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The Metropolitan Museum of Art

16,063 works

Lithograph of two women and two top-hatted men talking on a Paris street, with handwritten caption text below the image.

Les Etrangers dévisagés par eux mêmes, from "Les Étrangers à Paris"

Honoré Daumier, 1844

Satirical lithograph of a bearded man in a top hat marked FAILLITE seated on a carriage, with a crowd and caption below.

Un soi disant Négociant... (A so-called Merchant...), from Émotions Parisiennes, published in "Le Charivari"

Honoré Daumier, 1840

Etching of a bay with large sailing ships, workers loading barrels on a shore, and rocky cliffs on the left.

Bay with Sailing Vessels

Reinier Nooms, 17th century

Etching of armed figures and fallen bodies in a street by a ruined wall, with the caption Ya no hay tiempo below.

Plate 19 from "The Disasters of War" (Los Desastres de la Guerra): There isn't time now (Ya no hay tiempo)

Francisco Goya, ca. 1810 (published 1863)

Etching of an owl on a pedestal above a group of cloaked old men with grotesque faces gazing upward.

Plate 53 from "Los Caprichos": What a golden beak! (Que pico de Oro!)

Francisco Goya, 1799

Etching of a kneeling woman gazing up at a tall robed figure with raised arms, surrounded by floating grotesque figures and o

Plate 52 from "Los Caprichos": What a tailor can do! (Lo que puede un Sastre!)

Francisco Goya, 1799

Etching of figures in an interior, a woman reading an open book beside a seated woman, a man in a feathered hat with a monocl

Plate 57 from "Los Caprichos": The filiation (La filiacion)

Francisco Goya, 1799

Etching of a kneeling man with clasped hands, surrounded by laughing grotesque faces and a hooded shadowy figure.

Plate 58 from "Los Caprichos": Swallow it, dog (Tragala perro)

Francisco Goya, 1799

Etching of a gaunt old woman holding a nude figure aloft while shadowy faces and an old man watch from below.

Plate 69 from "Los Caprichos": Blow (Sopla)

Francisco Goya, 1799

Etching of three men drinking wine around a barrel, with caricatured faces and a shadowy figure behind them.

Plate 79 from "Los Caprichos": No one has seen us (Nadie nos ha visto)

Francisco Goya, 1799

Etching of screaming, cloaked figures, one with arms raised, crowding around a bent man in a dark setting.

Plate 80 from "Los Caprichos": It is time (Ya es hora)

Francisco Goya, 1799

Etching of gaunt, aged figures tangled together, one carrying a bundled body, with walking sticks and a scroll, in brown tone

Plate 77 from "Los Caprichos": What one does to another (Unos á otros)

Francisco Goya, 1799

Etching of three men, one in a sash holding a cane, with a hat-wearing figure and another behind, numbered plate 76.

Plate 76 from "Los Caprichos": You understand?... well, as I say... eh! Look out! otherwise... (¿Està Umd...pues, Com…

Francisco Goya, 1799

Etching of three hunched old women in a dim room, one holding a broom beside a wooden table, with the caption Despacha, que d

Plate 78 from "Los Caprichos": Be quick, they are waking up (Despacha, que dispiertan)

Francisco Goya, 1881-86

Etching of stacked corpses on a mound with two standing men above them, under an open, bleak sky.

Plate 18 from "The Disasters of War" (Los Desastres de la Guerra): 'Bury them and keep quiet' (Enterrar y callar)

Francisco Goya, 1810 (published 1863)

Engraved trade card of Thomas Ash's chair shop in New York, with a man and horse cart beside a sailing ship at the wharf.

Fancy & Windsor Chair Manufactory, Wholesale & Retail, Thomas Ash, No. 33 John Street, New York

Asher Brown Durand, 1817

Hand-colored caricature of a fantastical parade with exaggerated mounted soldiers and satirical banners on a cobbled street.

Grand Fantastical Parade, New-York, December 2, 1833

David Claypoole Johnston, 1833

Hand-colored print of the Statue of Liberty on Bedloe's Island with ships in New York Harbor and a city skyline.

The Great Bartholdi Statue - Liberty Enlightening the World

Currier & Ives, 1885

Etching of a brick doorway with stone steps, a hanging Old Tom's gin sign, evergreen boughs, and a seated figure inside.

The Crooked Stoop (Old Tom's Chop House) (from Scenes of Old New York)

Henry Farrer, 1870

Etching of the Cooke Monument, a stone pedestal with a flaming urn, among gravestones and a bare tree in a churchyard.

The Cooke Monument in St. Paul's Churchyard, from "Scenes of Old New York"

Henry Farrer, 1876

Lithograph of St. John's College in Fordham with cricket players on a lawn, a church spire, and a large tree on the right.

St. John's College Fordham, New York

William Rodrigue, 1846-51

Hand-colored print of a zouave-uniformed man drinking from a bottle beside temperance society posters, with onlookers and a f

États-Unis 1865 - New York Fire Brigade - Zouaves

Draner, 1865

Hand-colored print of a uniformed soldier with rifle drinking at a saloon bar while a bartender serves him.

Étast-Unis d'Amerique - Chasseurs à Pied

Draner, 1865

Hand-colored lithograph of a US infantry soldier in a cape coat and kepi standing in a camp with tents and a flag.

États-Unis d'Amerique - Infanterie de ligne

Draner, 1865

Colour lithograph of a smiling officer in dark blue uniform beside a laughing servant holding a cloth, with a barber sign beh

États-Unis d'Amerique 1865 - Offr. de Dragons

Draner, 1865

Hand-colored lithograph of a uniformed officer in an office with a desk, notices on the wall, and a sword resting by a stool.

États-Unis d'Amerique 1865 - 7th Regt. of New-York

Draner, 1865

Hand-colored print of two dealers and a boy in a gallery of paintings, with a reclining nude and an auction notice.

Vive la France, Marchands de "Tableaux" se Preparant pour la Vente Publique / Picture "Dealers" Preparing for "Auction"

Alfred E. Baker, 1840

Etching of a plumed horseman with raised sword among fallen figures and attackers in a smoky battle scene.

Plate 17 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not agree' (No se convienen)

Francisco Goya, ca. 1810 (published 1863)

Etching of tangled, struggling and fallen figures on a dark hatched ground, Goya's Disasters of War plate 10.

Plate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor [do these] either' (Tampoco)

Francisco Goya, 1810 (published 1863)

Etching of a merchant ship heeled over for hull repairs, with small boats and workers beside it on a calm sea.

A Merchant Man Careened for Caulking the Hull

Reinier Nooms, 17th century