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Staatliche Kunsthalle Karlsruhe

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Ink and wash floor plan of a palace second story with a central courtyard, labeled rooms and corner towers.

Plan zum Markgräflichen Palais: Grundriss vom 2. Stock

Friedrich Weinbrenner, 1799

Grey wash architectural section of a multi-storey government building with arcaded ground floor and blue hipped roofs.

Grossherzogliches Ministerium des Inneren in Karlsruhe

Friedrich Weinbrenner, 1814

Etching of a pale woman lying on a draped cloth as a hatted figure and winged spirit hover above in darkness.

Tod (Eine Liebe, Opus X, Blatt 10)

Max Klinger, 1887

Etching of a bearded seated man gazing at a moonlit sea under a dark cloudy night sky with birds and a lily.

Nacht (Vom Tode, Erster Theil, Opus XI, Blatt 1)

Max Klinger, 1889

Etching of three men struggling with a sea monster on rocks, with a procession of skeletal figures and flames in a strip belo

Seeleute (Vom Tode, Erster Theil, Opus XI, Blatt 2)

Max Klinger, 1889

Etching of a storm-tossed ship with broken masts among heavy waves, with a skull and mushrooms in the border below.

Meer (Vom Tode, Erster Theil, Opus XI, Blatt 3)

Max Klinger, 1889

Etching of a dirt road lined with poplars and a fence, framed by a dark border with a skeletal hand and a shrouded figure.

Chaussee (Vom Tode, Erster Theil, Opus XI, Blatt 4)

Max Klinger, 1889

Etching of a seated woman beside a baby carriage by a lake, with a path, trees, and an ornamental border.

Kind (Vom Tode, Erster Theil, Opus XI, Blatt 5)

Max Klinger, 1889

Etching of an ornate throne with lion heads on steps, a figure lying at its base, and a distant crowd beyond a wall.

Herodes (Vom Tode, Erster Theil, Opus XI, Blatt 6)

Max Klinger, 1889

Etching of horses pulling a plough past a fallen man, with skulls in the foreground and birds above a rolling landscape.

Landmann (Vom Tode, Erster Theil, Opus XI, Blatt 7)

Max Klinger, 1889

Etching of a skeleton lying across railway tracks beside a cliff, with a river valley and mountains behind.

Auf den Schienen (Vom Tode, Erster Theil, Opus XI, Blatt 8)

Max Klinger, 1889

Etching of a woman in dark dress carrying a child in a doorway, with an elderly seated man in a dim interior.

Arme Familie (Vom Tode, Erster Theil, Opus XI, Blatt 9)

Max Klinger, 1889

Etching by Max Klinger showing a winged figure in a desert, a fleeing crowd, and a reclining corpse on a bier below.

Der Tod als Heiland (Vom Tode, Erster Theil, Opus XI, Blatt 10)

Max Klinger, 1889

Etching of a colossal seated nude figure over a city, with a small nude youth reaching out, a volcano, and climbing figures.

Integer vitae (Titelblatt) (Vom Tode, Zweiter Theil, Opus XI, Blatt 1)

Max Klinger, 1904

Etching of a crowned king and queen beside a skull on an altar, with spearmen and a kneeling figure on the left.

Herrscher (Vom Tode, Zweiter Theil, Opus XI, Blatt 2)

Max Klinger, 1910

Etching of a nude man reaching toward a pale figure, with a huge reclining face and a distant mountain landscape below.

Philosoph (Vom Tode, Zweiter Theil, Opus XI, Blatt 4)

Max Klinger, 1910

Etching of a man in a dark cloak walking with a woman in a patterned gown beside tall trees, with a chained figure behind the

Genie (Künstler) (Vom Tode, Zweiter Theil, Opus XI, Blatt 3)

Max Klinger, 1904

Etching of a plague ward with a nun raising a rosary beside a crucifix while crows fly past sick patients in iron beds.

Pest (Vom Tode, Zweiter Theil, Opus XI, Blatt 6)

Max Klinger, 1904

Etching of a mounted rider and soldiers by a river, a crowd fleeing, a burning town and a giant armored figure over a smoking

Krieg (Vom Tode, Zweiter Theil, Opus XI, Blatt 5)

Max Klinger, 1910

Etching of ragged, exhausted people seated before a carved stone capital, watched by a standing whip-bearing overseer under l

Elend (Vom Tode, Zweiter Theil, Opus XI, Blatt 7)

Max Klinger, 1898

Etching of a nude man standing with both arms raised toward a streaked sky, with a rocky cliff and dark plain below.

Und doch! (Vom Tode, Zweiter Theil, Opus XI, Blatt 8)

Max Klinger, 1898

Portrait of a young woman with dark bangs and a gray blouse, drawn in pencil and watercolor on tan paper.

Bildnis einer jungen Neapolitanerin

Hans Thoma, 1880

Ink sketch of a steamer and moored boats with tall masts and wooden pier posts in a harbor.

Küstendampfer und ankernde Boote (Fehmarn)

Ernst Ludwig Kirchner, 1908

Loose watercolor and pencil sketch of two nude dancing female figures with green hair on a cream paper ground.

Zwei Tanzende

Ernst Ludwig Kirchner, 1925

Pen sketch of thatched farmhouses along a waterfront with scribbled reflections in the water and loose sky strokes above.

Bauernhäuser am Wasser (Fehmarn)

Ernst Ludwig Kirchner, 1908

Ink sketch of three walking figures in hats against a mountain landscape with trees, in loose dark strokes.

Drei Spaziergänger in einer Gebirgslandschaft

Ernst Ludwig Kirchner, 1927

Brown ink sketch of three standing nude figures in an outdoor setting, one in the foreground and two behind.

Drei stehende Akte im Freien

Ernst Ludwig Kirchner, 1923

Watercolor sketch of a house with flower-filled windows, a walking man in a hat, and seated figures under an awning.

Ein Häuschen mit Blumenfenstern

Ernst Ludwig Kirchner, 1930

Three stylized nude women standing together in charcoal and watercolor, with angular forms and pastel washes of pink, green a

Drei Akte im Wald

Ernst Ludwig Kirchner, 1928

Watercolor of a rower in a boat on a blue mountain lake with peaks, smoke, and a lakeside building.

Bergsee mit Ruderer

Ernst Ludwig Kirchner, 1934

Loose blue and orange crayon sketch of a mountain landscape with slopes, sparse trees and horizontal sky bands.

Blaurote Gebirgslandschaft

Ernst Ludwig Kirchner, 1919

Green woodcut portrait of a man with spiky hair and angular facial features, printed on cream paper.

Glasbläser (Walter Kirchner)

Ernst Ludwig Kirchner, 1905

Black and white woodcut of a patterned-dress figure beside a second figure, with a potted plant and window behind them.

Besuchsszene

Ernst Ludwig Kirchner, 1907

Pencil and watercolor sketch of a valley with houses, blue roofs, green trees and a curving railway line.

Talkessel mit Häusern und Bahnlinie

Ernst Ludwig Kirchner, 1917

Black-and-white woodcut of an alpine village with wooden houses and jagged mountains under a streaked dark sky.

Stafelalp mit Altein und Tinzenhorn

Ernst Ludwig Kirchner, 1918

Black and white woodcut of two nude women in a forest with an animal behind them, in angular expressionist style.

Zwei nackte Frauen im Walde

Ernst Ludwig Kirchner, 1921

Black and white woodcut of three nude women dancing with raised arms against a dark background.

Farbentanz

Ernst Ludwig Kirchner, 1933

Etching of figures gathered around a glowing fire below jagged mountains and a dark night sky, by Ernst Ludwig Kirchner.

Augustfeuer

Ernst Ludwig Kirchner, 1923

Black-and-white woodcut portrait of a bearded man in a jacket, framed by a spiral-patterned border.

Porträt Max Pechstein

Ernst Ludwig Kirchner, 1906

Pen and ink sketch of a reclining figure at a banquet with attendants, plus smaller figure studies on the sheet.

Herakles beim Mahl

Moritz von Schwind, 1842

Loose ink sketch of a multi-arched bridge, spires on the skyline, figures on the bank and boats on a river.

Blick auf Dresden

Ernst Ludwig Kirchner, 1919

Black and white woodcut of angular mountain climbers with striated rock and snow patterns, by Ernst Ludwig Kirchner, 1928.

Die Bergsteiger

Ernst Ludwig Kirchner, 1928

Loose pencil and ink sketch of cows beside an alpine hut with a steep diagonal roof, with touches of green and orange.

Alphütte mit Kühen (Stafelalp)

Ernst Ludwig Kirchner, 1917

Watercolor lunette of a seated woman with a compass and plan, beside a putto holding a lamp and a scroll.

Allegorie der Mathematik

Moritz von Schwind, 1838

Pencil sketch of a rider carrying a woman behind him on a galloping horse, with flowing drapery and loose motion lines.

Todesritt der Lenore

Moritz von Schwind, 1840

Pen and ink drawing of a harvest procession with dancing figures and an oxen cart above a coastal landscape with mountains.

Erntezug in Italien (darunter: Italienische Küstenlandschaft)

Moritz von Schwind, 1866

Loose grey wash and pen drawing of dense shrubbery and undergrowth with small sketched figures at lower right.

Dichtes Buschwerk an einer Quelle

Hans Thoma, 1872

Stehender Herr im Profil nach links gewandt

Moritz von Schwind, 1841

Studienkopf eines Mannes im Dreiviertelprofil, darunter Profil eines Männerkopfes nach links

Moritz von Schwind

Pen and ink sketch of a two-storey villa with trees, strolling figures and a carriage, with German handwritten text below.

Gelegenheitsskizze einer Villa

Moritz von Schwind

Pen drawing of three gothic houses with stepped gables beside a garden gate and church choir, with a small sketch of a man be

Drei gotische Häuser zwischen barockem Gartentor und gotischem Kirchenchor, darunter Skizze eines schreitenden Mannes

Moritz von Schwind

Pen sketch of five male profiles above a faint red chalk head study of a bearded man, on aged paper.

Sechs männliche Kopfprofile, darunter Kopfstudien nach alten Meistern

Moritz von Schwind, 1841

Sunlit valley with golden fields, trees, and a hill town below layered blue mountains, painted in 1839 by Schirmer.

Landschaft bei Civitella mit Blick nach Norden auf Rocca Canterano

Johann Wilhelm Schirmer, 1839

Ink drawing of two architectural cross-sections showing a column capital, roof eave, timber beams and decorative moldings.

Giebelstudien

Josef Wilhelm Durm, 1880

Watercolor landscape of a village with a church spire, red-roofed houses, large trees, a meadow and a wooden shed.

Blick auf Holzhausen (Kirchen und Landschaften aus Bayern)

Josef Wilhelm Durm, 1918

Pen drawing of a reconstructed Greek temple with fluted columns, a sculpted pediment, and a seated statue in the cella.

Ansicht eines Tempels, Aegina

Josef Wilhelm Durm, 1879

Pen drawing of a Lycian house with doorway, masonry wall, floor plan and cross section, with measurements noted.

lykisches Wohnhaus

Josef Wilhelm Durm, 1880

Ink architectural drawing of the Parthenon opisthodomos with coffered ceiling, Doric column, and ornamental details.

Kassettendecke des Parthenons

Josef Wilhelm Durm, 1880

Pen drawing of the Concordia temple at Akragas, showing a Doric colonnade, stepped base and pediment with trees to the right.

Ansicht des Konkordiatempels, Akragas

Josef Wilhelm Durm, 1880

Pen drawing of the Choragic Monument of Lysicrates in Athens with Corinthian columns, surrounded by houses and a figure in a

choragisches Monument des Lysicrates, Athen

Josef Wilhelm Durm, 1879

Ink drawing of an ornamental title page with a bearded mask, classical vessels, a Greek frieze, and German lettering.

Entwurf für ein Titelblatt "Die antike Baukunst I - Abschnitt Baukunst der Griechen"

Josef Wilhelm Durm, 1880

Pen drawing of a temple gable construction showing stacked stone blocks, a cornice and dimension notes, dated 1880.

Giebelkonstruktion des unvollenderen Tempels, Egesta

Josef Wilhelm Durm, 1880

Pen drawing of Athenian marble grave stelae, urns, and acanthus capitals, with a seated woman and child relief.

Grabstilen und Urnen, Athen

Josef Wilhelm Durm, 1880

Ink drawing of two rock-cut tomb facades in Doric and Ionic orders with pediments, columns and sculpted figures.

Felsengräber, dorische und ionische Ordnung

Josef Wilhelm Durm, 1880