic portrait of an elderly white-haired man seated beside a wooden chair, with Italian inscription below.

Filippo Sinigaglia

Achille Astolfi, 1850

Pencil sketch of two stylized fish with curving fins intertwined inside a rectangular frame on cream paper.

Fische

Hanna Gärtner, 1947

Florian Grospietsch (1789-nach 1833), Maler

Johann Adam Klein, 1821

Pencil sketch of a man in cap and jacket leaning forward while pushing a long pole across the page.

Flößer (Figurenstudie)

Josef Kriehuber, 1828

Flottwell (Studie zum Ferdinand Raimund-Zyklus (Der Verschwender) in Schloß Kogl, Attergau)

Josef Engelhart, 1912

Lithographic bust portrait of a man in 18th-century dress with powdered hair, lace jabot and a star order on his chest.

Fois Cde Amour Marquis de Bouillé

François Séraphin Delpech, 1823

Lithographic portrait of a man with curly hair in a dark high-collared coat, labeled Fourcroy, on cream paper.

Fourcroy

François Séraphin Delpech, 1825

Lithograph portrait of a man in a dark coat and bow tie, turned to the left, with a signature below on aged paper.

Fr. Hauke (?)

Josef Kriehuber, 1860

Engraved portrait of a bearded man above a masthead showing a harbor city with ships, Libertà e Lavoro, 1870.

Francesco Dall' Ongaro ("Libertà e Lavoro. Illustrazione per le famiglie operaie")

B. Linassi, 1870

Engraved allegorical portrait of a man in armor with a laurel wreath, a seated helmeted woman, and winged cherubs above.

Francesco Farnese, Herzog von Parma und Piacenza

Giovanni Battista Sintes, 1718

Engraved portrait of a bearded man in a tall hat and lace ruff, within an ornate oval frame with a coat of arms.

Francis Bacon, 1. Viscount St. Albans, 1. Baron Verulam (1561-1626), Philosoph, Jurist, Staatsmann

AL, 1626

Engraved oval portrait of a bearded man with lace collar inside an ornate Rococo cartouche, labelled Francis Lord Cottington.

Francis Lord Cottigton

Jacob Houbraken, 1744

Lithograph of a standing man in a dark military uniform with epaulettes, shako and sabre, with signature below.

Franciszek Smolka (1810-1899) in der Uniform der Lemberger Nationalgarde

Johann Werner, 1848

Lithograph portrait of a seated man in a dark coat and white waistcoat, resting his hand on his knee in an armchair.

Frantisek Palacký

Josef Kriehuber, 1843

Franz [Friedrich] Anton Mesmer, Arzt

vermutlich: Johann Heinrich Meyer, 1790