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Pencil sketch of a standing nude woman in a wide-brimmed hat, drawn in loose outlines on pale paper.

Stehender weiblicher Akt

Gustav Klimt, 1906

Charcoal sketch of a standing female nude with raised arm against an abstract, swirling background on tan paper.

Stehender weiblicher Akt

Anton Heinrich Peschka, 1918

Pencil and colored crayon sketch of a standing female nude with red hair, wearing stockings with red garters, signed 1920.

Stehender weiblicher Akt

Anton Heinrich Peschka, 1920

Brown chalk drawing of a standing female nude with outstretched arms and a shaded background on tan paper.

Stehender weiblicher Akt

Karl Wiener, 1930

Pencil sketch of a standing nude woman with arms at her sides, signed Wien and dated 1942, on cream paper.

Stehender weiblicher Akt

Karl Wiener, 1942

Graphite sketch on brown paper of a standing female nude with head tilted and one arm raised, by Gustav Klimt.

Stehender weiblicher Akt

Gustav Klimt, 1898

Stehender weiblicher Akt im Profil

Gustav Klimt, 1903

Stehender weiblicher Akt im Profil nach links

Gustav Klimt, 1906

Stehender weiblicher Akt im Profil nach links

Gustav Klimt, 1911

Stehender weiblicher Akt im Profil nach links

Gustav Klimt, 1916

Stehender weiblicher Akt im Profil nach rechts

Gustav Klimt, 1901

Stehender weiblicher Akt im Profil nach rechts

Gustav Klimt, 1904

Pencil drawing on brown paper of a standing female nude seen from behind, signed Gustav Klimt, with a colour checker below.

Stehender weiblicher Akt in Rückenansicht

Gustav Klimt, 1901

Pencil line drawing of a standing nude woman with legs apart and arms bent, on pale paper, by Gustav Klimt.

Stehender weiblicher Akt mit gegrätschten Beinen und angewinkelten Armen

Gustav Klimt, 1911

Loose ink wash drawing of a standing female nude seen from behind, with a chair at left, on tan paper.

Stehender weiblicher Akt mit Sessel

Karl Wiener, 1930

Brown chalk sketch of a standing nude woman leaning on a tall staff, face left blank, on buff paper.

Stehender weiblicher Akt mit Stab

Karl Wiener, 1930

Stehender weiblicher Akt mit zurückgelehntem Kopf im Profil nach rechts

Gustav Klimt, 1907

Pencil sketch of a standing female nude turned left, hand resting near the hip, drawn on tan paper.

Stehender weiblicher Akt nach links

Gustav Klimt, 1904

Graphite drawing of a standing female nude with a separate study of an outstretched arm beside her, on tan paper.

Stehender weiblicher Akt und Armstudie

Gustav Klimt, 1888

Pencil sketch of a standing nude woman with raised arm beside a study of draped fabric on grey paper.

Stehender weiblicher Akt und Gewandstudie

Gustav Klimt, 1888

Red chalk sketch on brown paper of a standing female nude with crossed-out strokes and a small study at lower right.

Stehender weiblicher Akt; Frauenstudie (durchgestrichen)

Gustav Klimt, 1901

Colored pencil drawing of a tall spruce beside a house with a red tiled roof, shrubs and a young tree in front.

Steinberg

Karl Wiener, 1924

Steinbock

Hanna Gärtner, 1947

Lithographic portrait of a bespectacled man in a dark coat and cravat, titled Stephan Endlicher, 1848.

Stephan Ladislaus Endlicher

Josef Kriehuber, 1848

Stier

Hanna Gärtner, 1947

Watercolor perspective of a Gothic church with twin spires, red roof and trees, under a blue sky with clouds.

Stiftskirche in Klosterneuburg, Perspektive

Friedrich von Schmidt, 1874

Textile design study with blue diagonal stripes, orange circles and red house shapes on a green speckled ground, with color s

Stoffentwurf Serie I: Valenzia (Blatt 1)

Anton Heinrich Peschka, 1920

Textile design study with red speckled ground, diagonal blue stripes and three abstract colored motifs on cream paper.

Stoffentwurf Serie I: Valenzia (Blatt 2)

Anton Heinrich Peschka, 1920

Textile design drawing with ochre speckled ground, blue and red diagonal stripes, two arched motifs and color swatches on pap

Stoffentwurf Serie I: Valenzia (Blatt 3)

Anton Heinrich Peschka, 1920

Textile design study with purple geometric panels, red arch shapes, diagonal blue lines, and handwritten pencil notes on pape

Stoffentwurf Serie I: Valenzia (Blatt 4)

Anton Heinrich Peschka, 1920

Textile design sheet with magenta speckled ground, diagonal stripes, two small painted motifs and color swatches.

Stoffentwurf Serie I: Valenzia (Blatt 5)

Anton Heinrich Peschka, 1920

Textile design sheet with two square abstract motifs of red and blue circles over a speckled yellow field, crossed by diagona

Stoffentwurf Serie I: Valenzia (Blatt 6)

Anton Heinrich Peschka, 1920

Textile design sketch with ochre field, triangular circle motifs, blue strokes and colour swatches on cream paper.

Stoffentwurf Serie II: Venezia (Blatt 1)

Anton Heinrich Peschka, 1920

Design sheet with purple speckled ground, blue linear motifs and orange triangles, with handwritten notes and color swatches.

Stoffentwurf Serie II: Venezia (Blatt 2 - Lampen Reklame)

Anton Heinrich Peschka, 1920

Design sketch with red textured field, colored circle motifs, blue curved lines, and a pencil automobile drawing on paper.

Stoffentwurf Serie II: Venezia (Blatt 3 - Autofahrten oder Automobile)

Anton Heinrich Peschka, 1920

Textile design sketch with purple speckled ground, colorful triangles, and blue wavy lines, labeled Serie II Venezia Blatt 4.

Stoffentwurf Serie II: Venezia (Blatt 4)

Anton Heinrich Peschka, 1920

Textile design drawing with triangles, wavy lines and blue stripes on a yellow ground, with color swatches and handwritten no

Stoffentwurf Serie II: Venezia (Blatt 5)

Anton Heinrich Peschka, 1920

Textile design study with turquoise field, red and orange triangles, wavy brown lines and blue vertical stripes on paper.

Stoffentwurf Serie II: Venezia (Blatt 6)

Anton Heinrich Peschka, 1920

Textile design sheet with red speckled ground, orange circular motifs, wavy lines and small colour swatches below.

Stoffentwurf Serie III: Lago di Como (Blatt 1)

Anton Heinrich Peschka, 1920

Textile design sheet with colored squares, blue diagonal lines and brown curves on a speckled ochre ground.

Stoffentwurf Serie III: Lago di Como (Blatt 2)

Anton Heinrich Peschka, 1920

Textile design sheet with ochre field, winding lines and multicolored squares, labeled Serie III Lago di Como Blatt 3 in penc

Stoffentwurf Serie III: Lago di Como (Blatt 3)

Anton Heinrich Peschka, 1920

Textile design sheet with violet speckled ground, blue and brown zigzag lines, and small colored squares, with handwritten no

Stoffentwurf Serie III: Lago di Como (Blatt 4)

Anton Heinrich Peschka, 1920

Textile design study with teal ground, geometric squares and triangles in orange and brown, and a diagonal blue stripe on pap

Stoffentwurf Serie III: Lago di Como (Blatt 5)

Anton Heinrich Peschka, 1920

Textile design sheet with magenta speckled ground, octagons, ovals and blue zigzag lines, with handwritten notes.

Stoffentwurf Serie III: Lago di Como (Blatt 6)

Anton Heinrich Peschka, 1920

Textile design sample with rust-brown ground, diagonal blue and multicolored circle bands, and handwritten color notes on cre

Stoffentwurf Serie IV: Campagna (Blatt 1)

Anton Heinrich Peschka, 1920

Textile design sheet with diagonal bands of purple and orange floral motifs over a speckled pink ground, by Anton Peschka.

Stoffentwurf Serie IV: Campagna (Blatt 2)

Anton Heinrich Peschka, 1920

Textile design drawing with green speckled ground, brown wavy lines and diagonal bands of purple floral motifs on paper.

Stoffentwurf Serie IV: Campagna (Blatt 3)

Anton Heinrich Peschka, 1920

Textile design study with diagonal grid and repeated small figures in ochre and blue, with German annotations and color swatc

Stoffentwurf Serie IV: Campagna (Blatt 4)

Anton Heinrich Peschka, 1920

Textile design sketch on cream paper with orange mottled ground, white wavy lines, dark zigzags and colored diamond shapes.

Stoffentwurf Serie IV: Campagna (Blatt 5)

Anton Heinrich Peschka, 1920

Textile design sheet with zigzag blue and brown lines, diagonal green bands and multicolored diamonds on purple, with color s

Stoffentwurf Serie IV: Campagna (Blatt 6)

Anton Heinrich Peschka, 1920

Hand-colored print of a narrow Cairo street with wooden balconies, palm trees, veiled women and a distant minaret.

Straße in Kairo

Károly Lajos Libay, 1857

Pen-and-ink sketch of a man's face with dense hatching on a hotel letterhead sheet, beside a color checker and ruler.

Straße in Sevilla

Josef Engelhart, 1892

Watercolor caricature of two street musicians, one playing guitar and one playing accordion beside a trunk.

Straßenmusikanten

Fritz Schönpflug, 1907

Stubenmädchen (Illustration aus "Wien und die Wiener, in Bildern aus dem Leben", hg. von Adalbert Stifter, Pest 1844)

Adalbert Stifter, 1844

Studie (Detail) zum Gemälde "Die Schachpartie"

Josef Danhauser, 1839

Pencil sketch of a seated man in a dark suit at a desk, with smaller sketched heads at right, dated Wien 1931.

Studie aus dem Prozeß Salem

Josef Engelhart, 1931

Graphite and chalk drawing of a plump nude boy hugging a comedy mask beside a pedestal, on brown paper.

Studie des Knaben mit Gans (Ganswürger) nach Boethos von Kalchedon

Anton Heinrich Peschka, 1906

Charcoal and red chalk sketch of two women, one standing in front of the other, with signature and date at lower right.

Studie einer sitzenden Frau

Anton Heinrich Peschka, 1906

Studie eines Athleten

Gustav Klimt, 1904

Pencil study of a gnarled tree trunk with spreading roots and a small framed votive image set into the bark.

Studie eines Baumes mit Votivbild

Josef Kriehuber, 1876

Charcoal study of a leafless tree with a textured trunk and bare branches on a tan paper ground.

Studie eines kahlen Baumes

Josef Kriehuber, 1876

Graphite sketch of a mossy, gnarled tree trunk curving upward with bare branches on tan paper, mounted on blue board.

Studie eines mit Moos bewachsenen Baumstammes

Josef Kriehuber, 1876

Pencil study of a weathered, hollowed dead tree trunk with broken forked limbs on tan paper.

Studie eines morschen ausgehöhlten Baumstammes

Josef Kriehuber, 1876

Pencil sketch of a seated man seen from behind, wearing a straw boater hat, resting his arm on a wooden chair.

Studie eines sitzenden Mannes (Rückenfigur)

Josef Engelhart, 1909

Pencil study of a seated man in a fur-trimmed cloak and cap, with pointed slippers, on a cream sheet with a color checker.

Studie eines Türken

Josef Engelhart, 1909

Pencil study of a woman's head with lowered eyes and flowing hair on a brown paper sheet.

Studie eines weiblichen Kopfes

Gustav Klimt, 1903

Charcoal study of a nude standing male figure holding a tall staff, head bowed, on green-grey paper.

Studie für die Johannesstatue des Stollwerck-Mausoleum

Josef Engelhart, 1926

Pencil sketch on tan paper of a seated woman in an armchair, with loose contour lines and an inventory number in the corner.

Studie für ein Damenporträt, in Fauteuil sitzend

Gustav Klimt, 1902

Pencil study on brown paper of a nude male figure standing with both arms raised overhead, with partial hand sketches at left

Studie Männerakt

Egon Schiele, 1907

Pencil study of a draped woman seen from behind, raising a jug overhead and holding another jug at her side.

Studie Rückenanischt einer Frau, die Krüge trägt (Rückseite: Skizze dazu)

Jakob A. Schell, 1827

Ink sketch of two standing male figures with a separate head study at upper right, on cream paper.

Studie zu "Die Eremiten"

vermutlich: Egon Schiele, 1912

Pencil sketch of an elderly man in a robe, seen from behind with his head turned to the left, on tan paper.

Studie zu einem alten Mann im Talar

Gustav Klimt, 1886

Pencil sketch of a seated female figure leaning forward, with small annotated studies on the lower left of the aged sheet.

Studie zu einem an der Brust trinkenden Kind

Gustav Klimt, 1882

Red chalk study on brown paper of looping lines suggesting a female figure with flowing hair.

Studie zu einem Damenbildnis

Gustav Klimt, 1898

Pencil study of a woman in a wide-brimmed hat and fur collar, head tilted, drawn in light outline on pale paper.

Studie zu einem Damenbildnis mit Hut und Kragen

Gustav Klimt, 1907

Pencil sketch on brown paper of a female figure with flowing hair, with small composition studies and scribbled lines.

Studie zu einem Damenbildnis, vier Kompositionsskizzen

Gustav Klimt, 1896

Pencil sketch of a standing woman in a long gown with one arm raised, on tan paper.

Studie zu einem Damenporträt

Gustav Klimt, 1899

Red chalk sketch of a standing woman in a long dress and hat on tan paper, study by Gustav Klimt, 1902.

Studie zu einem Damenporträt

Gustav Klimt, 1902

Pencil sketch of a standing woman in a flowing robe with spiral patterns, on yellowed paper, study by Gustav Klimt.

Studie zu einem Damenporträt

Gustav Klimt, 1912

Studie zu einem Damenporträt im Profil nach links

Gustav Klimt, 1902

Studie zu einem Damenporträt im Profil nach links

Gustav Klimt, 1916

Pencil study of a standing woman in a long coat, one hand on her hip, head left unfinished, on cream paper.

Studie zu einem Damenporträt in langem Mantel

Gustav Klimt, 1910

Pencil sketch of a standing woman in a wide-brimmed hat with a feather and a long coat, by Gustav Klimt.

Studie zu einem Damenporträt mit Hut und Mantel

Gustav Klimt, 1910

Red chalk sketch of a standing woman in a long gown with hair pinned up, drawn on tan paper.

Studie zu einem Damenporträt mit langem Gewand

Gustav Klimt, 1902

Pencil study of a standing woman in a long dress and shawl, turned to the right, on tan paper.

Studie zu einem Damenporträt nach rechts

Gustav Klimt, 1911

Red chalk sketch of a seated woman in a flowing gown and head wrap, drawn on tan paper.

Studie zu einem Damenporträt, sitzend

Gustav Klimt, 1902

Studie zu einem Damenporträt, sitzend, im Profil nach links

Gustav Klimt, 1902

Pencil sketch of a woman's head in three-quarter view on beige paper, by Gustav Klimt.

Studie zu einem Frauenkopf

Gustav Klimt, 1916

Pencil sketch of a woman's head with closed eyes and flowing wavy hair, by Gustav Klimt, 1911.

Studie zu einem gelockten Frauenkopf mit geschlossenen Augen

Gustav Klimt, 1911

Pencil figure study of a bent arm and torso on tan paper, with a small ornamental sketch below, by Gustav Klimt.

Studie zu einem Kinderakt; Ornamententwurf

Gustav Klimt, 1883

Studie zu einem Mädchenakt mit bekränztem Haar, Kopf- und Handstudien

Gustav Klimt, 1897

Pencil study of a male arm and hand in a bent pose, drawn in loose contour lines on tan paper.

Studie zu einem männlichen Arm

Gustav Klimt, 1908

Pencil study of a woman's head tilted left with closed eyes and long flowing hair, on tan paper.

Studie zu einem nach links geneigten Frauenkopf

Gustav Klimt, 1917

Pencil study of two nude figures standing in an embrace with heads leaning together, on pale paper.

Studie zu einem nackten stehenden Liebespaar mit geneigten Köpfen

Gustav Klimt, 1904

Studie zu einem sitzenden Damenporträt im Profil nach links

Gustav Klimt, 1883

Pencil study of a standing couple in long robes, heads bowed, one hand resting on the other's shoulder, on yellowed paper.

Studie zu einem stehenden Paar in langen Gewändern mit geneigten Köpfen, seine Hand auf ihre Schulter gelegt

Gustav Klimt, 1904