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National Gallery of Art

25,670 works

Engraving of a draped church interior with an ornate catafalque, candelabra, and seated allegorical figures flanking the tomb

Catafalque for the Funeral of the Duke of Parma Antonio I in the Church of S. Maria Maddalena in Bologna

Antonio Stiassi, c. 1731

Engraved print of a church interior with a Gothic nave on the left and an ornate baroque altar and organ on the right.

Church Interior

Unknown artist, 17th century

Engraved funeral catafalque with many candles, a draped coffin, angels, a skeleton with scythe, and the word MARIA on its bas

Catafalque for an Unknown Woman Named Maria

Unknown artist, 17th century

Graphite and chalk drawing of a seated male nude with one arm raised overhead, gripping a chair back, on grey paper.

Seated Male Nude with Raised Right Hand

William Linnell, c. 1845/1850

Engraving of The Last Supper: Christ at a long table with twelve apostles reacting in groups, under a coffered ceiling.

The Last Supper

after Leonardo da Vinci Raphael Morghen, 1800

Engraving of peasants brawling over a card game beside a village road, with scattered cards, an overturned table and a barrel

Peasants Fighting over a Game of Cards

after Pieter Bruegel the Elder Lucas Emil Vorsterman, c.1620

Engraved title page of Les Graces (1769) with flower garlands, a ribbon bow, and two putti holding a wreath.

Les Graces

Various Artists and Anne-Gabriel Meusnier de Querlon, 1769

Engraved title page of Les Saisons, poème, showing a lyre within a wreath of flowers and wheat, dated 1775.

Les Saisons: poëme

Various Artists Jean-François de Saint-Lambert, 1775

Dark green leather-bound book with gilt spine tooling and a green marbled paper cover panel edged in gold.

La Dernière Héloïse: ou, Lettres de Junie (Part I and Part II)

Various Artists Citoyen de Verdun Dauphin, 1784

Waves crash against layered rocky cliffs under a hazy sky, with gulls flying over the churning sea.

South-West Point, Conanicut

William Trost Richards, 1878 / 1879

Engraving of a large wheeled burning glass apparatus with a wooden lens frame, railed platform and steps, smoke rising at rig

Burning Glass

François-Philippe Charpentier, c. 1774

Watercolor of a colonnaded courtyard with a seated reader, a figure feeding pigeons in sunlight, and a tiled wall.

A Fakeer at the Door of a Mosque, Constantinople

John Frederick Lewis, 1863

Pencil sketch of two women in hats watching pheasants and birds behind a wire fence in a garden with trees.

Au Jardin d'Acclimatation (In the Zoological Garden)

Félix Bracquemond, 1870s

Yellow book cover with black outlined stylized figures holding hands, title lettering above and publisher name below.

Front cover from Kirchner Zeichnungen (Kirchner Drawings)

Ernst Ludwig Kirchner, 1925

Title page with black and red lettering and a woodcut of a standing nude figure in a wide-brimmed hat, by Ernst Ludwig Kirchn

Title page from Kirchner Zeichnungen (Kirchner Drawings)

Ernst Ludwig Kirchner, 1925

Page with a red and blue woodcut of a town with a tower, above a black woodcut of a nude man beside German text.

Ornament from Kirchner Zeichnungen (Kirchner Drawings)

Ernst Ludwig Kirchner, 1925

Ink sketch of standing and seated figures above German printed text on a book page, by Ernst Ludwig Kirchner.

In-text plate from Kirchner Zeichnungen (Kirchner Drawings)

Ernst Ludwig Kirchner, 1925

Black and white woodcut of angular figures working among trees and plants in a rural landscape, by Ernst Ludwig Kirchner.

Plate from Kirchner Zeichnungen (Kirchner Drawings)

Ernst Ludwig Kirchner, 1925

Bucheinband (cover) from Georg Heym: Umbra Vitae (Georg Heym: Shadow of Life)

Ernst Ludwig Kirchner, 1924

Red endpaper with black woodcut band showing clustered faces on the left and two nude figures on the right.

Vorsatz (front endpapers) from Georg Heym: Umbra Vitae (Georg Heym: Shadow of Life)

Ernst Ludwig Kirchner, 1924

Red and black woodcut title page with a central figure, raised arms, clawed feet, and bold lettering for Georg Heym's Umbra V

Titelblatt (title page) from Georg Heym: Umbra Vitae (Georg Heym: Shadow of Life)

Ernst Ludwig Kirchner, 1924

Title page of Georg Heym's Umbra Vitae with a black woodcut of two figures before angular mountain peaks.

Titelvignette (Title vignette) from Georg Heym: Umbra Vitae (Georg Heym: Shadow of Life)

Ernst Ludwig Kirchner, 1924

Woodcut title page with bold black lettering on the left and a hooded, angular figure with a pale face on the right.

title page for Alfred Döblin: Das Stiftsfräulein und der Tod (Alfred Döblin: The Canoness and Death)

Ernst Ludwig Kirchner, 1913

Black and white woodcut of a standing woman in an interior with framed pictures, potted plants and a round stool.

plate 1 in Alfred Döblin: Das Stiftsfräulein und der Tod (Alfred Döblin: The Canoness and Death)

Ernst Ludwig Kirchner, 1913

Black and white woodcut of a stylized female figure among jagged plants under a dark sky with a small moon.

plate 2 in Alfred Döblin: Das Stiftsfräulein und der Tod (Alfred Döblin: The Canoness and Death)

Ernst Ludwig Kirchner, 1913

Black and white woodcut of a pale-faced woman in dark dress beside a crowd of jagged, angular figures.

plate 3 in Alfred Döblin: Das Stiftsfräulein und der Tod (Alfred Döblin: The Canoness and Death)

Ernst Ludwig Kirchner, 1913

Black woodcut of a hooded, cloaked figure with angular lines on cream paper, from Kirchner's 1913 Döblin book plate.

plate 4 in Alfred Döblin: Das Stiftsfräulein und der Tod (Alfred Döblin: The Canoness and Death)

Ernst Ludwig Kirchner, 1913

Graphite sketch of a frontal face with large eyes, broad nose and framing hair, numbered 32 in the lower right corner.

Self-Portrait

Lyubov Popova, 1910s

Graphite portrait of a woman with short hair and a dark cap, wearing a dark top with a ruffled collar, on tan paper.

Self-Portrait

Olga Rozanova, c. 1915

Engraved landscape with Christ and disciples in a field by a river, village beyond, framed by a decorative border of birds an

Christ and the Disciples in the Field

after Hans Bol Adriaen Collaert, c.1584