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National Gallery of Art

25,760 works

Etching of a wide river valley with a seated figure, trees on the right, a ruined castle, and distant hills under open sky.

Junction of Severn and Wye

Joseph Mallord William Turner, published 1811

Sepia print of a mill and wooden bridge beside a rushing river in a steep rocky gorge with tall trees.

Mill near the Grand Chartreuse

Joseph Mallord William Turner and Henry Edward Dawe, published 1816

Sepia print of a river landscape with a willow, classical column, stone bridge and a white bird on a carved stone.

Isis

Joseph Mallord William Turner and William Say, published 1819

Sepia landscape print with an umbrella pine, a seated figure, and a classical temple and arches in the distance.

Scene in the Campagna

Joseph Mallord William Turner, published 1812

Sepia print of a river with large trees, a columned rotunda on the left bank, and buildings receding under a cloudy sky.

Isleworth

Joseph Mallord William Turner and Henry Edward Dawe, published 1819

Sepia print of a classical landscape with ruined arches, tall pines, sarcophagi, and figures including a woman with a jug.

The Woman of Samaria

Joseph Mallord William Turner and Samuel William Reynolds I, published 1819

Sepia print of farm labourers hedging and ditching beside a gnarled tree, with grazing sheep in the fields beyond.

Hedging and Ditching

Joseph Mallord William Turner, published 1812

Woodcut of Delilah cutting the hair of a sleeping Samson in a garden beside a brick wall, with a flask and cup nearby.

Samson and Delilah

Hans Burgkmair, 1519

Engraving of Christ bound to a column being whipped by two men, with armored soldiers and a tiled floor in a colonnaded hall.

Flagellation of Christ, with the Pavement

Workshop of Andrea Mantegna, c. 1475

Brown etching of a wooded ravine with tall trees, rocky cliffs, and a wooden bridge leading to a small building.

Mill near the Grand Chartreuse

Joseph Mallord William Turner, published 1816

Engraved oval portrait of a man with curly hair and a white collar, inscribed in an oval frame, dated 1664.

Francois Guenault

Robert Nanteuil, 1664

Engraving of Christ with a cross banner pulling a nude figure from a demon, with a crowd of souls behind an arched opening.

Christ in Limbo

Martin Schongauer, c. 1480

Pen and ink landscape of trees by a reflective river with a classical columned rotunda and distant buildings.

Isleworth

Joseph Mallord William Turner, published 1819

Oval engraved portrait of a man with wavy hair and white collar, with a coat of arms below, dated 1658.

Simon Dreux d'Aubray

Robert Nanteuil, 1658

Engraving of the risen Christ with a cross banner standing on a tomb, surrounded by sleeping soldiers and an angel.

The Resurrection

Martin Schongauer, c. 1480

Etching of a woodland with leaning trees, a seated woman near a pool, and a crouching figure among ferns.

Aesacus and Hesperie

Joseph Mallord William Turner, published 1816

Engraved oval portrait of a man with curly hair and a ruff collar, with inscription and coat of arms below.

Antoine Barillon

Robert Nanteuil, 1661

Etched bust portrait of a man with curly hair, mustache, and lace collar, shaded background, numbered 62.

Giacomo Antonio Mannini

Ottavio Mario Leoni

Etched landscape of a river with a weeping willow, a classical column, a perched bird on a pedestal, and distant wooded hills

Isis

Joseph Mallord William Turner, published 1819

Engraved title page with Italian lettering in a border of drapery swags, tassels and flower garlands.

Title Page

Giovanni Battista Tiepolo, published 1785

Oval etched portrait of a man with curly hair and mustache, looking back over his shoulder, wearing a lace collar.

Self-Portrait

Ottavio Mario Leoni

Line engraving of a wooded landscape with a classical arch, tombs, and women with a water jar beneath tall trees.

The Woman of Samaria

Joseph Mallord William Turner, published 1819

Etching of a young man and a bearded sage beside a horse, with an owl on a branch and an attendant at left.

Youth, Sage, and Attendant with Horse

Giovanni Battista Tiepolo

Tommaso Salini

Ottavio Mario Leoni, 1625

Etching of an allegorical coat of arms with crown and crosier, a trumpeting putto, and a walled city with domed towers.

Arms of Karl Philip von Greiffenklau, Prince-Bishop of Wurzburg

Giovanni Domenico Tiepolo, published 1753

Etching of a youth leaning on a stone urn among classical ruins, with standing and reclining figures and a shield on the grou

Seated Youth Leaning Against an Urn

Giovanni Battista Tiepolo, published 1785

Engraved octagonal portrait of a mustached man in a lace collar and period costume, dated 1625, by Ottavio Leoni.

Giovanni Baglione

Ottavio Mario Leoni, 1625

Engraved title page in italic script announcing Tiepolo's Flight into Egypt ideas, dated 1753.

Title Page

Giovanni Domenico Tiepolo, published 1753

Etching of three soldiers and a youth holding a flag, with a reclining figure and a distant landscape with cypress trees.

Three Soldiers and a Youth

Giovanni Battista Tiepolo, published 1785

Etched portrait of a man with curly hair, mustache and lace collar, set within an octagonal frame with inscriptions.

Giovanni Francesco Barbieri, called Guercino

Ottavio Mario Leoni, 1623

Etching of Joseph gesturing to an angel beside Mary holding an infant, in a room with a canopy bed and window.

Joseph Relays to Mary God's Command to Flee

Giovanni Domenico Tiepolo, published 1753

Etching of a helmeted soldier seated on a stone tomb with figures behind him and a spear on the ground.

Soldier Seated on a Tomb with Surrounding Figures

Giovanni Battista Tiepolo, published 1785

Etched octagonal portrait of a young man with a mustache, lace collar and cross pendant, with inscriptions around the frame.

Gian Lorenzo Bernini

Ottavio Mario Leoni, 1622

Etching of the Holy Family leaving a thatched shelter, with an angel leading a donkey past a wooden door.

Joseph and Mary Prepare to Leave

Giovanni Domenico Tiepolo, published 1753

Etching of a standing woman by an urn and pedestal, with two seated men, a helmeted warrior, a cliff and sea beyond.

Standing Woman and Seated Men before an Obelisk

Giovanni Battista Tiepolo, published 1785

Engraved oval portrait of a man with curled hair, mustache, and large ruffled collar, inscribed Paulus Iord II Bracciani Dux.

Paolo Giordano Orsini II

Ottavio Mario Leoni

Etching of Mary on a donkey with the Christ child, Joseph kneeling before her, angels and a large tree overhead.

Joseph Kneels with the Child before Mary on the Donkey

Giovanni Domenico Tiepolo, published 1753

Etching of a woman reclining with a satyr child and a goat beside a tree, with a distant town in the landscape.

Woman, Satyr Child, and Goat in a Landscape

Giovanni Battista Tiepolo, published 1785

Engraved portrait of a bearded man with a lace ruff collar inside an octagonal frame, by Ottavio Leoni, 1621.

Giuseppe Cesari

Ottavio Mario Leoni, 1621

Etching of a donkey and travelers passing under a stone arch while a crowd of onlookers watches from the right.

The Holy Family Passes under a City Arch

Giovanni Domenico Tiepolo, published 1753

Etching of a bearded standing philosopher beside a stone pedestal, with a kneeling turbaned figure and a pitcher in the foreg

Standing Philosopher and Two Other Figures

Giovanni Battista Tiepolo, published 1785

Engraved oval portrait of a bearded man in a ruff collar and cloak, with inscriptions naming Giovanni Ciampoli, 1627.

Giovanni Ciampoli, Papal Secretary

Ottavio Mario Leoni, 1627

Etching of the Holy Family on a donkey with a staff-bearing companion, a shepherd and sheep at left, and angels on clouds abo

The Flight with the Holy Family at the Right

Giovanni Domenico Tiepolo, published 1753

Etching of figures beside an urn and a burning pyre of bones under trees, by Giovanni Battista Tiepolo.

Women and Men Regarding a Burning Pyre of Bones

Giovanni Battista Tiepolo, published 1785

Oval engraved portrait of a bearded man with a lace collar and cross pendant, with inscriptions naming Giovanni Marino.

Giovanni Marino

Ottavio Mario Leoni, 1623/1624

Etching of the Holy Family on a donkey with angels overhead, a town and church spire in the distance.

Joseph, Standing, Adores the Child

Giovanni Domenico Tiepolo, published 1753

Etching of a skeletal figure opening a door to a bearded man, with a seated woman, a dog, and skulls in the scene.

Death Giving Audience

Giovanni Battista Tiepolo, published 1785

Engraved portrait of a man in a wide-brimmed hat and ruff collar, with a Latin inscription and date 1625 below.

Raffaelo Menicucci

Ottavio Mario Leoni, 1625

Etching of a donkey with a haloed figure and a man with a sack walking past trees toward a distant town.

The Flight with the Holy Family at the Left

Giovanni Domenico Tiepolo, published 1753

Etching of a young soldier beside a bearded philosopher, a seated woman, a shield with a face, and a serpent in the foregroun

Young Soldier with Philosopher and Seated Woman

Giovanni Battista Tiepolo, published 1785

Oval engraved portrait of a bearded man with a white collar and patterned doublet, inscribed Pier Francesco Pauli.

Pier Francesco Pauli

Ottavio Mario Leoni, 1625

Etching of the Holy Family traveling past a palm tree, with a haloed rider on a donkey and goats on a rocky slope.

The Flight, Holy Family at the Right, Joseph Looking to the Left

Giovanni Domenico Tiepolo, published 1753

Etching of a soldier with a sword beside a saddled horse, an attendant behind him and a dog in the foreground.

Soldier with Horse and Attendant

Giovanni Battista Tiepolo, published 1785

Engraved portrait of a man with a mustache and lace collar in an octagonal frame, 1623.

Marcello Provenzale

Ottavio Mario Leoni, 1623

Etching of an angel guiding a bearded man carrying a child, with a veiled woman and donkey beside a fallen stone block.

The Flight, Holy Family Walking with Angel

Giovanni Domenico Tiepolo, published 1753

Hand-colored engraving of a formal garden theatre with tall fountain jets, strolling elegant figures and carriages before a w

The Theatre of Water (Le Théâtre d'Eau)

Oval engraved portrait of a balding man with a goatee and white collar, with Latin inscriptions, dated 1623.

Paolus Qualiatus Clodianus

Ottavio Mario Leoni, 1623

Etching of the Holy Family resting under a palm tree with a donkey and adoring angels at right.

The Rest on the Flight, with Adoring Angels

Giovanni Domenico Tiepolo, 1750

Pencil and pink wash drawing of a nude figure bending forward on tan paper, signature in lower left corner.

Figure Bending Forward with Right Knee Raised

Etched portrait of a bearded man in a ruff collar and cross pendant, inside an octagonal frame, by Ottavio Leoni.

Cristoforo Roncalli

Ottavio Mario Leoni, 1623

Etching of the Holy Family on a shoreline with an angel poling a boat and rays of light breaking through clouds.

The Holy Family at the Bank of the River

Giovanni Domenico Tiepolo, published 1753

Brown wash and graphite sketch of a standing nude woman with flowing drapery and one arm extended outward.

Figure Facing Forward

Oval engraved portrait of a balding man with a mustache, lace collar and Maltese cross, inscribed Thomas Stilianus.

Thomas Stilianus

Ottavio Mario Leoni, 1625

Etching of a haloed family and a winged angel approaching a boat beside reeds, with a staff-carrying man at left and birds in

The Holy Family Preparing to Embark

Giovanni Domenico Tiepolo, published 1753