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National Gallery of Art

25,760 works

Etching of a gaunt figure bending over a nude companion on a rock while a clawed creature rises beneath, under a dark sky.

Quien lo creyera! (Who Would Have Thought It!)

Francisco Goya, published 1799

Goya etching: a woman reaches toward a hanged man bound at the wrists on stone steps, under a dark sky.

A caza de dientes (Out Hunting for Teeth)

Francisco Goya, published 1799

Sepia etching of a donkey seated by an easel as a monkey paints on a small panel, with the caption Ni mas ni menos below.

Ni mas ni menos (Neither More nor Less)

Francisco Goya, published 1799

Etching of gaunt nude figures huddled under a starry night sky, one pointing upward; Goya, published 1799.

Si amanece; nos vamos (When Day Breaks We Will Be Off)

Francisco Goya, published 1799

Etching of three grotesque hooded goblin figures drinking, one standing and gesturing, beneath a barred window in a dim room.

Duendecitos (Hobgoblins)

Francisco Goya, published 1799

Etching of a violent melee with armed men, a woman raising her arms, and fallen bodies on the ground.

Y son fieras (And They Are Like Wild Beasts)

Francisco Goya, published 1863

Etching of a man shouting as two figures hold him down while a third stands with a raised weapon beside a tree.

Por que? (Why?)

Francisco Goya, published 1863

Etching of a woman standing by a cannon beside fallen soldiers on a battlefield, by Francisco Goya.

Que valor! (What Courage!)

Francisco Goya, published 1863

Etching of seated men in cross-marked hats and robes, several reading papers on a bench, with the caption No se puede saber p

No se puede saber por que (One Can't Tell Why)

Francisco Goya, published 1863

Etching of a soldier seizing a kneeling woman as a child lies on the ground and figures recoil in a dark scene.

Ni por esas (Neither Do These)

Francisco Goya, published 1863

Etching of a standing figure beside a post amid fallen bodies on the ground, rendered in dense dark hatching.

Y no hai remedio (And There's No Help for It)

Francisco Goya, published 1863

Etching of a mounted soldier with a raised sword beside a rearing horse, with fallen and fighting figures on the ground below

No se convienen (They Do Not Agree)

Francisco Goya, published 1863

Etching of two men pointing while a woman and child and a crowd flee across a landscape with a hilltop castle.

Yo lo vi (I Saw It)

Francisco Goya, published 1863

Etching of women carrying bundles and a pot past a dead animal and prostrate figures under a dark, hatched sky.

Y esto tambien (And This Too)

Francisco Goya, published 1863

Etching of several dead men in military dress piled on barren ground, with swords and a ruined building behind.

Tanto y mas (Even Worse)

Francisco Goya, published 1863

Etching of huddled figures, women and a child clinging together, a kneeling man at right, and rifles at the edge of the scene

No se puede mirar (One Can't Look)

Francisco Goya, published 1863

Etching of a man with bat-like wings flying among other winged figures against a dark night sky.

Modo de volar (A Way of Flying)

Francisco Goya, published 1864

Etching of a woman in a lace ruff riding a horse with an ornate saddle cloth across a hilly landscape.

Margarita de Austria

Francisco Goya after Diego Velázquez, 1778

Etching of an arched Italian street with hanging laundry, shuttered windows, rooftops and a figure at a window.

Amalfi

Francis Seymour Haden, in or before 1858

Etching of a large old warship with masts and rigging beside a tugboat on a river, with a city skyline in the distance.

Breaking Up of the Agamemnon

Francis Seymour Haden, 1870

Etching of moored sailing ships and rowboats in a harbor with a distant city skyline and dome.

Breaking Up of the Agamemnon (The Second Plate)

Francis Seymour Haden, 1886

Etching of a river with a wooden footbridge, a cottage among trees, and a large tree at right under a cloudy sky.

The Test at Longparish

Francis Seymour Haden, 1882

Etching of a wooded landscape with a rocky bank, a shallow stream, and two donkeys standing at right.

Encombe Woods (No.1)

Francis Seymour Haden, 1881

Etching of a ruined castle on a cliff above sheep and a shepherd, under a dramatic streaked sky.

Harlech (No.2)

Francis Seymour Haden, 1880

Etching of stormy waves in the foreground, a rocky island on the horizon, sailing boats on the left, and dark clouds above.

Mount's Bay

Francis Seymour Haden, in or after 1868

Etching of a river with moored boats, masts, riverside houses and a church spire under a cloudy sky.

Old Chelsea, Out of Whistler's Window (Battersea Reach)

Francis Seymour Haden, 1863

Etching of the Thames at Isleworth with moored boats, masts, rooftops and a church spire under a cloudy sky.

Isleworth

Francis Seymour Haden, 1864

Etched portrait of a bearded man in a patterned doublet holding a tankard, with a castle and crags behind him.

Ulrich Schwaiger (?)

Hanns Lautensack, 1554

Etching of a river with sailing boats, a rowboat, riverside buildings with smoking chimneys, and two figures on the bank.

Opposite the Inn, Purfleet

Francis Seymour Haden, in or after 1869

Etching of a sailing boat on a river at sunset, with silhouetted trees and buildings along the shore and radiating light in t

Sunset on the Thames

Francis Seymour Haden, in or after 1865