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The Metropolitan Museum of Art

1,399 works

Etching of a tavern courtyard beneath large trees, with seated diners, a rider on horseback and figures near a low building.

A Tavern at Monte Testaccio

Jacob Wilhelm Mechau, 1793

Pen and ink landscape drawing of a shepherd and dogs in foreground trees, with a hilltop town in the distance.

Roman landscape with figures near Paliano

Joseph Anton Koch, 18th-19th century

Etching of a clump of trees on rocks at left, with a valley, water and distant hills receding under a sky with birds.

Clump of Trees

Laurent de La Hyre, 1640

Grey wash drawing of a layered rock cliff with trees on top and an umbrella pine on the right, under a pale sky.

Near Santa Maria de' Monti, Naples

Thomas Jones, May 10, 1781

Engraved rocky landscape with a cave arch, waterfall, tall trees, and two small kneeling figures under rays of light.

Rocky Landscape with the Stigmatisation of Saint Francis

Aegidius Sadeler, n.d.

Engraved landscape with a large tree framing a river view, a hilltop town, distant mountains, and a small seated figure.

Riverscape

Aegidius Sadeler, n.d.

Etching of tall bare trees beside a still river with shrubs and a distant treeline under an overcast sky.

Autumn's Grey and Melancholy

Henry Farrer, 1884

Etching of a forest scene with a seated traveller and dog beside a stream, tall trees filling the composition.

A Traveller Resting

Anthonie Waterloo, 17th century

Etching of a forest path with tall trees on the left, a small wooden footbridge over a stream, and an open landscape beyond.

The Entrance to a Forest by a Small Wooden Bridge

Anthonie Waterloo, 17th century

Etched landscape of a forest path, a large tree, and a man and woman with a dog beside a stream.

A Man and a Woman Crossing a Stream

Anthonie Waterloo, 17th century

Etching of a farmhouse courtyard with a large tree, a vine trellis arbor, figures dining at tables, and a horse by a well.

The Little Trellis

Jacques Callot, early 17th century

Etching of a dense forest with a large tree, a small wooden footbridge with a woman and child, and resting figures on a path.

A Peasant Woman and Daughter on a Small Wooden Bridge

Anthonie Waterloo, 17th century

Etching of a large tree beside a thatched inn with travelers on a dirt road and rolling hills in the distance.

A Large Linden Tree Before an Inn

Anthonie Waterloo, 17th century

Etching of a path winding through a woodland clearing with tall trees, a figure in the foreground and two distant walkers.

A Path Through the Woods

Anthonie Waterloo, 17th century

Etched forest landscape with a dirt path, wooden fence, and a shepherd with grazing animals on a grassy hummock.

Shepherd Asleep on a Hummock

Anthonie Waterloo, 17th century

Sepia print of a classical landscape with pine trees, a tambourine dancer, seated women, a river, and a stone arch.

The Woman and Tambourine, part I, plate 3 from "Liber Studiorum"

Joseph Mallord William Turner, June 11, 1807

Sepia print of a river valley with an arched stone bridge, tall trees framing the view, and figures seated in the foreground.

The Bridge in Middle Distance, part III, plate 13 from "Liber Studiorum"

Joseph Mallord William Turner, June 10, 1808

Sepia engraving of umbrella pines, a domed ruin and a walking figure on a path beside carved stone fragments.

The Temple of Minerva Medica, part V, plate 23 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1811

Sepia print of a hill under a stormy sky, with sheep and a reclining figure in the foreground and a winding road.

Hind Head Hill, On the Portsmouth Road, part V, plate 25 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1811

Sepia print of a dense forest with tall trees, where two figures and a dog rest on a path in the foreground.

Procris and Cephalus, part VIII, plate 41 from "Liber Studiorum"

Joseph Mallord William Turner, February 14, 1812

Sepia etching of an arched aqueduct, goats and a shepherd on a road, tall trees and a full moon over a distant valley.

The Bridge and Goats, part IX, plate 43 from "Liber Studiorum"

Joseph Mallord William Turner, April 23, 1812

Sepia print of a mill and wooden bridge above a rushing rocky stream, framed by tall trees and steep mountain slopes.

Mill Near the Grand Chartreuse, Dauphiny, part XI, plate 54 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1816

Sepia etching of a riverside wood with a wooden footbridge and a ruined castle on the right under cloudy skies.

Berry Pomeroy Castle, part XII, plate 58 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1816

Sepia engraving of jagged Alpine peaks above a valley, with tall pine trees and rocks in the foreground under dramatic clouds

The Source of the Arvaron in the Valley of Chamouni, Savoy, part XII, plate 60 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1816

Sepia engraving of a shaded forest stream with arching trees, a seated woman by the water and a kneeling figure among ferns.

Aesacus and Hesperie, Vide Ovid Metamorphosis, Book XI, part XIII, plate 66 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1819

Sepia print of a ruined tower, stone arch bridge, sheep flock and shepherd among trees beneath a cloudy sky.

East Gate, Winchelsea, Sussex, part XIV, plate 67 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1819

Sepia print of a wooded landscape with ruined arches, fallen tombs, and figures near a well, by J. M. W. Turner.

Christ and the Woman of Samaria, part XIV, plate 71 from "Liber Studiorum"

Joseph Mallord William Turner, January 1, 1819

Etched landscape of a dirt road between trees, with cattle resting and a ruined castle on a hill in the distance.

The Castle above the Meadows, plate 8 from "Liber Studiorum, part II"

Joseph Mallord William Turner, 1808

Sepia print of a castle on a rocky hill with cattle on a path and trees framing the scene.

The Castle above the Meadows, part II, plate 8 from "Liber Studiorum"

Joseph Mallord William Turner, 1808

Sepia print of a waterfall cascading through a wooded gorge, with seated figures on rocks in the foreground.

Drawing of the Clyde (Liber Studiorum, part IV, plate 18)

Joseph Mallord William Turner, March 29, 1809