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Staatliche Kunsthalle Karlsruhe

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Pencil sketch of large agave plants in a curved planter with two figures walking nearby in a garden.

Das Boskett am Albertplatz in Dresden

Ernst Ludwig Kirchner, 1911

Charcoal sketch on tan paper of a seated man and two standing nude figures with simplified, angular forms.

Milly, Nelly und Sam

Ernst Ludwig Kirchner, 1910

Charcoal and orange crayon sketch of a woman's face in a headscarf, drawn in loose hatched strokes on cream paper.

Marokkanerin

Ernst Ludwig Kirchner, 1909

Charcoal sketch of a woman and a man in a top hat dancing, drawn with loose, expressive lines on cream paper.

Paar beim Tanz (im Variété)

Ernst Ludwig Kirchner, 1909

Pencil sketch of an embracing couple and a reclining figure drawn in quick, angular gestural lines on cream paper.

Akte (sich umarmendes Paar)

Ernst Ludwig Kirchner, 1910

Three crowned allegorical women in draped robes before a Gothic arch, one holding a scroll, in a drawing.

Allegorische Gestalten der Architektur, Plastik und Malerei

Pen drawing of warriors with shields and spears on a sculpted temple pediment from Aegina, by Josef Wilhelm Durm, 1880.

Giebel des Tempels in Aegina

Josef Wilhelm Durm, 1880

Pen drawing of two fluted Doric columns of an ancient temple with a standing male figure at right.

Säulen der Südseite des Theseions

Josef Wilhelm Durm, 1880

Watercolor of a church with an onion-domed tower among trees, with a large silver thistle in the lower right corner.

Blick von Nordosten auf die Kirche in Holzhausen (mit Silberdistel) (Kirchen und Landschaften aus Bayern)

Josef Wilhelm Durm

Ink drawing of Greek temple entablature fragments, Phigaleia above and Parthenon below, with friezes, columns and coffered ce

Gebälkstücke Phigaleia und Parthenon

Josef Wilhelm Durm, 1880

Pen drawing of stepped plinths, stairs and column bases with dimension notes and a small standing figure for scale.

Studien zu Sockel und Treppen

Josef Wilhelm Durm, 1880

Pen drawing of three Athenian architectural details: a column drum, Propylaea wall blocks, and the Tower of the Winds columns

Versetzbossen

Josef Wilhelm Durm, 1880

Pencil drawing comparing the Parthenon frieze with sculpted reliefs to the plain Egesta frieze, with a blank area below.

Friesstudien in Egesta und Parthenon

Josef Wilhelm Durm, 1880

Pen and ink architectural drawing of stylobate steps and masonry blocks of the Poseidon temple at Paestum, with dimensions.

Stylobad des Poseidontempels, Paestum

Josef Wilhelm Durm, 1879

Pen drawing of an Ionic pilaster capital from Priene with relief figures of animals and a standing figure on its faces.

ionisches Pfeilerkapitell von Priene

Josef Wilhelm Durm, 1880

Pen drawing of ionic volutes, palmette frieze and rosettes from a classical Greek door frame.

Details der Tür vom Erechtheion

Josef Wilhelm Durm

Pen drawing of two caryatid figures from Athens and a male relief figure from Thessaloniki, with German captions.

Karyatiden vom Erechtheion und Nationalmuseum, Athen

Josef Wilhelm Durm, 1880

Pen drawing of Parthenon cella wall stone blocks, dowel joints and isometric wall courses with dimension annotations.

Zellermauer des Parthenon

Josef Wilhelm Durm, 1870

Pen drawing of ancient column elements: a relief-carved support, an Ionic capital with bull heads, and a fluted column with f

ionische Kapitelle und Stützen vom Zeusthron (Museum Palermo) und Säulen Artemistempel in Ephesos

Josef Wilhelm Durm, 1879

Watercolor landscape with a telegraph pole, a seated figure by a dirt road, green meadow, trees and distant hills.

Landschaft mit Telegraphenstange und lesender (?) Frau (Kirchen und Landschaften aus Bayern)

Josef Wilhelm Durm

Pen drawing comparing five ancient Greek column elevations from Assos, Corinth, Paestum, Selinus and Athens with proportion n

Säulenstudien

Josef Wilhelm Durm, 1880

Pen drawing of Parthenon pediment cornice details with palmette acroterion bases, tiles, and a lion head spout.

Giebeldecke des Parthenon

Josef Wilhelm Durm, 1880

Ink technical drawing of Greek temple plans and beam details, including Parthenon, Theseion and Phigaleia, with dimensions.

Schnitt der Gebälke des Parthenon, Theseion und Phigaleia

Josef Wilhelm Durm, 1880

Pen and ink drawing of a large Phoenician ashlar stone wall with rubble and grass at its base, dated 1880.

phönikisches Quadergemäuer, Malta

Josef Wilhelm Durm, 1880

Pen and ink study of Doric column capitals and fluted details from Paestum, with labels for the temples and basilica.

Studien zu Kaneluren aus Paestum

Josef Wilhelm Durm, 1880

Pencil sketch of a tree with bare branches and long hanging moss above shrubs and smaller trees.

Baumstudie/Skizze (mit herabhängenden Pflanzenfäden)

Ferdinand Keller, 1858

Pencil sketch of a tree crown with branches and long hanging plant strands, drawn on pale paper.

Studie Baumkrone (mit herabhängenden Pflanzenfäden)

Ferdinand Keller, 1858

Pencil study of a palm with arching fronds and a climbing plant with heart-shaped leaves on a tree branch.

Zwei Pflanzenstudien: Palme und Schlingengewächs mit Kakteen an einem Ast

Ferdinand Keller, 1858

Pencil study of a tall flowering plant with drooping leaves rising from a branch, dated 1858.

Pflanzenstudie am Ast I

Ferdinand Keller, 1858

Pencil study of a spiky leaf rosette and flower spike growing from a bark-covered branch.

Pflanzenstudie am Ast II

Ferdinand Keller, 1858

Pencil drawing of a slender tree with a dense crown of drooping compound leaves, labeled Embaulea and dated 1858.

Studie Faultierbaum

Ferdinand Keller, 1858

Oval watercolor of a forest path with a man in red leading a loaded pack animal past tall trees and palms.

Blick hinab auf Lasttier und einen Mann den Weg hinaufkommend

Ferdinand Keller

Pencil drawing of a large tree with hanging plant fibers, smaller trees and undergrowth in an oval mount.

Baum mit herabhängenden Pflanzenfasern

Ferdinand Keller

Pencil drawing of a wooden hut with thatched roof beside tall palms, a seated man, a horse and forest behind.

Hütte von Parahyba

Ferdinand Keller, 1858

Pencil study of a gnarled tree trunk with exposed roots and leafy shoots on an octagonal sheet.

Studie Baumwurzel / Baumstamm

Ferdinand Keller, 1858

Pencil drawing of an old donkey with a halter standing before sketched trees and a small plant.

Studie "der alte Macho", von vorne, leicht seitlich

Ferdinand Keller, 1858

Pencil and watercolor sketch of a red-bracted flowering plant with broad green leaves against a pale blue wash.

Blühender Kaktus bei Tres Barras

Ferdinand Keller, 1859

Pencil drawing of a hunter with a rifle and dog on a forest path beside a large tree stump and palms.

Jäger mit Hund im Urwald

Ferdinand Keller

Pencil and watercolor drawing of a tall tree trunk beside a small wooden shelter and fence in a dense forest.

Haus mit Unterstand im Urwald bei Tres-Barras

Ferdinand Keller, 1859

Pencil drawing of a wooden hut and fenced yard in a clearing at the edge of a dense tropical forest.

Siedlung im Urwald

Ferdinand Keller, 1861

Pencil and watercolor drawing of loaded pack horses, a goat and a dog descending a steep rocky slope.

Bepackte Pferde an steilem Abhang

Ferdinand Keller, 1861

Pencil sketch of enslaved workers harvesting in a field, with an ox cart, a thatched hut and palm trees.

Ernte mit Sklaven

Ferdinand Keller

Pencil and watercolor study sheet of pack animals with loaded packsaddles and bundled baggage on a pale ground.

Studienblatt mit bepackten Pferden

Ferdinand Keller

Studienblatt mit Hundeköpfen

Ferdinand Keller, 1860

Etching of a nude woman seated on a swing bar beside a large dark bird with spread wings, on a pale background.

Schaukel (Radierte Skizzen, Opus I, Blatt 5)

Max Klinger, 1879

Etching of a nude man dying on a rocky mountain ledge while a vulture perches behind him beside a fallen staff.

Wanderers Ende (Sterbender Wanderer) (Radierte Skizzen, Opus I, Blatt 7)

Max Klinger, 1879

Etching of a woman resting in a hammock under a flowering branch, with a seated lion cub and a distant mountain beside her.

Dolce Far Niente (Siesta II) (Radierte Skizzen, Opus I, Blatt 8)

Max Klinger, 1879

Etching of a seated nude woman with long hair by a stream, with a reclining figure and trees in the background.

Eva (Eva und die Zukunft, Opus III, Blatt 1)

Max Klinger, 1880

Etching of an upright cat standing on a stone path between steep rock walls, with distant hills beyond.

Erste Zukunft (Eva und die Zukunft, Opus III, Blatt 2)

Max Klinger, 1880

Etching of a nude woman beneath a tree where a serpent coils around branches, with a lake landscape behind her.

Die Schlange (Eva und die Zukunft, Opus III, Blatt 3)

Max Klinger, 1880

Etching of a crouching nude man with a barbed spear, seated on a large dark fish against a cloudy sky.

Zweite Zukunft (Eva und die Zukunft, Opus III, Blatt 4)

Max Klinger, 1880

Etching of a long-haired nude man carrying a nude woman across a rocky plateau beside pale cliffs and distant mountains.

Adam (Eva und die Zukunft, Opus III, Blatt 5)

Max Klinger, 1880

Etching of a skeletal figure raising a wooden cross above a crowd of faces, with a bridge and cross in the distant landscape.

Dritte Zukunft (Eva und die Zukunft, Opus III, Blatt 6)

Max Klinger, 1880

Print with a muscular figure lifting a city view beside text honoring Dr. Otto Georgi, framed by a coat of arms and garlands.

Ehrenbürgerbrief für Oberbürgermeister Dr. Otto Georgi

Max Klinger, 1899

Etching by Max Klinger showing crowned heads above, a reclining nude woman over water, and a hooded figure by a rocky shore.

Vorspiel (Zelt, Opus XIV, 1. Teil, Nr. 1)

Max Klinger, 1915

Etching of a conical tent on a plain with grazing cattle and goats, backed by hills and snow-capped mountains.

Zelt (Zelt, Opus XIV, 1. Teil, Nr. 2)

Max Klinger, 1915

Etching of a nude woman with arms raised among reeds and poplars, with dark serpents coiling around her feet.

Am See (Zelt, Opus XIV, 1. Teil, Nr. 3)

Max Klinger, 1915

Etching of two nude women on a shore with a black swan, another standing behind holding long hair, black swans and palms by a

Die Schwäne (Zelt, Opus XIV, 1. Teil, Nr. 4)

Max Klinger, 1915

Etching of an armored warrior among reclining nude women and bearded men in a camp with tents, palm trees and a starry sky.

Das Lager (Zelt, Opus XIV, 1. Teil, Nr. 5)

Max Klinger, 1915

Etching of a man grappling with a horned bull while three women in pale robes watch, beneath large dark trees.

Der Stier (Zelt, Opus XIV, 1. Teil, Nr. 6)

Max Klinger, 1915

Etching of a nude woman and a feathered winged figure on a plain, with swans and clouds in the background.

Der Schwanenprinz (Zelt, Opus XIV, 1. Teil, Nr. 7)

Max Klinger, 1915

Etching of a nude woman on grass being overpowered by a winged creature, with dark tree trunks behind them.

Vergewaltigung (Zelt, Opus XIV, 1. Teil, Nr. 8)

Max Klinger, 1915

Etching of a seated nude man gazing up while two women in gowns gesture near him against a dark, speckled background.

Mädchen und Schütze (Zelt, Opus XIV, 1. Teil, Nr. 9)

Max Klinger, 1915

Pencil sketch of a hilly landscape with three small figures, trees, a wooden tower and a moored boat.

Fehmarnlandschaft mit drei Figuren

Ernst Ludwig Kirchner, 1912

Blue and red crayon sketch of a seated nude figure beside a sailboat, with loose hatching suggesting water.

Badender Akt mit Segelboot

Ernst Ludwig Kirchner, 1913

Ink sketch of a nude bathing figure bent forward among beach stones, with a small sailboat on the horizon.

Badende zwischen Steinen am Strand von Fehmarn mit Segelboot

Ernst Ludwig Kirchner, 1914

Loose ink sketch of three figures, one with hand on hip, two close together beside a doorway frame, drawn in dark strokes.

Drei tanzende Personen

Ernst Ludwig Kirchner, 1911

Loose pencil and blue crayon sketch of a standing female dancer in a costume skirt, arms raised, on cream paper.

Tänzerin im Kostüm

Ernst Ludwig Kirchner, 1916

Ink drawing of a bending female nude on yellow paper with dark brushed trunks and red strokes behind her.

Sich bückender Akt (Dodo)

Ernst Ludwig Kirchner, 1910

Ink line drawing of a seated nude woman and a standing nude woman behind her in a sketchy studio setting.

Die Schwestern Erna und Gerda Schilling in Kirchners Atelier

Ernst Ludwig Kirchner, 1915

Expressive black crayon sketch of overlapping figures and street forms on cream paper with a red edge.

Berliner Straßenszene

Ernst Ludwig Kirchner, 1914

Colored chalk sketch of angular alpine chalets and rooftops on a sloping mountain village, drawn in black, yellow, pink and b

Stafelalp mit Tinzenhorn

Ernst Ludwig Kirchner, 1920

Selbstporträt mit Erna

Ernst Ludwig Kirchner, 1926

Charcoal sketch of a seated and a standing female nude, drawn in loose outline on cream paper.

Sitzender und stehender weiblicher Akt

Ernst Ludwig Kirchner, 1929

Pen and ink sketch of figures conversing under a parasol on a boat, with hatched linework.

Mann und Frau im Gespräch unter einem Sonnenschirm

Ernst Ludwig Kirchner, 1935

Watercolor and ink drawing of two angular archers drawing bows in a meadow beneath dark trees and a blue sky.

Bogenschützen

Ernst Ludwig Kirchner, 1935

Loose pencil sketch of a seated nude woman with raised arm on a patterned chair, with a framed picture on the wall behind her

Sitzende auf Pantherstuhl (Dodo)

Ernst Ludwig Kirchner, 1908

Pencil sketch of a standing female bather with vertical reed-like strokes around her and a second figure at right.

Badende im Schilf

Ernst Ludwig Kirchner, 1909

Loose pencil sketch of three figures by a water's edge with vertical reed-like strokes on the right.

Badende in den Moritzburger Teichen

Ernst Ludwig Kirchner, 1910

Charcoal sketch of two nude women bathing near a lake with spiky grass, drawn on tan paper.

Drei badende Akte an den Moritzburger Seen

Ernst Ludwig Kirchner, 1910

Loose pencil sketch of three bathers seated together on a beach, drawn with quick angular lines on cream paper.

Drei Badende am Strand

Ernst Ludwig Kirchner, 1910

Quick pencil sketch of three nude bathers standing among grass near water, with loose contour lines.

Badende in Moritzburg

Ernst Ludwig Kirchner, 1909

Etched portrait of a bespectacled man with receding hair, holding an open book, with expressive hatched lines in the backgrou

Kritiker (Dr. Paul Fechter)

Black and white lithograph of a hilltop village with cubic houses, a tall white building, and a bare tree in the foreground.

Olevano (Olevano V)

Alexander Kanoldt, 1925

Black-and-white print of a steep rocky hillside with trees, a winding path, and a village with a tower on the ridge.

Paese latino (Olevano VI)

Alexander Kanoldt, 1925

Lithograph of a frosty winter road with bare trees, utility poles, a farmhouse and a barn under a dark sky.

Frost (Raureif)

Alexander Kanoldt, 1923

Black and white etching of a wooden bridge and city street with pedestrians, a lamppost, shop signs and tall buildings behind

Holzbrücke (Vorstadtstraße)

Max Beckmann, 1922

Drei Mädchen im Profil

Otto Mueller, 1921

Selbstbildnis 1921

Lovis Corinth, 1920

Black and white print of a horse-drawn cart with figures on a road, a rising sun behind an arched bridge and houses.

Der Morgen

Max Beckmann, 1923

Expressive etching of a man's head and shoulders in dense hatched black lines, the face turned downward.

Selbstbildnis 1923

Lovis Corinth, 1923

Black ink drawing of a seated, ragged figure in a headscarf with bare feet and an outstretched hand.

Der Bettler

René Beeh, 1921

Etched portrait of a bearded man in three-quarter view, gazing sideways, with loose hatched shading on a pale sheet.

Bildnis Dostojewskis

Max Beckmann, 1921

Etching of bare trees and tangled branches framing a still water path in a park, with dense hatched shadows.

Im Tiergarten

Lovis Corinth, 1920

La Brodeuse (Die Stickerin)

François Bonvin, 1845

Charcoal drawing of a chaotic street scene with men swinging clubs and sticks among angular architecture.

Das Martyrium

Max Beckmann, 1919