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The Metropolitan Museum of Art

33,753 works

Etched portrait of an elderly bearded man with tousled hair, looking toward the viewer, with a Latin inscription below.

Old Man with a Long Beard

Captain William E. Baillie, 1761

Woodcut of Saint Luke at an easel painting the Virgin and Child beneath classical columns, with angels watching.

Saint Luke Painting the Virgin

Hans Burgkmair, 1507

Engraving of a man in a feathered hat playing a bagpipe, looking toward the viewer, with verses below.

Man Playing Bagpipe

Cornelis Bloemaert, 17th century

Etched title page showing a nude woman holding a dish under a crescent moon, with reeds and a reclining animal below.

Titelblatt, from the series "Radierte Skizzen"

Max Klinger, n.d.

Etching of a child seated against a tree, writing on a sheet in the grass beside small flowers.

Malerische Zueignung, from the series Radierte Skizzen

Max Klinger, n.d.

Etching of a woman in white lying in grass beneath slender birch trees with bare branches in early spring.

Frühlingsanfang, from the series "Radierte Skizzen"

Max Klinger, n.d.

Etching of a nude woman seated on a swing bar beside a large dark bird with spread wings, with a vertical post between them.

Schaukel, from the series Radierte Skizzen

Max Klinger, n.d.

Etching of a lone figure walking down a muddy road lined with slender trees toward a distant farmhouse under a pale sky.

Verfolgung, from the series Radierte Skizzen

Max Klinger, n.d.

Etching of a nude man slumped on a rocky ledge with a vulture perched behind him and a staff on the ground.

Sterbender Wanderer, from the series Radierte Skizzen

Max Klinger, n.d.

Etching of a bear gazing up at a nude female figure perched among blossoming branches, with a lake and hills behind.

Bär und Elfe, from the series Intermezzi

Max Klinger, n.d.

Etching of a woman resting in a hammock under flowering branches, with a seated cat and a distant mountain.

Siesta II (from the series Etched Sketches)

Max Klinger, 1879

Etching of a woman in a long white dress standing on a shore as waves break under a grey sky.

Am Meer, from the series Intermezzi

Max Klinger, n.d.

Etching of a kneeling figure in a forest clearing beside a pond, a hut, and cabbage plants, by Max Klinger.

Simplicius am Grabe des Einsiedlers, from the series Intermezzi

Max Klinger, n.d.

Etching of soldiers in period dress gathered on a shaded forest path beneath large trees.

Simplicius unter den Soldaten, from the series Intermezzi

Max Klinger, n.d.

Etching of a fallen horse and rider beneath a large tree, with birds scattering in the sky and a broken sword on the ground.

Gefallener Reiter, from the series Intermezzi

Max Klinger, n.d.

Etching of a skeleton driving a chariot with a winged child, horses and cypress trees in a cloudy landscape.

Amor, Tod und Jenseits, from the series Intermezzi

Max Klinger, n.d.

Etching of nude figures on a rock above the sea, with winged creatures and the title Arnold Böcklin in large letters.

Dedication (from the series A Life)

Max Klinger, 1887-1903

Etching of a seated woman in a carriage in a garden, with a man in a top hat half hidden behind shrubs and chestnut blossoms.

First Encounter (from the series A Love)

Max Klinger, 1887-1903

Etching of a woman in a bustled dress at an ornate iron gate as a man stoops nearby, with chestnut branches overhead.

At the Gate (from the series A Love)

Max Klinger, 1887-1903

Etching of a man and woman kissing on a stone balustrade beside a large tree trunk in a leafy park.

In the Park (from the series A Love)

Max Klinger, 1887-1903

Etching of a woman reclining on a bed, looking toward an open window onto a blossoming tree and balcony.

Happiness (from the series A Love)

Max Klinger, 1887-1903

Etching of two nude figures kneeling on a rocky shore beside a seated robed figure and a skeleton under a stormy sky.

Intermezzo (from the series A Love)

Max Klinger, 1887-1903

Etching of a nude woman and a man on a rock, with a winged cherub flying above them in a dark, swirling sky.

New Dreams of Happiness (from the series A Love)

Max Klinger, 1887-1903

Etching of a woman seated on a bed in a dim room, looking toward a window with a distant hill and an oval mirror on the wall.

Awakening (from the series A Love)

Max Klinger, 1887-1903

Etching of a downcast woman with arms folded beside an older figure, a long shadow on a wall, and onlookers peering over it.

Shame (from the series A Love)

Max Klinger, 1887-1903

Etching of a pale woman lying on a draped bed while a shadowy hooded figure reaches toward her in a dark room.

Death (from the series A Love)

Max Klinger, 1887-1903

Print of a dirt road lined with tall poplars and a wooden fence under a dark, cloudy sky.

Die Chaussee, from the series Vier Landschaften

Max Klinger, 1883

Etching of a man, a nude woman with a harp carved as a bearded head, and a sea with ghostly figures above.

Evocation (from the series Brahms Fantasies)

Max Klinger, 1894

Etching of an armored knight on horseback above a seated woman in a flowery meadow, with a distant castle.

Ritter Tod, from the series Brahmsphantasie

Max Klinger, 1894

Tonal print of a woman with short dark hair and large earring, framed by dark vertical shapes and soft trees behind her.

Die Ferngeliebte (Errinerung) Verworfene Platte

Max Klinger, n.d.

Etching of a giant seated male figure above a city, a volcano, and a nude man reaching out beside a cliff with huddled figure

"Integer Vitae...", from "Vom Tode Zweiter Teil"

Max Klinger, 1878, later edition

Etching of a crowned ruler and a crowned woman beside soldiers with banners, a seated bishop, and a distant shoreline.

Herrscher, from the series Vom Tode Zweiter Teil

Max Klinger, n.d.

Etching of a nude man in the foreground reaching toward a smaller nude figure at left over a rocky landscape.

Philosopher (from the series On Death II)

Max Klinger, 1898-1910

Etching of a man and woman beneath tall trees, with a chained figure behind them and a sea horizon in the distance.

Genie (Künstler), from the series Vom Tode Zweiter Teil

Max Klinger, 1910

Etching of a plague ward where a nun raises a crucifix as ravens fly through open windows over sick patients in iron beds.

Plague (Pest), from the series Death, Part II (Vom Tode Zweiter Teil)

Max Klinger, 1903 (published 1904)

Etching of a battle by a river, with a giant armored figure with a sword above a burning town and crowds of soldiers.

Krieg, from the series Vom Tode Zweiter Teil

Max Klinger, n.d.

Etching of destitute people huddled before an ornate stone relief, with a standing whip-bearing man at left and trees behind.

Elend, from the series Vom Tode Zweiter Teil

Max Klinger, n.d.

Etching of a nude man with arms raised toward a dramatic cloudy sky, with a rocky outcrop and trees on a dark horizon.

Und Doch, from the series Vom Tode Zweiter Teil

Max Klinger, n.d.

Etching of a man with a staff and a woman offering a goblet on a rocky hillside under a cloudy sky.

Versuchung, from the series Vom Tode Zweiter Teil

Max Klinger, n.d.

Etching of a reclining woman with flowers in her hair on a bed, with a nude child beside her and twisted columns framing tree

Tote Mutter, from the series Vom Tode Zweiter Teil

Max Klinger, n.d.

Etching of an armored warrior with snake-haired head standing over a fallen winged figure beside a rocky sea coast.

Zeit und Ruhm, from the series Vom Tode Zweiter Teil

Max Klinger, n.d.

Etched bookplate of a robed woman scattering petals beside flying putti, with wheat stalks below and a hillside village at le

Ex Libris of Eduard Arnhold

Max Klinger, n.d.

Etched bookplate of a nude woman standing over a reclining man on a beach, with gulls over the sea and Ex Libris text.

Ex Libris of Elsa Asenijeff

Max Klinger, n.d.

Print of a bowed, hooded old man praying against a dark sky with clouds and a low horizon.

Old Man Praying (St. Anthony)

Max Klinger, n.d.

Seated woman with a dark bird at her feet, before a tapestry-like background of elephants, lions, deer and nude figures.

Leuckart Certificate (Penelope)

Max Klinger, n.d.

Engraved print of a Roman banquet with reclining men, a standing woman, petal-strewn table and attendants in a marble hall.

The First Course-The Dinner

Lawrence Alma-Tadema, 1881

Engraving of a young woman in a classical gown holding a flower in a meadow, with women gathering flowers under pine trees be

Spring

Lawrence Alma-Tadema, 1879

Engraving of a man whispering to a woman in classical dress beside a carved bench, with flowering plants and a mosaic floor.

The First Whisper of Love

Lawrence Alma-Tadema, 1876

Sepia drawing of tall trees and travellers on a rocky path before a valley and distant mountains.

Mountainous landscape with travellers (Scene on the river Pellene Achaia)

Hugh William Williams, 1818-29

Chalk study of a reclining young goat in brown and white on blue paper, with a faint second sketch above.

Studies of a young goat

John Macallan Swan, 19th-20th century

Pen and wash drawing of eight silver vessels in two rows, including sauceboats, tureens and urns with classical ornament.

Studies of Eight Silver Pieces

Jean Guillaume Moitte, n.d.

Pen and wash drawing of the Colosseum interior, showing rows of arches, ruined walls, vegetation and a cloudy sky.

Inner view of the Colosseum

Franz Kaisermann, late 18th-early 19th century

Engraving of the Holy Family with the Virgin and Christ Child, a bearded man holding fruit, and a landscape with a swan and t

Holy Family

Lambert Suavius, mid-16th century

Two Grotesque Heads

Hans Liefrinck, 1538-73

Brown wash drawing of a hilly Italian landscape with stone buildings, trees, a bridge, and small figures on a path.

Italian Landscape with Buildings and Figures

Nicolas-Didier Boguet, n.d.

Etching of a seated woman with upswept hair playing a stringed instrument, draped in fabric, with dense hatched shading.

Souvenir

Anders Zorn, 1895

Etching of a woman in a fur coat and plumed hat standing near a café with tables and chairs behind her.

At Night III

Anders Zorn, 1897

Etching of a bearded older man in a peaked cap seated on a ship deck, with a harbor and sailboats behind him.

King Oscar II

Anders Zorn, 1898

Sepia etching of a wooded river landscape with tall trees, distant ruins, hills, and a small boat with figures.

Landscape with Cupid and Psyche

Richard Earlom, 1776

Etched portrait of a young woman in a bonnet and shawl, chin resting on her hands, gazing downward.

Young Girl from Mora

Anders Zorn, 1903

Etched self-portrait of a moustached man seated at a desk, head resting on his hand, with an open book before him.

Self-Portrait

Anders Zorn, 1904

Etching of a nude woman wading in shallow water beside a rocky bank, with her reflection and ripples below her.

Rings of Water II (Cercles d'Eau II)

Anders Zorn, 1907

Etching of a seated man in a dark suit with clasped hands against a hatched dark background, Anders Zorn's 1904 self-portrait

Self-Portrait 1904 no. 1

Anders Zorn, 1904

Etched portrait of a mustached man in a dark suit resting his head on his hand, with a sketched interior behind him.

Paul Henri Benjamin d'Estournelles de Constant

Anders Zorn, 1906