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National Gallery of Art

25,760 works

Etching of Christ with a banner entering Hell, freeing naked souls past a horned demon and a defeated devil.

The Harrowing of Hell

Augustin Hirschvogel, 1547

Etching of figures in a landscape, a kneeling nude man before a winged creature, smoke rising from distant buildings, with Ge

Job Learns of His Misfortunes

Augustin Hirschvogel, 1549

Engraved sheet with rulers' portrait medallions, a map of Eastern Europe, seated figures, travel vignettes and a ship.

Map of Eastern Europe with portraits of Sigismund von Herberstein, Emperor Charles V, Emperor Maximilian I, Ferdinand…

Augustin Hirschvogel, 1548

Engraving of a standing armored man in ornate plate armor holding a sword with a bird-head hilt.

Ludwig II, King of Hungary

Augustin Hirschvogel, 1546

Ink line drawing of a stylized female figure with a fan-shaped comb headdress, draped cloak, and two downward black arrows.

Die Hexe mit dem Kamm (Witch with a Comb)

Paul Klee, 1922

Engraved dedication page with a central tree of names, a risen Christ, two angels, and the inscription Ich bin die Auferstehu

Dedication: Ich bin die Auferstehung und das Leben (I am the resurrection and the life)

Ferdinand Olivier, 1823

Engraved landscape of a woman and child in a garden near a river, with a man working on wooden boards and a hilltop castle.

Montag - Rosenecker Garten vor Salzburg (Monday - Rosenecker Garden near Salzburg)

Ferdinand Olivier, 1823

Lithograph of a hilltop castle over wooded hills, with a man and dog, a woman leading goats, and a river in the foreground.

Dienstag - Bergveste Salzburg vor der Mittagseit (Tuesday - The Castle of Salzburg from the Noontime Side)

Ferdinand Olivier, 1823

Print of a footpath with a woman, child and seated old man, with a tower and grazing sheep on a hillside.

Mittwoch - Fusspfad auf dem Mönchsberge bey Salzburg (Wednesday - Footpath on the Mönchsberge near Salzburg)

Ferdinand Olivier, 1823

Print of the Watzmann mountain above Berchtesgaden, with a farmer digging, a woman and child at a gate, and a hilltop village

Donnerstag - Berchtesgaden und der Watzmann (Thursday - Berchtesgaden and the Watzmann Mountain)

Ferdinand Olivier, 1823

Etching of peasants mowing a meadow beside a wayside shrine, with mountains and trees in the distance.

Freitag - Wiesenplan vor Aigen bey Salzburg (Meadow before Aigen near Salzburg)

Ferdinand Olivier, 1823

Lithograph of St. Peter's graveyard in Salzburg with iron crosses, tombstones, an arcaded cloister and a rocky cliff behind.

Sonnabend - Gottesacker zu St. Peter in Salzburg (Saturday - Graveyard of St. Peter's in Salzburg)

Ferdinand Olivier, 1823

Engraved village scene of churchgoers outside a stone church with a saint statue, a whitewashed house and mountains behind.

Sonntag - Kircheneingang in Berchtesgaden (Sunday - Going to Church near Berchtesgaden)

Ferdinand Olivier, 1823

Engraved Gothic-style tailpiece with a central crucifix, a German Bible inscription, and vignettes of vineyard, harvest, and

Tailpiece: Selig sind die nicht sehen und doch glauben (Blessed are those who do not

Ferdinand Olivier, 1823

Circular woodcut of The Last Supper with Christ at a round table surrounded by apostles, a radiant halo, and a roasted fish o

The Last Supper

Jacob Cornelisz van Oostsanen after Albrecht Dürer, 1514

Circular print of a praying figure in a garden, an angel above, sleeping disciples in front, and torch-bearing soldiers appro

The Agony in the Garden

Jacob Cornelisz van Oostsanen, 1512

Circular print of Christ's betrayal, with soldiers with swords and lanterns seizing a robed figure beside a tree.

The Betrayal of Christ

Jacob Cornelisz van Oostsanen, 1512

Circular print of Christ led away by armed soldiers with torches, rendered in dense black hatching on pale paper.

Christ Led Away After His Arrest

Jacob Cornelisz van Oostsanen, 1512

Circular woodcut of a kneeling bearded figure mocked by armored men in an arched stone interior, with a seated judge behind.

The Mocking of Christ and Christ Before Caiaphas

Jacob Cornelisz van Oostsanen, 1513

Circular print of Christ bound to a column and whipped by soldiers while a crowd watches from a platform at left.

The Flagellation of Christ and Christ Before Pilate

Jacob Cornelisz van Oostsanen, 1514

Circular woodcut of Christ crowned with thorns, surrounded by soldiers and a crowd in an interior with a wooden bench.

Christ Crowned with Thorns

Jacob Cornelisz van Oostsanen, 1511

Circular woodcut of Christ presented to a crowd on a raised platform, with soldiers and onlookers in Renaissance dress.

Ecce Homo

Jacob Cornelisz van Oostsanen, 1514

Circular print of Christ carrying the cross, surrounded by soldiers, a jeering crowd, and mourning women beneath a tree.

Christ Carrying the Cross

Jacob Cornelisz van Oostsanen, 1514

Circular woodcut of the Crucifixion with Christ on the cross, mourners at the base, and a crowd of soldiers and horsemen.

The Crucifixion

Jacob Cornelisz van Oostsanen, 1514

Circular print of Christ's lamentation and entombment with mourners, crosses in background, and a kneeling woman in foregroun

The Lamentation and Entombment

Jacob Cornelisz van Oostsanen, 1514

Circular woodcut of the risen Christ with banner, surrounded by startled soldiers and rays of light, with women walking in th

The Resurrection and the Holy Women on Their Way to Christ's Sepulchre

Jacob Cornelisz van Oostsanen, 1514

Etching of elegant crowds seated and strolling in a tree-lined garden beside a statue on a pedestal, 1760.

Les chaises [lower half]

Gabriel Jacques de Saint-Aubin, 1760

Etching of men pulling a watering cart past a statue on a pedestal in a tree-lined garden, with onlookers nearby.

Le tonneau d'arrosage [upper half]

Gabriel Jacques de Saint-Aubin, 1762

Etching of a crowded Salon at the Louvre with dense paintings on walls and visitors in period dress on stairs and a balcony.

Vue du Salon du Louvre en l'année 1753 (View of the Salon in the Year 1753)

Gabriel Jacques de Saint-Aubin, 1753

Sepia print of a river bank with tall trees, barges on calm water, and small figures walking under a streaked sky.

Banks of the Loing near Saint-Mammès (Bords du Loing, pres Saint-Mammès)

Alfred Sisley, 1896