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Wien Museum

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Hand-colored costume print of Henriette Carl as Antonina in Belisar, in a white gown with gold embroidery before columns.

Dlle Henriette Carl als Antonina in der Oper "Belisar" (Costümbild Nr. 83 zur Theaterzeitung)

Andreas Geiger, 1840

Hand-colored 1837 costume print of Jenny Lutzer as Jessonda, a woman in a pink gown beside an arched window and roses.

Dlle Jenny Lutzer als Jessonda in der Oper "Jessonda" von Louis Spohr (Costümbild Nr. 51 zur Theaterzeitung)

Andreas Geiger, 1837

Hand-coloured 1838 costume plate of Marie Denker as Hedwig, in black bodice, striped orange skirt and white apron.

Dlle. Marie Denker als "Hedwig" in "Der Markt zu Ellenbrunn" (Costümbild Nr. 56 zur Theaterzeitung)

Andreas Geiger, 1838

Watercolor sketch of a hillside village with a clock-tower palace, a winding dirt road and green trees.

Döbling

Fide, 1822

Hand-colored print of Döbling from the north, showing townhouses behind hedges, a pine tree, and a couple walking a path.

Döbling von der Nordseite

Johann Vinzenz Reim, 1835

Engraving of a theatre scene: two women and a man in period dress in an interior with a double door and table.

Doktor Fausts Mantel. Zauberspiel von Bäuerle (Theatralische Bilder-Gallerie zur Theaterzeitung, Jg. 2, Nr. 29)

Johann Wenzel Zinke, 1834

Pencil perspective drawing of a domed cathedral in Berlin with allegorical figures, a drafting tripod and rolled plans in the

Dom in Berlin, Perspektive

Otto Wagner, 1891

Ink architectural floor plan of St. Stephen's Cathedral in Vienna showing construction phases in hatched zones, dated 1881.

Dom zu St. Stephan in Wien: Schematische Darstellung des Grundrisses in seiner historischen Entwicklung nach den Haup…

Friedrich von Schmidt, 1881

Domenico Artaria (1765-1823), Verleger

Johann Adam Klein, 1819

Lithograph bust portrait of Dominique Vivant Denon in a fur-collared coat with orders and medals, 1825.

Dominique Vivant Denon

François Séraphin Delpech, 1825

Engraved bird's-eye view of a symmetrical palace complex with colonnaded wings and formal courtyard in a Roman landscape.

Domus aurea Neronis [...] / Le superbe palais d´or de Neron [...]

Johann Bernhard Fischer von Erlach, 1721

Black and white lithograph of a riverside village with a church tower, rocky hills, and figures in the foreground under a clo

Donau-Ansichten: Syrmien. Ortschaft Nestein

Ludwig Erminy, 1826

Black and white lithograph of a river valley with sailing boats, hills, a hut and figures in the foreground.

Donau-Ansichten: Ausfluss der Sereth. Grenzscheidung der Wallachei und Moldau

Ludwig Erminy, 1826

Black-and-white print of a courtyard with a stone basin, two seated men, a long building, and trees beyond.

Donau-Ansichten: Baden. Angebliche Quelle der Donau, im Schlosshof Donaueschingen

Jakob Alt, 1826

Print of Festung Wildenstein on a cliff above a wooded gorge, with two women resting in the foreground.

Donau-Ansichten: Baden. Festung Wildenstein

Jakob Alt, 1826

Print of a town skyline with church towers across a meadow, with a man, a boy and a team of horses in the foreground.

Donau-Ansichten: Baden. Stadt Donaueschingen

Jakob Alt, 1826

Print of a river confluence with a white colonnaded building on the far bank, a seated woman and shrubs in the foreground.

Donau-Ansichten: Baden. Vereinigung des Donaubaches mit der Brege bei Donaueschingen

Jakob Alt, 1826

Lithograph of a border post below a wooded mountain, with an obelisk, a guardhouse, figures, a carriage, and a river.

Donau-Ansichten: Bannat und Walachei. Die Grenze unter Alt-Orsova (Orschowa)

Ludwig Erminy, 1826

Black and white print of a river mouth with mountains, a village church, a wooden bridge, cattle and a small boat.

Donau-Ansichten: Bannat. Ausfluß der Zerna (Cerna) bei Alt-Orsova (Orschowa)

Ludwig Erminy, 1826

Lithograph of a river valley with a rowing boat, a seated figure with a cow, village houses and distant mountains.

Donau-Ansichten: Bannat. Boscheschena

Adolf Friedrich Kunike, 1826

Black and white lithograph of a town in a valley with mountains behind, a rider on horseback and a soldier in the foreground.

Donau-Ansichten: Bannat. Contumaz Schubanek bei Alt-Orsova (Orschowa)

Ludwig Erminy, 1826

Lithograph of a rocky mountain valley with bathhouse buildings, a pavilion, strolling figures and a winding road.

Donau-Ansichten: Bannat. Das Herkulesbad bei Mehadia

vermutlich: Adolf Friedrich Kunike, 1826

Monochrome print of a river winding through steep forested mountains, with a wooden hut, figures and a boat in the foreground

Donau-Ansichten: Bannat. Der Jardop

Ludwig Erminy, 1826

Black-and-white print of a river valley with rocky cliffs, forested hills, and small figures bathing by the water.

Donau-Ansichten: Bannat. Die Golubatzer Höhle

Ludwig Erminy, 1826

Black-and-white lithograph of a village with a church and stone bridge in a rugged mountain valley with a river.

Donau-Ansichten: Bannat. Die Herkulesbäder bei Mehadia

Ludwig Erminy, 1826

Black-and-white lithograph of a river with a wooded island, village houses, hills and figures with a horse in the foreground.

Donau-Ansichten: Bannat. Die Insel Ostrova mit dem Pestkirchhof

Franz Wolf, 1826

Black and white print of a rocky gorge with a cave, a winding railed path, a river, and small figures.

Donau-Ansichten: Bannat. Die Räuberhöhle in den Herkulesbädern bei Mehadia

Adolf Friedrich Kunike, 1826

Lithograph of a river gorge with cliffs, a rowing boat, travelers with horses, and distant wooded mountains under clouds.

Donau-Ansichten: Bannat. Die Schlüssel bei Globoreo (Globurau) unweit Mehadia

Ludwig Erminy, 1826

Lithograph of the Danube gorge with cliffs, a tall pine in the foreground and a riverside village with a wooden landing stage

Donau-Ansichten: Bannat. Enger Donau Pass bei Plavischovitza (Plavisevita)

vermutlich: Adolf Friedrich Kunike, 1826

Lithograph of a river gorge with steep mountains, a rowing boat, figures on the bank and small village houses.

Donau-Ansichten: Bannat. Gegend bei Alt-Orsova (Orschowa)

Franz Wolf, 1826