New: Artnap New Tab for Chrome and Firefox. A museum painting in every new tab. Add to Chrome Add to Firefox

The Metropolitan Museum of Art

33,827 works

Engraving of three thieves around a sleeping woman on a sofa, with a man at an open door and a face at the window.

First Scene of Thieves

Gror, ca. 1805

Engraving of thieves attacking a household in a bedroom, with a man fighting off intruders and a woman embracing a child.

Second Scene of Thieves

Gror, ca. 1805

Sepia print of armed thieves attacking a family in a room, with a woman and child on a bed and a man raising a blade.

Second Scene of Thieves

Louis-Léopold Boilly, ca. 1805

Lithograph portrait of a curly-haired man in a dark coat and white cravat, with decorative Institut Royal de France caption b

Portrait of Jean-Baptiste Biot

Julien-Léopold Boilly, 1820

Pen and wash drawing of a tomb design with a tiered base, garland relief, inscription D.O.M., and seated figures on top.

Design for a tomb

Pieter Verbruggen the Younger, late 17th-early 18th century

Brown ink and wash design of God the Father seated on clouds in a niche with a winged putto holding a globe.

Design for a sculptural group with God the Father in a niche

Pieter Verbruggen the Younger, late 17th-early 18th century

Ink and wash sketch of a winged figure with a scythe on a globe, flanked by a bearded man and reclining putti.

Design for a sepulchral monument with an allegory of Time

Pieter Verbruggen the Younger, late 17th-early 18th century

Pen and ink drawing with wash of a sepulchral monument with an urn and two flanking figures on a scrolled base.

Design for a sepulchral monument with two figures

Pieter Verbruggen the Younger, late 17th-early 18th century

Pen and wash drawing of a winged old man with a scythe and hourglass, draped in grey cloak, on red chalk paper.

Design for a sepulchral monument with an allegory of Time (recto); Design for a sepulchral monument (verso)

Pieter Verbruggen the Younger, late 17th-early 18th century

Pencil and red chalk sketch of two winged figures seated on a ledge above a plinth, part of a monument design.

Design for a sepulchral monument with an allegory of Time (recto); Design for a column (verso)

Pieter Verbruggen the Younger, late 17th-early 18th century

Pen and wash drawing of a bearded man reading on a scroll-decorated architectural ledge, with a carved mask below.

Design for a sepulchral monument with a seated prophet or philosopher (recto); Sketches (verso)

Pieter Verbruggen the Younger, late 17th-early 18th century

Pen and ink drawing with red chalk wash of a sepulchral monument design showing a seated figure with a scythe and ornate scro

Design for a sepulchral monument with an allegory of Time (recto); Architectural sketch and fragment of a letter (verso)

Pieter Verbruggen the Younger, late 17th-early 18th century

Pen and ink design sheet for a sepulchral monument with an urn, scrolled cartouche, portrait medallion and two seated figures

Design for a sepulchral monument (recto); Design for a monument (verso)

Pieter Verbruggen the Younger, late 17th-early 18th century

Ink and red chalk design for a tomb monument with a winged figure on top and seated and reclining figures at its sides.

Design for a sepulchral monument (recto); Fragment of a letter and notes (verso)

Pieter Verbruggen the Younger, late 17th-early 18th century

Pen and brown wash drawing of a monument design: a bull's head between two winged putti holding drapery, above a lion mask.

Design for a monument (recto); Architectural sketches (verso)

Pieter Verbruggen the Younger, late 17th-early 18th century

Pen and brown ink design for a sepulchral monument with two kneeling figures and cherubs above a scrolled base.

Design for a sepulchral monument with Mary Magdalen and Saint Jerome (recto); Sketch (counterproof) and writing exerc…

Pieter Verbruggen the Younger, late 17th-early 18th century

Pen and wash drawing of a draped sepulchral monument with a cross finial, a sarcophagus, and a seated figure beside it.

Design for a sepulchral monument in the form of a pulpit (recto); Fragment of a text (verso)

Pieter Verbruggen the Younger, late 17th-early 18th century

Pen and wash drawing of a classical altar design with columns, curved pediment, draped curtain, and a winged putto.

Design for an altar

Hendrik-Frans Verbruggen, late 17th-early 18th century

Pen and wash drawing of a sepulchral monument with a reclining figure, oval portrait bust, urn, and draped base.

Design for a sepulchral monument with a portrait bust

Hendrik-Frans Verbruggen, 1673

Pen and wash drawing of a reliquary design with two cherubs holding palm fronds above a cartouche and scrolled pedestal.

Design for a reliquary

Pieter Verbruggen the Younger, late 17th-early 18th century

Engraving of Christ with two disciples at a supper table, with bread, wine, roast fowl and a candle.

Christ in Emmaus

Jan Sadeler, late 16th century

Architectural elevation drawing of Gothic Alumni Hall facade at Yale College with towers, tracery windows and a doorway.

Proposal for Raising by 15 feet, Alumni Hall, Yale College, New Haven (elevation of facade)

Alexander Jackson Davis, 1881

Watercolor elevation of a two-story villa with a veranda among trees, with colored floor plans below.

Villa for David Codwise, near New Rochelle, NY (project; elevation and four plans)

Alexander Jackson Davis, 1835

Architectural floor plan in ink showing dining room, library, parlour, hall and a circular portico on a tan sheet.

House for Henry Whitney, New Haven, Connecticut (plan)

Alexander Jackson Davis, ca. 1836

Watercolor architectural drawing of a neoclassical house front and flank elevations with Corinthian columns and Greek key fri

House for Henry Whitney, New Haven, Connecticut (front and side elevations)

Alexander Jackson Davis, 1835

Watercolor floor plan of a house with portico, veranda, parlor, dining room and a second floor library.

House for Henry Whitney, New Haven, Connecticut (revised plan)

Alexander Jackson Davis, ca. 1836

Pen and ink floor plan of a house with drawing rooms, dining room, office and front hall, labeled 1835.

House for Henry Whitney, New Haven, Connecticut (client's plan)

Alexander Jackson Davis, 1835

Engraved bird's-eye view of Rome's seven pilgrimage churches with crowds of pilgrims moving along the roads and walls.

The Seven Churches of Rome (Le Sette Chiese di Roma), from "Speculum Romanae Magnificentiae"

Giovanni Ambrogio Brambilla

Woodcut of Christ with crown of thorns, eyes closed, surrounded by angels and cherubs, with banner reading Ecce Homo.

Ecce Homo

Hans Baldung Grien, 1511

Graphite and white chalk portrait drawing of a man in a curled powdered wig, on blue-grey paper.

William Pitt the Elder

William Hoare, ca. 1754