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Staatliche Kunsthalle Karlsruhe

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Pen and brown wash drawing of an altar design with a saint in a niche, Corinthian columns, and figures in clouds above.

Altarentwurf

Peter Anton von Verschaffelt

Charcoal drawing of cattle grazing by a river under a full moon, with dark hills and small buildings in the distance.

Flusslandschaft mit Viehweide bei Vollmond

Jean-François Millet, 1845

Charcoal drawing of two leaning tree trunks beside a grassy riverbank, with distant hills under a cloudy sky.

Baum, nach links geneigt

Odilon Redon, 1875

Watercolor of a forest clearing with a pale rock face, mossy boulders, and tree trunks framing the scene.

Waldstück mit Felsbrocken

Alexandre Cabanel

Pencil portrait drawing of an older man in a powdered wig and frock coat, shown bust-length against a dark background.

N. Cuvillier, Brustbild

Charles Nicolas Cochin d. J., 1775

Red chalk drawing of a standing soldier in a bearskin cap and buttoned coat, holding a musket upright.

Sergeant eines französischen Infanterieregiments

Alexandre Moitte, 1785

Charcoal sketch of a hillside sloping right with dense shrubbery and small trees, plus a fragment of lines at left.

Nach rechts abfallender Höhenzug in Südfrankreich, links daneben Fragment einer anderen Zeichnung

Henri-Edmond Cross, 1890

Pencil and watercolor sketch of trees and foliage in soft blues, greens and oranges on a pale sheet, by Cézanne.

Senke mit Bäumen (Rs.: Geäst einer Baumkrone)

Paul Cézanne, 1890

Pastoral drawing of peasants with donkeys, goats and cattle on a rocky path beside a tree, in grey wash with blue.

Bauern mit Tieren auf einem Landweg

Jean-Baptiste Pillement, 1789

Engraving of a dense medieval battle with mounted knights, spearmen, fallen soldiers and horses among rocks.

Die Jakobsschlacht

Martin Schongauer

Pencil drawing of factory buildings and a smokestack fractured into angular geometric planes with diagonal lines.

Fabrik in futuristischer Brechung

Pen and grey wash drawing of Saint Anne with Mary and Christ Child, flanked by Saint Anthony and Saint Christopher, within a

Riss mit Anna selbdritt zwischen dem Hl. Antonius und dem Hl. Christophorus

Sketch of a figure in white turban and dark cloak with one arm raised, drawn in graphite, brown wash and white highlights.

»Araber« im Sattel, den rechten Arm erhoben

Eugène Fromentin, 1852

Etching of three women in draped robes looking up at a haloed angel beside an open tomb, with figures near a cave.

Die drei Marien am Grabe Christi

Jacques Bellange

Pen drawing of Dante and Virgil riding the monster Geryon through clouds, with a serpent tail curling above.

Dante und Virgil auf dem Rücken Geryons (Dante Inferno, Canto 17, V 94)

Joseph Anton Koch

Watercolor drawing of a keyhole frame showing robed figures on a path toward a domed basilica framed by trees.

Blick von der Villa Malta durchs Schlüsselloch auf St. Peter

Jakob Wilhelm Hüber

Brown wash drawing of a hussar smoking a pipe on horseback, with distant riders and hills in the background.

Reitender Husar

Salomon Landolt

Pen and wash drawing of grooms leading horses through an arched doorway, with a white saddled horse in the foreground.

Szene aus der Spanischen Reitschule

Johann Elias Ridinger, 1751

Brown wash drawing of hunting dogs resting near a dead stag with antlers in a forest clearing beside a horn.

Jagdhunde bei erlegtem Hirsch

Johann Elias Ridinger

Brown wash drawing of two hunting dogs beside a dead hare in a wooded landscape with a fence and tree.

Jagdhunde bei erlegtem Hasen

Johann Elias Ridinger, 1756

Drawing of two hunting dogs in armored collars beside a dead wild boar in a forest, with a spear leaning against a tree.

Jagdhunde bei erlegtem Wildschwein

Johann Elias Ridinger

Pen and watercolor drawing of a dead wild boar lying on the ground before rocks and a tree, framed by a gilded border.

Erlegter Eber

Johann Heinrich Wilhelm Tischbein

Pen and ink drawing of Dante and Virgil walking past tormented figures among twisted trees, with winged figures above.

Dante und Virgil im Wald der Selbstmörder (Dante Inferno, Canto 13, V 31)

Joseph Anton Koch

Brown wash drawing of an Italian landscape with a large tree, figures by a grotto, a temple, a waterfall and cliffs.

Italienische Landschaft mit Tempel

Carl Ludwig Kaaz, 1801

Pen drawing of winged horned Lucifer devouring sinners, with two cloaked poets at left, from Dante's Inferno.

Lucifer (Dante Inferno, Canto 34, V 37)

Joseph Anton Koch

Pen drawing of an armed man watching two embracing lovers in a draped interior with a flower vase.

Francesca und Paolo von Malatesta überrascht (Dante Inferno, Canto 5, V 100)

Joseph Anton Koch

Pen and brown ink drawing of winged figures, demons and swordsmen locked in a chaotic battle scene.

Am Pechsee der Krämer. Ciampolo von Navarra

Joseph Anton Koch, 1802

Watercolor of a road through a valley with brown mountains, green trees, a stone wall, and a glimpse of blue sea.

Landschaft bei Palermo

Friedrich Nerly, 1834

Pen and ink sketch of two robed figures above a crowd of writhing figures in a dark underworld scene.

Virgil beschwichtigt Cerberus (Dante Inferno, Canto 6, V 13)

Joseph Anton Koch

Ink and wash drawing of horned demons struggling in a dense crowd, with a winged figure above, after Dante's Inferno.

Am Pechsee der Krämer Ciampolo von Navarra (Dante Inferno, Canto 22, V 34)

Joseph Anton Koch