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National Gallery of Art

25,761 works

Etching of a man leaning toward a woman in a black mantilla, with a small dog at their feet and figures behind them.

Quien mas rendido? (Which of Them Is the More Overcome?)

Francisco Goya, published 1799

Brown etching of a woman and two frightened children on a sofa, staring at a tall shrouded figure in a hooded cloak.

Que viene el coco (Here Comes the Bogey-Man)

Francisco Goya, published 1799

Etching of a man embracing a limp woman against a brick wall, with a sword and hat on the ground below.

El amour y la muerte (Love and Death)

Francisco Goya, published 1799

Etching of a gaunt figure bending over a nude companion on a rock while a clawed creature rises beneath, under a dark sky.

Quien lo creyera! (Who Would Have Thought It!)

Francisco Goya, published 1799

Goya etching: a woman reaches toward a hanged man bound at the wrists on stone steps, under a dark sky.

A caza de dientes (Out Hunting for Teeth)

Francisco Goya, published 1799

Sepia etching of a donkey seated by an easel as a monkey paints on a small panel, with the caption Ni mas ni menos below.

Ni mas ni menos (Neither More nor Less)

Francisco Goya, published 1799

Etching of gaunt nude figures huddled under a starry night sky, one pointing upward; Goya, published 1799.

Si amanece; nos vamos (When Day Breaks We Will Be Off)

Francisco Goya, published 1799

Etching of three grotesque hooded goblin figures drinking, one standing and gesturing, beneath a barred window in a dim room.

Duendecitos (Hobgoblins)

Francisco Goya, published 1799

Etching of a violent melee with armed men, a woman raising her arms, and fallen bodies on the ground.

Y son fieras (And They Are Like Wild Beasts)

Francisco Goya, published 1863

Etching of a man shouting as two figures hold him down while a third stands with a raised weapon beside a tree.

Por que? (Why?)

Francisco Goya, published 1863

Etching of a woman standing by a cannon beside fallen soldiers on a battlefield, by Francisco Goya.

Que valor! (What Courage!)

Francisco Goya, published 1863

Etching of seated men in cross-marked hats and robes, several reading papers on a bench, with the caption No se puede saber p

No se puede saber por que (One Can't Tell Why)

Francisco Goya, published 1863

Etching of a soldier seizing a kneeling woman as a child lies on the ground and figures recoil in a dark scene.

Ni por esas (Neither Do These)

Francisco Goya, published 1863

Etching of a standing figure beside a post amid fallen bodies on the ground, rendered in dense dark hatching.

Y no hai remedio (And There's No Help for It)

Francisco Goya, published 1863

Etching of a mounted soldier with a raised sword beside a rearing horse, with fallen and fighting figures on the ground below

No se convienen (They Do Not Agree)

Francisco Goya, published 1863

Etching of two men pointing while a woman and child and a crowd flee across a landscape with a hilltop castle.

Yo lo vi (I Saw It)

Francisco Goya, published 1863

Etching of women carrying bundles and a pot past a dead animal and prostrate figures under a dark, hatched sky.

Y esto tambien (And This Too)

Francisco Goya, published 1863

Etching of several dead men in military dress piled on barren ground, with swords and a ruined building behind.

Tanto y mas (Even Worse)

Francisco Goya, published 1863

Etching of huddled figures, women and a child clinging together, a kneeling man at right, and rifles at the edge of the scene

No se puede mirar (One Can't Look)

Francisco Goya, published 1863

Etching of a man with bat-like wings flying among other winged figures against a dark night sky.

Modo de volar (A Way of Flying)

Francisco Goya, published 1864

Etching of a woman in a lace ruff riding a horse with an ornate saddle cloth across a hilly landscape.

Margarita de Austria

Francisco Goya after Diego Velázquez, 1778

Etching of an arched Italian street with hanging laundry, shuttered windows, rooftops and a figure at a window.

Amalfi

Francis Seymour Haden, in or before 1858

Etching of a large old warship with masts and rigging beside a tugboat on a river, with a city skyline in the distance.

Breaking Up of the Agamemnon

Francis Seymour Haden, 1870

Etching of moored sailing ships and rowboats in a harbor with a distant city skyline and dome.

Breaking Up of the Agamemnon (The Second Plate)

Francis Seymour Haden, 1886

Etching of a river with a wooden footbridge, a cottage among trees, and a large tree at right under a cloudy sky.

The Test at Longparish

Francis Seymour Haden, 1882

Etching of a wooded landscape with a rocky bank, a shallow stream, and two donkeys standing at right.

Encombe Woods (No.1)

Francis Seymour Haden, 1881

Etching of a ruined castle on a cliff above sheep and a shepherd, under a dramatic streaked sky.

Harlech (No.2)

Francis Seymour Haden, 1880

Etching of stormy waves in the foreground, a rocky island on the horizon, sailing boats on the left, and dark clouds above.

Mount's Bay

Francis Seymour Haden, in or after 1868

Etching of a river with moored boats, masts, riverside houses and a church spire under a cloudy sky.

Old Chelsea, Out of Whistler's Window (Battersea Reach)

Francis Seymour Haden, 1863

Etching of the Thames at Isleworth with moored boats, masts, rooftops and a church spire under a cloudy sky.

Isleworth

Francis Seymour Haden, 1864

Etched portrait of a bearded man in a patterned doublet holding a tankard, with a castle and crags behind him.

Ulrich Schwaiger (?)

Hanns Lautensack, 1554

Etching of a river with sailing boats, a rowboat, riverside buildings with smoking chimneys, and two figures on the bank.

Opposite the Inn, Purfleet

Francis Seymour Haden, in or after 1869

Etching of a sailing boat on a river at sunset, with silhouetted trees and buildings along the shore and radiating light in t

Sunset on the Thames

Francis Seymour Haden, in or after 1865

Etching of a shaded country lane lined with gnarled trees with arching branches and bright open ground.

A By-Road in Tipperary

Francis Seymour Haden, 1860

Etching of old riverside houses in Chelsea with moored boats, a bridge and a sailing ship along the Thames.

Whistler's House, Old Chelsea

Francis Seymour Haden, 1863

Etching of a smiling elderly woman in a headscarf and shawl, sorting nuts in a bowl beside a wicker basket.

Old Nan

Herbert Johnson Harvey

Etching of a man in a plumed hat and lace collar, one hand raised, signed Harvey and numbered 33/50 in the margin.

A Gentleman of Fortune

Herbert Johnson Harvey

Etching of a man in a fur hat and fur-collared coat, turned toward the viewer with a calm expression.

Luck

Herbert Johnson Harvey

Etching of two smiling men embracing, one playing a guitar, with a bearded man peering in from the right.

Jolly Vagabonds

Herbert Johnson Harvey

Etching of a windswept lone tree with bare twisted branches beside a tree stump in a grassy field.

Lone Tree

Etching of seven trumpeting angels in a ring around a burning city, with God enthroned above and the sun and moon.

The Opening of the Seventh Seal

Augustin Hirschvogel, 1549

Pen drawing of a castle on rocky cliffs with bare trees, a town to the right, and a lake with a sailboat.

Landscape with a Lake

Augustin Hirschvogel

Conrad Schall

Augustin Hirschvogel, 1547

Etching of a heraldic coat of arms with two bearded men in tunics, acanthus scrollwork, and a central shield.

Coat of Arms of Unknown Man

Augustin Hirschvogel

Pen-and-ink print of mounted riders with lances, a bearded man at center, a coat of arms above, and a distant town.

Herberstein's Journey to Denmark

Augustin Hirschvogel, 1546

Christian II of Denmark

Augustin Hirschvogel, 1546

Woodcut of a bearded nobleman grasped by a skeleton Death figure, with a sword above and an hourglass at left.

Der Edelmann (The Nobleman)

Hans Lützelburger after Hans Holbein the Younger, c. 1526

Woodcut of a skeleton holding an hourglass over a skull, with a nobleman and noblewoman standing on either side.

The Arms of Death

Hans Lützelburger after Hans Holbein the Younger, c. 1526

Woodcut of a seated figure above a celestial globe with zodiac signs, held up by nude figures below, with clouds and angels.

The Last Judgment

Hans Lützelburger after Hans Holbein the Younger, c. 1526

Woodcut of a countess adorned with a necklace by a maid while a skeleton stands behind her beside an hourglass.

Die Greffinn (The Countess)

Hans Lützelburger after Hans Holbein the Younger, c. 1526

Woodcut of an old bearded man with a cane being approached by a skeleton, with an hourglass nearby.

Der Alt man (The Old Man)

Hans Lützelburger after Hans Holbein the Younger, c. 1526

Woodcut of a ship in a storm with sailors struggling on deck and in the waves, and a woman raising her arm at the bow.

Der Schiffman (The Sailor)

Hans Lützelburger after Hans Holbein the Younger, c. 1526

Woodcut of Death grasping a well-dressed man's sleeve on a cobbled street while an hourglass-bearing figure looks on.

Der Fürsprach (The Lawyer)

Hans Lützelburger after Hans Holbein the Younger, c. 1526

Woodcut of a seated judge accepting a purse from a visitor while a skeleton with a staff stands behind him.

The Judge

Hans Lützelburger after Hans Holbein the Younger, c. 1526

Woodcut of an enthroned pope holding a crown, with a kneeling figure, skeletons and devils among clergy.

Der Bapst (The Pope)

Hans Lützelburger after Hans Holbein the Younger, c. 1526

Woodcut of skeletons playing trumpets and drums before an arcaded building, with more skeletons crowding behind them.

Skeletons Making Music

Hans Lützelburger after Hans Holbein the Younger, c. 1526

Woodcut of an angel with a sword expelling nude Adam and Eve from a landscape, with a skeleton at right.

Vßtribung Ade Eue (Expulsion of Adam and Eve)

Hans Lützelburger after Hans Holbein the Younger, c. 1526

Woodcut of Adam ploughing with a skeleton of Death, a nursing woman and infant, and a dead tree in the landscape.

Adam bawgt die erden (Adam Ploughing)

Hans Lützelburger after Hans Holbein the Younger, c. 1526

Woodcut of a duchess on a canopied seat with a skeleton behind her and a small dog at lower right.

Die Hertzoginn (The Duchess)

Hans Lützelburger after Hans Holbein the Younger, c. 1526

Woodcut of Saint Paul holding a book and sword, standing in a classical columned niche with a halo.

Saint Paul with Book and Sword

Hans Holbein the Younger, 1540

Woodcut showing a church interior where clergy and merchants trade indulgences beside a papal figure, with a penitent scene a

Traffic in Indulgences

Hans Lützelburger after Hans Holbein the Younger, c. 1524

Hand-colored woodcut of Joseph leading a donkey carrying Mary and the infant Christ under a tree.

The Flight into Egypt

Unknown artist, c. 1490

Engraved half-length portrait of a man with curly hair and a tasselled cap, with a landscape visible through a window.

Albrecht Durer

Wenceslaus Hollar after Albrecht Dürer, 1645

Engraved title page with a crowned ruler on a throne, flanked by lions, soldiers, putti, and a coat of arms.

Title Page to "Philosophia Universia"

Wenceslaus Hollar after Abraham van Diepenbeeck, 1649