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Staatliche Kunsthalle Karlsruhe

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Painted half-length portrait of a young Italian woman in costume, balancing a clay jug on her head.

Halbfigur einer jungen Italienerin in Tracht, einen Krug auf dem Kopf tragend

Johann Baptist Kirner, 1832

Sunlit coastal road by a stone wall, with a woman and child in the foreground, rocks, sea, and distant mountains.

Italienischer Küstenweg

Johann Baptist Kirner, 1832

Painted rocky landscape with a cave opening and crouching robbers in ambush beside a forest path.

In einem Hinterhalt lauernde Räuber mit vor die Gesichter gebundenen Tüchern

Johann Baptist Kirner

Oil sketch of a dead wild boar lying on its side on grass, legs extended, brown bristled coat.

Erschossener Eber

Johann Baptist Kirner, 1816

Seated young woman in traditional dress holding a wicker basket and umbrella against a plain grey background.

Junges Mädchen in Kinzigtäler Tracht mit Henkelkorb und Regenschirm

Johann Baptist Kirner

Oil study of a shouting barefoot boy seated on a stone bench beside grapes, against a dark stone wall.

Schreiender, in die Hände klatschender Italienerjunge, auf einer Steinplatte sitzend

Johann Baptist Kirner, 1832

Painted rustic interior with a green tiled stove, wooden bench, staircase and doorway in warm shadowed light.

Schwarzwälder Bauernstube mit grünem Kachelofen

Johann Baptist Kirner, 1816

Oil sketch of a bearded seated musician in a red headscarf and hat playing a mandolin, chair unfinished.

Sitzender italienischer Musikant, Stuhl unvollendet

Johann Baptist Kirner, 1832

Painting of an elderly woman in spectacles and straw hat holding playing cards at a table, gesturing against a green backgrou

Alte Schwarzwälderin mit Augenschirm und Spielkarten in der rechten Hand, hinter einem Tisch sitzend

Johann Baptist Kirner, 1845

Study of a bare-chested young man in a green headscarf holding clothing and a flask, one arm stretched out to the left.

Nackter Junge mit Kleidern über dem Arm im Schritt nach links

Johann Baptist Kirner, 1816

Pencil drawing of Schloß Tyrol, a castle on a rocky outcrop above a wooded gorge with a mountain peak behind.

Schloß Tyrol

Carl Ludwig Frommel

Watercolor and pencil study of a reclining Italian shepherd in a wide hat beside a standing shepherd playing a flute.

Studie nach einem ruhenden und einem flötenden italienischen Hirten

Johann Wilhelm Schirmer, 1839

Oil study of a sleeping child in a wooden cradle under a red cloth, with a striped blanket on a tan ground.

Kind, in der Wiege liegend

Johann Baptist Kirner, 1832

Pencil sketch of a flowering plant with a tall stem and rosette leaves on rocky ground, with faint hills behind.

Pflanzenstudie, fol. 33

Johann Wilhelm Schirmer, 1836

Pencil sketch of a manor house with a tower rising among trees across an open field, by Johann Wilhelm Schirmer.

Der Quadenhof in Gerresheim bei Düsseldorf

Johann Wilhelm Schirmer, 1825

Watercolor of a shaded forest with gnarled trees and rocks, opening onto a distant hilly landscape with a town under a pale s

Waldlandschaft mit Blick auf Olevano und den Monte Cavo

Johann Wilhelm Schirmer, 1839

Watercolor landscape of a dirt road with a horse and cart, trees, and a distant mountain village under a cloudy sky.

Blick von Osten auf Rocca Canterano und die Mamellen im Hintergrund

Johann Wilhelm Schirmer, 1839

Pen and wash landscape of a stream, arched grotto ruins, shepherd with sheep, and trees under a grey sky.

Die Grotte der Egeria

Johann Wilhelm Schirmer, 1840

Brown wash drawing of a riverbank landscape with trees, two nude figures, a deer, and distant hills under clouds.

Das Paradies als ein Frühlingsmorgen (Im Paradies I)

Johann Wilhelm Schirmer, 1855

Sepia drawing of a dense forest interior with towering trees, a pond, rocks, deer, and two nude figures in the foreground.

Das Innere eines Urwaldes (Im Paradies II)

Johann Wilhelm Schirmer, 1855

Brown wash drawing of two nude figures beside a tree in a dense forest, referencing the Fall of Man.

Der Sündenfall (1. Mose 3, 6)

Johann Wilhelm Schirmer, 1855

Sepia drawing of an angel driving Adam and Eve from a stormy forest landscape with windswept trees.

Die Austreibung aus dem Paradies (1. Mose 3, 23-24)

Johann Wilhelm Schirmer, 1855

Brown wash drawing of a forest clearing with a worker, seated figures, grazing goats and sheep, and distant hills.

Die Arbeit (1. Mose 3, 19)

Johann Wilhelm Schirmer, 1855

Brown wash drawing of a rocky landscape with kneeling figures at a smoking altar beneath trees and birds in the sky.

Kains und Abels Opfer (1. Mose 4, 4-5)

Johann Wilhelm Schirmer, 1855

Sepia drawing of a storm with lightning, a burning altar, two struggling figures and grazing sheep beneath large trees.

Kain erschlägt Abel (1. Mose 4, 8)

Johann Wilhelm Schirmer, 1855

Sepia drawing of a wooded river landscape with a harpist, draped figures, ruins and a distant town.

Die Erfindung der Künste im Stamme Kains (1. Mose 4, 20-22)

Johann Wilhelm Schirmer, 1855

Brown-toned drawing of a wooded valley with shepherds, sheep and goats near a stone ruin, and a distant mountain.

Die erste Predigt im Stamme Seth vor Hirten im Gebirge (1. Mose 4, 26)

Johann Wilhelm Schirmer, 1855

Brown wash drawing of a landscape with tall trees, dancing figures by a stone monument, and a temple on a hill.

Die Arche Noahs (1. Mose 6, 13ff)

Johann Wilhelm Schirmer, 1855

Sepia drawing of a storm-lashed flood with lightning, an ark on the horizon, and figures clinging to trees.

Die Sintflut (1. Mose 7, 23)

Johann Wilhelm Schirmer, 1855

Etching of two sleeping children on a cloth with a cat beside them, foliage behind, by François Boucher.

Le sommeil

François Boucher, 1735

Brown drawing of a rocky landscape with a fallen tree, a rainbow, and figures at a smoking altar beneath an ark.

Noahs Dankopfer (1. Mose 8, 20)

Johann Wilhelm Schirmer, 1855

Etching of two cherubs with a caged bird among foliage, one perched on a lattice cage and one pointing at a songbird.

La tourterelle mise en cage

François Boucher, 1735

Etching of a curly-haired young boy in a fur-trimmed cloak seated beside a wooden box with a pole across his lap.

Le petit Savoyard

François Boucher, 1735

Etching of two children sharing a drink, with a dog watching beside a bush and stone steps behind them.

Les petits buveurs de lait

François Boucher, 1735

Pen drawing of a circular plaque design with a heraldic shield, rampant lion, scrollwork and grotesque masks, dated 1562.

Riss für Rundscheibe mit nicht identifziertem Wappen

Jost Amman, 1562

Pen drawing of a circular roundel with a heraldic rearing horse and lion, a helmet and crown, framed by ornate scrollwork and

Riss für Rundscheibe mit nicht identifiziertem Wappen

Jost Amman, 1562

Drawing of a standing male nude seen from behind, one hand on hip and one arm resting on a block, in chalk on grey-blue paper

Stehender Rückenakt, den linken Arm eingestützt

Anton Raphael Mengs

Etching of a life drawing class with students on tiered benches sketching a nude model on a platform at right.

Aktsaal der Kunstgewerbe-Schule

Max Klinger, 1881

Sepia wash drawing of a rocky grotto with small figures on a ledge above water, framed by hanging trees.

Felshang mit Grotte und Soldaten über einem Gewässer

Hubert Robert, 1764

Bildnis Markgraf Carl Friedrichs, in Wolken von Fama und Putten umgeben

Etched interior of a vaulted hall with sculptures, busts, and display tables, with figures standing among the collection.

Alte Kunstkammer im Königlichen Schloss

Max Klinger, 1881

Pen drawing of a circular roundel design with a coat of arms, scrolling ornament, flowers, and a name cartouche.

Riss für Rundscheibe mit Wappen Sebastian Kobler

Jost Amman, 1562

Etching of the old arts and crafts museum with a long roof, gabled house, trees, and wooden fences.

Altes Kunstgewerbe-Museum

Max Klinger, 1881

Etching of a bearded man in an oval medallion on a pedestal, beside a seated mourning woman with a palm frond and a cemetery.

Professor Gropius

Max Klinger, 1881

Tonal print of a classical bust above a dreaming man seated at a table with a steaming cup.

Titelblatt mit träumendem Künstler

Max Klinger, 1881

Etching of a classical pediment with reclining figures, a helmeted head, two roundels, and a garland with the word SALVE.

Portalgiebel und zwei Fresken

Max Klinger, 1881

Etching of a crowd gathered at a columned museum portal, with a seated statue and a man holding a ceremonial banner.

Portal des neuen Kunstgewerbe-Museums

Max Klinger, 1881

Etched decorative frieze with a winged central figure, sphinxes, bookshelves, a telescope, and two seated scholarly scenes be

Zwei Fassadenreliefs

Max Klinger, 1881

Etching of a crowd of finely dressed figures gathered behind an ornate wrought iron railing beneath a vaulted ceiling.

Schmiedeeisernes Gitter im Vorraum

Max Klinger, 1881

Etching of a crowned central figure on a throne between winged torch-bearers, with nude figures in arches and globes at right

Mittelfigur aus dem Fries im Lichthof

Max Klinger, 1881

Colorful drawing of yellow rooftops and buildings below blue hills, with textured crayon-like strokes.

Blick auf Florenz

August Babberger, 1911

Expressive watercolor and crayon drawing of yellow village houses with gray roofs and chimneys among green trees.

Stampa, Bergell

August Babberger, 1911

Watercolor landscape with blue mountains, a yellow sun, and wavy dark strokes suggesting a path and trees.

Landschaft am Klausenpass (Nachmittag)

August Babberger, 1921

Abstracted landscape in brown, green, blue and yellow with dark trees, a blue band of sky and a pale path in the lower left.

Regenwolken über der Balmalp

August Babberger

Ink and wash drawing of stylized figures, one playing an accordion, arranged in a group with an arched shape above.

Familie Babberger

August Babberger, 1917

Pastel drawing of a bald, mustached man with a direct stare, set against angular white and brown abstract forms.

Selbstbildnis mit Scheerhorn

August Babberger

Black ink drawing of jagged mountain peaks above a rocky valley with trees and a stream.

Berglandschaft im Bergell

August Babberger

Sketch of a house beside a winding road with trees and a fence, in pencil and soft colored crayon on paper.

Höll: Vor dem Haus im Winter (Straße)

August Babberger, 1937

Colored pencil drawing of a summer valley with two gray houses, green meadows, conifers and blue hills.

Höll: Sommerlandschaft mit zwei Schwarzwaldhäusern vorn

August Babberger, 1927

Expressive crayon drawing in teal and blue showing angular ship-like forms on rough waves under scattered white clouds.

Das Scheerhorn im Schnee und der Griesstock

August Babberger, 1936

Etching of a crowded glass-walled rink with people in 19th-century dress, chairs, and a fallen skater at lower right.

Ort (Ein Handschuh, Opus VI, Blatt 1)

Max Klinger, 1881

Etching of a winged cupid figure resting beside a reclining figure, with a chair, a glove, and a branch with roses.

Amor (Ein Handschuh, Opus VI, Blatt 10)

Max Klinger, 1881

Etching of a park promenade with a roller-skating man, a fallen hat, pedestrians, a dog, a gazebo and trees.

Handlung (Ein Handschuh, Opus VI, Blatt 2)

Max Klinger, 1881

Etching of a blossoming tree beside a melancholic reclining figure with a candle, with hills in the distance.

Wünsche (Ein Handschuh, Opus VI, Blatt 3)

Max Klinger, 1881