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The Metropolitan Museum of Art

33,937 works

Etching of seven ornamental vases with flower arrangements, the central one decorated with a Medusa face.

Seven vases, the vase in the middle decorated with the face of Medusa, Plate 1 from "Collection of Various Vases" (Ra…

Stefano Della Bella, ca. 1650-56

Etching of seven ornamental vases with flowers, the central vase held up by three infants holding ewers.

Seven vases, the vase in the middle formed by three infants, each holding an ewer, plate 3 from "Collection of Variou…

Stefano Della Bella, ca. 1650-56

Etching of eight ornate vases with flowers, a central basin held by putti, and decorative urns on a plain background.

Eight vases, the largest one in the middle with three sculptures in the round of two nymphs and a triton, plate 2 fro…

Stefano Della Bella, ca. 1650-56

Etching of six ornamental vases with flower arrangements, putti and satyrs, plus two small vase sketches at the edges.

Six vases, and two sketches of vases on the extremities, plate 5 from "Collection of Various Vases" (Raccolta di Vasi…

Stefano Della Bella, ca. 1650-56

Etching of eight ornate vases with flower arrangements, the largest central vase flanked by two sculpted figures.

Eight vases, the largest one in center with sculptures of a nymph and a faun, plate 4 from "Collection of Various Vas…

Stefano Della Bella, ca. 1650-56

Etching of eight ornamental vases, with a central urn supported by two laurel-wreathed skulls and figural reliefs.

Eight vases, a clepsydra in center decorated with two skulls with laurel wreaths, plate 6 from "Collection of Various…

Stefano Della Bella, ca. 1650-56

Etched vertical ornament with a deer head, antlers, a bow and arrow, oak leaves, and two wild boar heads at the base.

Two wild boar heads below, a deer head above, a bow and arrow in center, from "Ornaments or Grotesques" (Ornamenti o…

Stefano Della Bella, ca. 1650-56

Etching of a hunting trophy with two boar heads above, two deer heads below, a spear, ribbons and a conch shell.

A hunting trophy, two wild boar heads above, two deer heads below, from "Ornaments or Grotesques" (Ornamenti o Grotte…

Stefano Della Bella, ca. 1650-56

Etched ornament of a deer head, two dogs, a quiver of arrows, and Diana with a crescent moon at top, framed by ribbons.

A hunting trophy: a quiver, two arrows, two bows, a deer head, two dogs, two spears, and the head of Diana at top, fr…

Stefano Della Bella, ca. 1650-56

Etching of a winged skeleton beating a drum above an owl and a hanging bell within scrolled ornamental foliage.

Death beating a drum above, an owl and a bell attached to a ribbon below, from "Ornaments or Grotesques" (Ornamenti o…

Stefano Della Bella, ca. 1650-56

Engraved certificate with a theatrical mask, palette, laurel branch and drapery, plus script entitling the bearer to a Garric

Mask and Palette

Richard Livesay, 1781

Etching of a boy holding a young leopard beside a reclining leopard, framed by a tall scrolling acanthus ornament.

A young boy holding a young leopard in his arms, the mother leopard laying below, from "Ornaments or Grotesques" (Orn…

Stefano Della Bella, ca. 1650-56

Etching of two winged putti blowing bubbles above a scrolled ornament, with a bat and foliage garlands below.

Two putti above, their legs ending in scrollwork, a bat below,, from "Ornaments or Grotesques" (Ornamenti o Grottesche)

Stefano Della Bella, ca. 1650-56

Etching of three winged sphinx-like figures climbing among scrolls and vine branches in a vertical grotesque ornament panel.

Three sphinxes climbing a vine, from "Ornaments or Grotesques" (Ornamenti o Grottesche)

Stefano Della Bella, ca. 1650-56

Etching of a girl lifting a rabbit toward a dog in a scrolling ornamental frame, with a second dog at her feet.

A young girl, seen from behind, lifting a rabbit into the air for a dog above to grasp, another dog at her feet, from…

Stefano Della Bella, ca. 1650-56

Etched ornamental panel with two eagles, leopard heads and curling foliage beneath a circular title cartouche.

Two eagles with wings spread, below two leopard heads attached to tree trunks that form three circles, from "Ornament…

Stefano Della Bella, ca. 1650-56

Etching of three goats climbing a leafy vine twisting in an S shape, with berries and foliage, by Stefano della Bella.

Three goats climbing a vine in the shape of a backwards 'S', from "Ornaments or Grotesques" (Ornamenti o Grottesche)

Stefano Della Bella, ca. 1650-56

Etched ornamental panel with two camel heads whose bodies merge into acanthus scrollwork, with fruit swags below.

Two camels, their bodies turning into decorative leaves and scrollwork, from "Ornaments or Grotesques" (Ornamenti o G…

Stefano Della Bella, ca. 1650-56

Etched vertical panel with an empty cartouche, two horse heads at top, and a cuirass with draped tassels below.

Vertical Panel with a Cartouche stacked on top of a Cuirass, from "Ornaments or Grotesques" (Ornamenti o Grottesche)

Stefano Della Bella, ca. 1650-56

Engraved half-length portrait of Martin Folkes in a curled wig, gesturing with one hand before a stone column.

Martin Folkes

William Hogarth, 1742

Engraving of a funeral with a shrouded body on a table, an open grave, gravediggers with shovels, and mourners in a rocky lan

The Funeral of Chrystom and Marcella Vindicating Herself (Six Illustrations for Don Quixote)

William Hogarth, 1756 or after

Etching of a mounted knight with a lance freeing chained men as a fallen figure lies on the ground beside him.

Don Quixote Releases the Galley Slaves (Six Illustrations for Don Quixote)

William Hogarth, 1756 or after

Etching of a funeral with a corpse beside an open grave, a woman in a gown, digging men, and a crowd of mourners.

The Funeral of Chrystom & Marcella vindicating herself (Six Illustrations for Don Quixote)

William Hogarth, 1756 or after

Etching of an innkeeper's wife and daughter tending a bruised man by candlelight in a tavern, with an owl overhead.

The Innkeeper's Wife & Daughter taking Care of ye Don after being beaten & bruised (Six Illustrations for Don Quixote)

William Hogarth, 1756 or after

Etching of a knight with lance on horseback confronting a fallen barber beside a donkey, with a rider and trees behind.

The Adventure of Mambrino's Helmet (Six Illustrations for Don Quixote)

William Hogarth, 1756 or after

Etching of two gesturing men in a rocky landscape, with a goatherd holding a staff and a man leaning on a goat.

Don Quixote and the Knight of the Rock (Six Illustrations for Don Quixote)

William Hogarth, 1756 or after

Engraving of two disguised figures in an interior with a stag's head, shelf of pewter, and laughing seated man at right.

The Curate and Barber Disguising Themselves to Convey Don Quixote Home (Six Illustrations for Don Quixote)

William Hogarth, 1756 or after

Etched interior with two disguised figures in a doorway, a woman adjusting a garment, antlers and a shelf of pottery on the w

The Curate and the Barber Disguising Themselves to convey Don Quixote Home (Six Illustrations for Don Quixote)

William Hogarth, 1756 or after

Engraving by William Hogarth showing paintings flying and tumbling through a street among rooftops and a weathervane.

The Battle of the Pictures

William Hogarth, 1745

Etching of turbaned horsemen and a figure with a raised sword facing a charging bull, with a fallen rider and horse in the fo

Plate 3 from " La Tauromaquia": The Moors settled in Spain, giving up the superstitions of the Koran, adopted this ar…

Francisco Goya, 1816

Engraved print of an Ionic column capital with spiral volutes, egg-and-dart molding, fluted shaft, and measurement marks.

Ionic Capital

Monogrammist G.A. with the Caltrop, ca. 1530-40

Etching of a mounted rider with a lance attacking a charging bull on open ground, with another horseman behind.

Plate 1 from "La Tauromaquia": The way in which the ancient Spaniards hunted bulls on horseback in the open country

Francisco Goya, 1816

Engraved print of an Ionic column base on a plinth, with acanthus leaf carving, fluted molding and measurement labels.

Ionic Base

Monogrammist G.A. with the Caltrop, ca. 1530-40

Etching of two men in period dress thrusting lances at a charging bull on an open field under a cloudy sky.

Plate 2 from "La Tauromaquia": Another way of hunting on foot

Francisco Goya, 1816

Engraved study of a Corinthian column base with layered moldings and acanthus carving on a square plinth, with measurement la

Corinthian Base

Monogrammist G.A. with the Caltrop, ca. 1530-40

Etching of a bull charging a cape-wielding man in an arena, with another figure standing and one seated with raised arms.

Plate 4 from "La Tauromaquia": They play another with the cape in an enclosure

Francisco Goya, 1816

Etching of a bullfighter with a cape facing a bull in an arena, with figures in cloaks and spectators behind a wooden barrier

Plate 7 from "La Tauromaquia": Origin of the harpoon or banderillas

Francisco Goya, 1816

Etching of Venus seated by a tree blindfolding a standing Cupid, with a bow and arrow on the ground beside them.

Venus tying a blindfold over Cupid's eyes, from "Sport of Love" (Scherzi d'amore)

Odoardo Fialetti, 1617

Etching of a bull goring a man in a bullring while another figure waves a cloak to distract it.

Plate 8 from "La Tauromaquia": A Moor caught by the bull in the ring

Francisco Goya, 1816

Etching of seated nude Venus breaking a bow over her knee while a winged Cupid holds arrows beside her in a wood.

Venus breaking Cupid's bow over her knee, from "Sport of Love" (Scherzi d'amore)

Odoardo Fialetti, 1617

Etching of an armored figure gripping a bull's horns while a wounded horse stands nearby in an arena.

Plate 9 from "La Tauromaquia": A Spanish knight kills the bull after having lost his horse

Francisco Goya, 1816

Etching of a mounted rider with a spear facing a charging bull in an arena, plate 24 of Goya's La Tauromaquia.

Plate 24 of "La Tauromaquia": The same Ceballos mounted on another bull breaks short spears in the ring at Madrid

Francisco Goya, 1816

Etching of Venus seated beside winged Cupid filing a bow beneath a large tree, with a landscape behind.

Cupid carves a wooden bow with a file, with his back turned toward Venus, from "Sport of Love" (Scherzi d'amore)

Odoardo Fialetti, 1617

Etching of a lance-wielding horseman facing a charging bull in a bullring, with spectators along the top edge.

Plate 22 from "La Tauromaquia": Manly courage of the celebrated Pajuelera in [the ring] at Zaragoza

Francisco Goya, 1816

Etching of Venus seated under a tree as Cupid draws a bow and arrow beside her, with a landscape behind.

Cupid prepares to shoot an arrow as Venus looks over her right shoulder, from "Sport of Love" (Scherzi d'amore)

Odoardo Fialetti, 1617

Etching of a bull charging a draped table as a man leaps onto it in a bullring, with spectators watching at right.

Plate 19 of "La Tauromaquia": Another madness of his in the same ring

Francisco Goya, 1816

Etched ornamental cartouche with blank center, two nymphs on the sides, and a duck at the base, by Stefano della Bella.

A cartouche supported by a duck below and decorated with two nymphs whose arms become tree branches, plate 6 from "No…

Stefano Della Bella, ca. 1647

Etching of an empty cartouche with drapery, two reclining skeletons on top, and scroll ornament at left.

A cartouche formed by drapery and topped with two skeletons atop an Ionic entablature, plate 10 from "Nouvelles inven…

Stefano Della Bella, ca. 1647

Etching of an empty oval cartouche flanked by two winged putti on ram-head scrollwork, with tassels hanging below.

A cartouche flanked by two winged infant satyrs riding on the heads of two rams, plate 12 from "Nouvelles inventions…

Stefano Della Bella, ca. 1647

Etched ornamental cartouche with blank center, flanked by two satyrs, tassels and scrollwork, with a hat and rope at top.

A cartouche flanked by two satyrs, crowned with half a herm and half a cardinal's hat, plate 7 from "Nouvelles invent…

Stefano Della Bella, ca. 1647

Etching of an oval cartouche made of a tiger skin, held up by two centaurs against a feathered background.

A cartouche formed by a tiger skin and flanked by two centaurs, plate 4 from "Nouvelles inventions de Cartouches"

Stefano Della Bella, ca. 1647

Etching of an empty cartouche flanked by two dragons whose tails support a crown, with chains hanging below.

A cartouche flanked by dragons, their tails supporting a crown at top, plate 8 from "Nouvelles inventions de Cartouches"

Stefano Della Bella, ca. 1647

Etching of an empty heart-shaped cartouche flanked by two nude figures climbing through leafy foliage.

A cartouche flanked by Apollo and Pan, plate 5 from "Nouvelles inventions de Cartouches"

Stefano Della Bella, ca. 1647

Etching of a bull charging at a seated matador on a chair in an arena while spectators watch from the stands.

Plate 18 of "La 'Tauromaquia": The daring of Martincho in the ring at Zaragoza

Francisco Goya, 1816

Etching of an ornate cartouche with a sundial, a feathered skull at top, and a Latin banner reading Umbrae transitus tempus n

A cartouche with a sundial, a skull with feathers on its head at top, from "Eight Emblems for the Funeral of Francesc…

Stefano Della Bella, ca. 1640-60

Etching of a bull among tossed and fallen donkeys, with men holding long poles at left and right in an arena.

Plate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns ha…

Francisco Goya, 1816

Etched cartouche with a loom, a skull at top and bones at the sides, with a Latin banner reading DUM ADHUC ORDIRER.

A cartouche with a loom, a skull at top, bones to either side, from "Eight Emblems for the Funeral of Francesco de Me…

Stefano Della Bella, ca. 1640-60

Etched cartouche with laurel and palm wreath, skull and crossbones at top, and a Latin motto banner.

A cartouche with a wreath of laurel and palms, a skull and crossbones at top, from "Eight Emblems for the Funeral of…

Stefano Della Bella, ca. 1640-60

Etched emblem with a helmeted skull with plumes, a cuirass, shield, crossed swords and the banner FIDUCIA FORTITUDINIS.

A cartouche with armor, a skull with armor and a helmet with feathers at top, from "Eight Emblems for the Funeral of…

Stefano Della Bella, ca. 1640-60

Etching of a man in white grappling with a charging bull in an arena while two cloaked onlookers watch at right.

Plate 16 of "La Tauromaquia": The same man throws a bull in the ring at Madrid

Francisco Goya, 1816

Etched cartouche with a violin in its case, a plumed skull at top, and a Latin scroll inscription below.

A cartouche with a violin coming out of its case, a skull with a helmet with feathers at top, from "Eight Emblems for…

Stefano Della Bella, ca. 1640-60

Etching of a bullfighter in a cape turning beside a lowered-headed bull in an arena, with spectators sketched above.

Plate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the pl…

Francisco Goya, 1816

Etched cartouche with a skull and crossbones above, an eagle holding a snake, and a Latin motto banner.

A cartouche with an eagle and a snake, a skull and crossbones at top, wings to either side, from "Eight Emblems for t…

Stefano Della Bella, ca. 1640-60

Etching of an ornamental cartouche with a windswept tree, a draped skull at top, and bones at the sides, with a Latin scroll.

A cartouche with a tree blowing in the wind, a skull with drapery at top, bones to either side, from "Eight Emblems f…

Stefano Della Bella, ca. 1640-60