New: Artnap New Tab for Chrome. A museum painting in every new tab. Add to Chrome

The Metropolitan Museum of Art

2,286 works

Etching of a wooded landscape with a waterfall, rocky cliffs, two small figures on a knoll, and a distant town.

Tobias and the Angel

Anthonie Waterloo, 17th century

Etched landscape of a tall tree grove with a reclining couple, a winged child and hounds in the foreground, and hills beyond.

Venus and Adonis

Anthonie Waterloo, 17th century

Etching of a dense forest with a large tree, a small wooden footbridge with a woman and child, and resting figures on a path.

A Peasant Woman and Daughter on a Small Wooden Bridge

Anthonie Waterloo, 17th century

Etching of a large tree beside a thatched inn with travelers on a dirt road and rolling hills in the distance.

A Large Linden Tree Before an Inn

Anthonie Waterloo, 17th century

Etching of a path winding through a woodland clearing with tall trees, a figure in the foreground and two distant walkers.

A Path Through the Woods

Anthonie Waterloo, 17th century

Etched forest landscape with a dirt path, wooden fence, and a shepherd with grazing animals on a grassy hummock.

Shepherd Asleep on a Hummock

Anthonie Waterloo, 17th century

Sepia print of a classical landscape with pine trees, a tambourine dancer, seated women, a river, and a stone arch.

The Woman and Tambourine, part I, plate 3 from "Liber Studiorum"

Joseph Mallord William Turner, June 11, 1807

Sepia print of a river valley with an arched stone bridge, tall trees framing the view, and figures seated in the foreground.

The Bridge in Middle Distance, part III, plate 13 from "Liber Studiorum"

Joseph Mallord William Turner, June 10, 1808

Sepia engraving of umbrella pines, a domed ruin and a walking figure on a path beside carved stone fragments.

The Temple of Minerva Medica, part V, plate 23 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1811

Sepia print of a hill under a stormy sky, with sheep and a reclining figure in the foreground and a winding road.

Hind Head Hill, On the Portsmouth Road, part V, plate 25 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1811

Sepia print of a dense forest with tall trees, where two figures and a dog rest on a path in the foreground.

Procris and Cephalus, part VIII, plate 41 from "Liber Studiorum"

Joseph Mallord William Turner, February 14, 1812

Sepia etching of an arched aqueduct, goats and a shepherd on a road, tall trees and a full moon over a distant valley.

The Bridge and Goats, part IX, plate 43 from "Liber Studiorum"

Joseph Mallord William Turner, April 23, 1812

Sepia print of a mill and wooden bridge above a rushing rocky stream, framed by tall trees and steep mountain slopes.

Mill Near the Grand Chartreuse, Dauphiny, part XI, plate 54 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1816

Sepia etching of a riverside wood with a wooden footbridge and a ruined castle on the right under cloudy skies.

Berry Pomeroy Castle, part XII, plate 58 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1816

Sepia engraving of jagged Alpine peaks above a valley, with tall pine trees and rocks in the foreground under dramatic clouds

The Source of the Arvaron in the Valley of Chamouni, Savoy, part XII, plate 60 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1816

Sepia engraving of a shaded forest stream with arching trees, a seated woman by the water and a kneeling figure among ferns.

Aesacus and Hesperie, Vide Ovid Metamorphosis, Book XI, part XIII, plate 66 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1819

Sepia print of a ruined tower, stone arch bridge, sheep flock and shepherd among trees beneath a cloudy sky.

East Gate, Winchelsea, Sussex, part XIV, plate 67 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1819

Sepia print of a wooded landscape with ruined arches, fallen tombs, and figures near a well, by J. M. W. Turner.

Christ and the Woman of Samaria, part XIV, plate 71 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1819

Etched landscape of a dirt road between trees, with cattle resting and a ruined castle on a hill in the distance.

The Castle above the Meadows, plate 8 from "Liber Studiorum, part II"

Joseph Mallord William Turner, 1808

Sepia print of a castle on a rocky hill with cattle on a path and trees framing the scene.

The Castle above the Meadows, part II, plate 8 from "Liber Studiorum"

Joseph Mallord William Turner, 1808

Sepia print of a waterfall cascading through a wooded gorge, with seated figures on rocks in the foreground.

Drawing of the Clyde (Liber Studiorum, part IV, plate 18)

Joseph Mallord William Turner, March 29, 1809

Sepia print of figures gathered by a wooden trough in a wooded landscape with tall trees and distant buildings.

Juvenile Tricks (Liber Studiorum, part V, plate 22)

Joseph Mallord William Turner, January 1, 1811

Sepia print of a rocky valley with a dead tree, a seated armored knight, cliffs, and birds under a dramatic sky.

From Spenser's Fairy Queen (Liber Studiorum, part VII, plate 36)

Joseph Mallord William Turner, June 1811

Sepia print of a woman holding a torch on rocky ground at night, with trees, a crescent moon, and a figure lying nearby.

Rispah, 2nd Book of Samuel, Chapter 21 (Liber Studiorum, part IX, plate 46)

Joseph Mallord William Turner, May 23, 1812

Sepia landscape print of trees, a waterfall, a reclining figure, a grazing animal, and a distant tower under a moon.

Solitude, or The Reading Magdalen (Liber Studiorum, part XI, plate 53)

Joseph Mallord William Turner, May 12, 1814

Brown ink landscape print of robed figures and sheep beneath large trees, with an aqueduct and domed temple in the distance.

Apuleia in Search of Apuleius (unpublished plate, Liber Studiorum)

Joseph Mallord William Turner, 1813-23

Pen and ink drawing of labeled trees in a landscape with hills, a pond and ducks.

Recto: On Timber, the Species of Trees (Vitruvius, Book 2, Chapter 9, no. 4); Verso: On Timber, the Battle of Larigni…

Sangallo family, 1530-45

Pen and brown ink landscape with wind-blown trees, small figures, a wooden structure and clouds in the sky.

Recto: Landscape with Trees and Figures (? Remarks on the Winds and the Lay-out of the City; Vitruvius, Book 1, Chapt…

Sangallo family, 1530-45

Watercolor of a cascading waterfall over rocks in a forest, with trees on both sides and a wooden footbridge in front.

A Waterfall in a Forest at Langhennersdorf

Christoph Nathe, late 18th-early 19th century

Wood engraving of blasted trees and rolling hills under a crescent moon in a stormy, dark night sky.

Blasted Trees and Flattened Crops, from Thornton's "Pastorals of Virgil"

William Blake, 1821