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The Metropolitan Museum of Art

14,955 works

Goya etching of witches with brooms and plucked birds on the ground, a flying bird above, and a figure peering from a doorway

Plate 20 from "Los Caprichos": There they go plucked (i.e. fleeced) (Ya van desplumados)

Francisco Goya, 1799

Etching of a figure in a shawl balancing two chairs on her head, with a seated woman and two laughing onlookers nearby.

Plate 26 from "Los Caprichos": They've already got a seat (Ya tienen asiento)

Francisco Goya, 1799

Hand-colored winter print of a log cabin in snowy woods with a woman feeding chickens, men and a horse by a pond.

A Home in the Wilderness

Currier & Ives, 1870

Goya etching of a woman in a white dress flying with arms raised, held by winged grotesque figures and a bird-like creature.

Plate 72 from "Los Caprichos": You will not escape (No te escaparàs)

Francisco Goya, 1799

Colour print of Patrick Henry standing and gesturing while Virginia Assembly delegates raise their hands in a crowded chamber

"Give Me Liberty or Give Me Death!-Patrick Henry delivering his great speech on the Rights of the Colonies, before th…

Currier & Ives, 1876

Etching of a seated man and older woman with a standing young woman in a white dress, from Goya's Los Caprichos.

Plate 73 from "Los Caprichos": It is better to be lazy (Mejor es holgar)

Francisco Goya, 1799

Etching of a woman in a lace dress screaming while an old hooded woman and a man look on, caption below reads No grites, tont

Plate 74 from "Los Caprichos": Don't scream, stupid (No grites, tonta)

Francisco Goya, 1799

Color print portrait of a young man in a wide-brimmed hat holding a bundle of crayons, with a French inscription below.

Portrait of Edouard Gautier-Dagoty

Carlo Lasinio, 1783

Colour caricature of a dandyish man in a tan overcoat, monocle and dark hat, holding a cane and cigarette.

A Symphony, from "Vanity Fair"

Leslie Ward, January 12, 1878

Pen and ink drawing of a seated musician playing a lyre beside tumbling stone blocks and city walls.

Amphion Building the Walls of Thebes

Giovanni Luigi Valesio, n.d.

Brown wash drawing of a muscular man leaning on a long staff, wearing draped cloth, looking to the left.

A Man Resting on a Staff

Paolo Farinati, n.d.

Watercolor sketch of an elderly man in a tall hat leaning over a cider stand while two men watch outside a shop.

Sketch to Illustrate the Passions - Senility or Peevishness

Richard Dadd, 1855

Etching of armed men struggling over a prone figure, with a child on the ground and a small building behind.

Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): Not even in that way (Ni por esas)

Francisco Goya, ca. 1810 (published 1863)

Etching of a kneeling man with outstretched arms under a dark, hatched sky, captioned Tristes presentimientos de lo que ha de

Plate1 from "The Disasters of War" (Los Desastres de la Guerra): 'Sad foreboding of what is going to happen' (Tristes…

Francisco Goya, ca. 1815 (published 1863)

Etching of a couple embracing as an older woman lunges at them with a raised arm, from Goya's Disasters of War.

Plate 9 from "The Disasters of War" (Los Desastres de la Guerra): 'They don't like to' (No quieren)

Francisco Goya, 1810 (published 1863)

Etching of women with a sword tending a wounded man on the ground, with the Spanish caption Las mugeres dan valor below.

Plate 4 from "The Disasters of War" (Los Desastres de la Guerra): 'The women give courage' (Las mugeres dan valor)

Francisco Goya, 1810 (published 1863)

Etching of a woman in white standing by a cannon above fallen soldiers on a battlefield.

Plate 7 from "The Disasters of War" (Los Desastres de la Guerra): 'What courage!' (Que valor!)

Francisco Goya, 1810 (published 1863)

Engraving of a crowned rider on a white horse in a forest hunt, with a stag, hunting dogs and attendants around him.

The Deer Hunt of Emperor Frederick I Barbarossa and Ubaldino Ubaldini

called Stradanus Jan van der Straet, 1589

Engraved interior of a formal 1645 ceremony with courtiers, chandeliers and a clergyman reading a contract at a balustrade.

Ceremony of the Contract of Marriage between Władysław IV, King of Poland, and Marie Louise Gonzaga, Princess of Mant…

Abraham Bosse, 1645

Lithograph of two women and two top-hatted men talking on a Paris street, with handwritten caption text below the image.

Les Etrangers dévisagés par eux mêmes, from "Les Étrangers à Paris"

Honoré Daumier, 1844

Satirical lithograph of a bearded man in a top hat marked FAILLITE seated on a carriage, with a crowd and caption below.

Un soi disant Négociant... (A so-called Merchant...), from Émotions Parisiennes, published in "Le Charivari"

Honoré Daumier, 1840

Etching of a bay with large sailing ships, workers loading barrels on a shore, and rocky cliffs on the left.

Bay with Sailing Vessels

Reinier Nooms, 17th century

Etching of armed figures and fallen bodies in a street by a ruined wall, with the caption Ya no hay tiempo below.

Plate 19 from "The Disasters of War" (Los Desastres de la Guerra): There isn't time now (Ya no hay tiempo)

Francisco Goya, ca. 1810 (published 1863)

Etching of an owl on a pedestal above a group of cloaked old men with grotesque faces gazing upward.

Plate 53 from "Los Caprichos": What a golden beak! (Que pico de Oro!)

Francisco Goya, 1799

Etching of a kneeling woman gazing up at a tall robed figure with raised arms, surrounded by floating grotesque figures and o

Plate 52 from "Los Caprichos": What a tailor can do! (Lo que puede un Sastre!)

Francisco Goya, 1799

Etching of figures in an interior, a woman reading an open book beside a seated woman, a man in a feathered hat with a monocl

Plate 57 from "Los Caprichos": The filiation (La filiacion)

Francisco Goya, 1799

Etching of a kneeling man with clasped hands, surrounded by laughing grotesque faces and a hooded shadowy figure.

Plate 58 from "Los Caprichos": Swallow it, dog (Tragala perro)

Francisco Goya, 1799

Etching of a gaunt old woman holding a nude figure aloft while shadowy faces and an old man watch from below.

Plate 69 from "Los Caprichos": Blow (Sopla)

Francisco Goya, 1799

Etching of three men drinking wine around a barrel, with caricatured faces and a shadowy figure behind them.

Plate 79 from "Los Caprichos": No one has seen us (Nadie nos ha visto)

Francisco Goya, 1799

Etching of screaming, cloaked figures, one with arms raised, crowding around a bent man in a dark setting.

Plate 80 from "Los Caprichos": It is time (Ya es hora)

Francisco Goya, 1799