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National Gallery of Art

10,104 works

Woodcut of three robed men, with the bearded figure at right under rays and inscribed scrolls above.

The Teacher, the Clergyman, and Providence

Albrecht Dürer, probably 1526

Woodcut of a wheel of fortune with animals and a woman on the left, and figures of varied social rank on the right.

Time and a Fox Turning the Wheel of Fortune with People of all Ranks to the Right

Albrecht Dürer, probably 1526

Etching of nymphs gathered around a statue of Diana in a forest while satyrs approach, with French verse below.

Feste de Diane, Troublee par des Satyres (Feast of Diana Disrupted by Satyrs)

Engraving of a Bacchic feast with satyrs and bacchantes dancing around a bust of Bacchus in a wooded landscape.

Feste de Bacchus, celebree par des Satyres et des Bacchantes (Feast of Bacchus Celeb rated by Satyrs and Bacchanales)

Engraving of sylvans and nymphs celebrating the feast of Pan around an altar under a grotto arch, with musicians and garlands

Feste du Dieu Pan, celebree par des Sylvains et des Nymphes (Feast of the God Pan Celebrated by Sylvans and Nymphs)

Etching of a woodland birth celebration with satyrs, goats, nymphs and a reclining woman beneath a canopy, with a statue at r

La Naissance (Birth)

Engraving of satyrs in a forest, a teacher instructing young satyrs at a table while others dance on a stage.

L'Education (Education)

Etching of a satyr wedding in a forest, with a couple at an altar surrounded by a crowd, musicians and trees.

Le Mariage (Marriage)

Etching of a satyr funeral with torch bearers, mourners, a tiered monument, cypress trees and French verses below.

Les Obseques (The Funeral Rites)

Claude Gillot, c. 1700-1720

Brown wash drawing of bearded God the Father raising his right hand in blessing, with radiating light and an open book.

God the Father with His Right Hand Raised in Blessing

Girolamo dai Libri

Etching of a tall white shrouded ghost at left, fallen men on the ground and a figure raising a sword beside a tree at night.

Disparate de miedo (Folly of Fear)

Francisco Goya, in or after 1816

Etching of veiled, cloaked figures gathered on a large twisting tree branch against a grainy dark background.

Disparate ridiculo (Ridiculous Folly)

Francisco Goya, in or after 1816

Etching of a grinning, crouching man with raised fists beside floating heads and a small cloaked figure at left.

Bobalicon (Simpleton)

Francisco Goya, in or after 1816

Etching of a rider on a pale winged creature flying against a dark background, with a grotesque beast-like head behind.

Disparate volante (Flying Folly)

Francisco Goya, in or after 1816

Etching of a wild figure swinging a long staff among bent, cloaked figures under a dark, smoky sky.

Disparate furioso (Furious Folly)

Francisco Goya, in or after 1816

Etching of a muscular man pointing while a figure clings to his back, surrounded by grotesque onlookers in shadow.

Disparate desordenado (Disorderly Folly)

Francisco Goya, in or after 1816

Etching of hooded figures in sack-like garments standing and stooping in a dark, shadowed landscape at night.

Los ensacados (The Men in Sacks)

Francisco Goya, in or after 1816

Etching of a chaotic crowd of figures in dark, hatched shadows, with a reclining man at center and a pale figure at right.

Disparate general (General Folly)

Francisco Goya, in or after 1816

Etching of dancing figures in period dress, arms flung wide against a dark background, in a wild, energetic dance.

Disparate allegre (Merry Folly)

Francisco Goya, in or after 1816

Etching of a muscular man flying under huge bat-like wings in a dark sky, with other winged figures gliding around him.

Modo de volar (A Way of Flying)

Francisco Goya, in or after 1816

Etching of grotesque carnival figures in pointed hats and loose costumes, with a tall figure on stilts behind them.

Disparate de Carnabal (Carnival Folly)

Francisco Goya, in or after 1816

Etching of a crowd beneath a billowing cloth, with figures reaching upward and others gathered in the foreground.

Disparate claro (Clear Folly)

Francisco Goya, in or after 1816

Etching of cloaked figures in a dark night scene, one man covering his face while another gestures at him.

Sanan cuchilladas mas no malas palabras (Wounds Heal Quicker than Hasty Words)

Francisco Goya, in or after 1816

Etching of caricatured figures clustered around a seated figure and a small dog against a dark background.

La lealtad (Loyalty)

Francisco Goya, in or after 1816

Etching of a dark night scene with a bald old man in a cloak pointing at ghostly faces, with a prone figure below.

Dios los cria y ellos se juntan (God Creates Them and They Join Up Together)

Francisco Goya, in or after 1816

Etching of a woman gesturing beside a man with a shovel, a pig and basket of eggs, under radiating light.

Esto es lo verdadero (This Is the Truth)

Francisco Goya, 1810/1820

Etching of a tree-lined field with crowds, low buildings and a distant village under a wide sky.

Spring: The Shooting Range

Wenceslaus Hollar, c. 1628/1629

Etching of a busy riverside wine market with barrels, carts, boats, half-timbered houses and a church spire under cloudy sky.

Autumn: The Wine Market

Wenceslaus Hollar, c. 1628/1629

Etching of a crowded town square in winter with sledders, horse-drawn sleds, children playing, and a tall gate tower.

Winter: The Parade Ground

Wenceslaus Hollar, c. 1628/1629

Pencil-like drawing of peasant women carrying bundles of sticks along a country path, with cows and trees behind them.

Peasants Carrying Sticks (Paysannes portant des fagots)

Camille Pissarro, 1896