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National Gallery of Art

14,495 works

Engraving of the Adoration of the Magi: Mary and the Christ Child in a stable, a kneeling king, a star above, and a crowd at

The Adoration of the Magi

Hendrick Goltzius, c. 1586

Engraving of the Virgin Mary holding the dead Christ across her lap, with a radiating light behind them and a cross on a hill

Pietà (The Sorrowing Virgin with the Dead Christ in Her Lap)

Hendrick Goltzius, 1596

Mezzotint portrait of a woman in a feathered headdress and flowing gown, leaning on a balustrade in a wooded garden.

Georgiana (Spencer), Duchess of Devonshire

Valentine Green after Sir Joshua Reynolds, 1780

Mezzotint of two men with golf clubs on a green, a windmill and country house behind them, 1790.

William Innes

Valentine Green after Lemuel Francis Abbott, 1790

Mezzotint portrait of a seated man in a velvet coat beside a draped table with papers, a quill and a sword, in a columned int

Henry Laurens

Valentine Green after John Singleton Copley, 1782

Mezzotint of three children in a landscape with a lamb, a flower wreath and a gnarled tree.

The Wright Family (The Bradshaw Children)

Valentine Green after Joseph Wright, 1769

Engraved print of a curly-haired nude man struggling to pin a second nude figure down beside a gnarled tree and distant lands

Cain Killing Abel

Jan Gossaert, c. 1525

Etching of a woman in a fur-trimmed cloak riding a grey horse across a hilly landscape.

Isabel de Borbon

Francisco Goya after Diego Velázquez, 1778, printed later

Grey wash drawing of kneeling Christ with an angel holding a chalice above while three disciples sleep in the foreground.

Christ in the Garden of Gethsemane

Unknown artist, c. 1600

Francesco Goya y Lucientes, Pintor (Francesco Goya y Lucientes, Painter)

Francisco Goya, published 1799

Etching of a man leaning toward a woman in a black mantilla, with a small dog at their feet and figures behind them.

Quien mas rendido? (Which of Them Is the More Overcome?)

Francisco Goya, published 1799

Brown etching of a woman and two frightened children on a sofa, staring at a tall shrouded figure in a hooded cloak.

Que viene el coco (Here Comes the Bogey-Man)

Francisco Goya, published 1799

Etching of a man embracing a limp woman against a brick wall, with a sword and hat on the ground below.

El amour y la muerte (Love and Death)

Francisco Goya, published 1799

Etching of a gaunt figure bending over a nude companion on a rock while a clawed creature rises beneath, under a dark sky.

Quien lo creyera! (Who Would Have Thought It!)

Francisco Goya, published 1799

Goya etching: a woman reaches toward a hanged man bound at the wrists on stone steps, under a dark sky.

A caza de dientes (Out Hunting for Teeth)

Francisco Goya, published 1799

Sepia etching of a donkey seated by an easel as a monkey paints on a small panel, with the caption Ni mas ni menos below.

Ni mas ni menos (Neither More nor Less)

Francisco Goya, published 1799

Etching of gaunt nude figures huddled under a starry night sky, one pointing upward; Goya, published 1799.

Si amanece; nos vamos (When Day Breaks We Will Be Off)

Francisco Goya, published 1799

Etching of three grotesque hooded goblin figures drinking, one standing and gesturing, beneath a barred window in a dim room.

Duendecitos (Hobgoblins)

Francisco Goya, published 1799

Etching of a woman in a lace ruff riding a horse with an ornate saddle cloth across a hilly landscape.

Margarita de Austria

Francisco Goya after Diego Velázquez, 1778

Etching of an arched Italian street with hanging laundry, shuttered windows, rooftops and a figure at a window.

Amalfi

Francis Seymour Haden, in or before 1858

Etching of the Thames at Isleworth with moored boats, masts, rooftops and a church spire under a cloudy sky.

Isleworth

Francis Seymour Haden, 1864

Etched portrait of a bearded man in a patterned doublet holding a tankard, with a castle and crags behind him.

Ulrich Schwaiger (?)

Hanns Lautensack, 1554

Etching of a man in a plumed hat and lace collar, one hand raised, signed Harvey and numbered 33/50 in the margin.

A Gentleman of Fortune

Herbert Johnson Harvey

Etching of a man in a fur hat and fur-collared coat, turned toward the viewer with a calm expression.

Luck

Herbert Johnson Harvey

Etching of a windswept lone tree with bare twisted branches beside a tree stump in a grassy field.

Lone Tree

Conrad Schall

Augustin Hirschvogel, 1547

Etching of a heraldic coat of arms with two bearded men in tunics, acanthus scrollwork, and a central shield.

Coat of Arms of Unknown Man

Augustin Hirschvogel

Christian II of Denmark

Augustin Hirschvogel, 1546

Woodcut of a bearded nobleman grasped by a skeleton Death figure, with a sword above and an hourglass at left.

Der Edelmann (The Nobleman)

Hans Lützelburger after Hans Holbein the Younger, c. 1526

Woodcut of a skeleton holding an hourglass over a skull, with a nobleman and noblewoman standing on either side.

The Arms of Death

Hans Lützelburger after Hans Holbein the Younger, c. 1526