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The Metropolitan Museum of Art

15,015 works

Two Male Heads

Honoré Daumier, 19th century

Graphite sketch on grey-blue paper of a seated woman in drapery, hands pressed to her face.

Study for Vieille Italienne (recto); Drapery Study (verso)

Edgar Degas, 1856

Brown wash drawing of a tree-lined road with a seated figure, leading toward a town with arches and a domed church.

View of Ariccia

Jean Achille Benouville, 1853

Drawing of a draped female figure with clasped hands gazing upward, in graphite and white chalk on tan paper with grid lines.

Allegorical Figure of the City of Piacenza, for a Pendentive in the Chapel of Saint-Roch, Church of Saint-Sulpice, Pa…

Alexandre Denis Abel de Pujol, 1821

Study for “Madame Théodore Gobillard” (Yves Morisot)

Edgar Degas, 1869

Graphite drawing of Pope Pius IX blessing from a balcony, with attendants holding an umbrella and cross and papal arms below.

Pope Pius IX Imparting the Blessing Urbi et Orbi

François-Léon Benouville, 1847

Lithograph of a hairdresser combing a woman's yellow hair while she holds a hand mirror, drawn in brown ink with color accent

The Coiffure (Playbill for the Théâtre Libre)

Henri de Toulouse-Lautrec, 1893

Lithograph of a seated man playing a long instrument, with a horned devil figure and crescent moon behind him in a dark sky.

For You! (from Les Vieilles Histoires)

Henri de Toulouse-Lautrec, 1893

Nuit Blanche

Henri de Toulouse-Lautrec, 1893

Lithograph of a bearded man in bed tended by a nurse holding a bowl beside a candle on a carved table.

Carnot Is Sick! (from Les Vieilles Histoires)

Henri de Toulouse-Lautrec, 1893

Black line drawing of a woman in a wide hat and full dress beneath a chandelier, printed on pale paper.

Jane Avril, from "Le Café Concert"

Henri de Toulouse-Lautrec, 1893

Lithograph of seated figures in top and bowler hats beside a woman in a cloak, with a man in a cap at right.

Au Moulin Rouge: Un Rude! Un Vrai Rude!

Henri de Toulouse-Lautrec, 1893

Lithograph of a woman in black beside a seated man in a striped cap, with a dark speckled background and hanging lights.

At the Moulin Rouge: The Franco-Russian Alliance

Henri de Toulouse-Lautrec, 1893

La Tige, Moulin Rouge

Henri de Toulouse-Lautrec, 1894

Miss May Belfort (Large Plate)

Henri de Toulouse-Lautrec, 1895

Lithograph sketch of a woman in a long gown holding a black cat, with dark audience silhouettes in the foreground.

Miss May Belfort (Medium Plate)

Henri de Toulouse-Lautrec, 1895

Five O'Clock: Supper in London

Henri de Toulouse-Lautrec, 1896

Lithograph of a red-haired woman in a pale dress reclining on red cushions, with a second figure resting behind her and black

Débauché

Henri de Toulouse-Lautrec, 1896

Brown-toned print of a woman seated on a bed combing her long dark hair, with a basin and dresser at left.

Combing Their Hair

Henri de Toulouse-Lautrec, 1896

Red chalk sketch on grey paper of a sprawled figure on a bed, a standing nude at center, and a seated figure in an interior.

Collapsed on the Bed

Henri de Toulouse-Lautrec, 1896

Woman seen from behind fastening a corset in a room, a man in a top hat beside her, patterned rug at left.

Fastening a Corset, from "Elles"

Henri de Toulouse-Lautrec, 1896

Lithograph of a woman in a cape and top hat leaning on a cane before a stage curtain, by Toulouse-Lautrec.

Cecy Loftus

Henri de Toulouse-Lautrec, 1895

Standing Female Saint

Hippolyte Flandrin, 19th century

Etching of sea gods, nymphs and cherubs feasting and riding chariots across waves, with a female figure holding a conch horn.

Neptune and Amphitrite

Pierre Brébiette, 1615-42

Etching of two women in a shell chariot pulled by sea creatures across waves, with tritons and musicians on the right.

Two Women Sitting in a Shell

Pierre Brébiette, 1615-42

Engraving of Jacob drawing water at a well for sheep and a camel, with a woman in a flowing robe at left.

Jacob Draws Water for Rachel's Animals (Jacob abreuve le troupeau de Rachel)

Etching of a bull tossing a man over its back in an arena while a second man holds out sticks and others stand behind.

Plate 8 from "Tauromaquia": A moor caught by the bull in the ring

Francisco Goya, ca. 1816

Etching of dogs attacking a bull in a bullring, with a mounted rider and caped figures watching beside the wooden barrier.

Plate C: The dogs let loose on the bull, from "Tauromaquia"

Francisco Goya, ca. 1816

Drawing of a young girl in a white communion dress and veil, seated with hands clasped against a dark background.

The Little Communicant (La Petite Communiante)

Jules Bastien-Lepage, 1848-84

Etching of a hanged man from a tree beside a seated figure in a cap, numbered 36, from Goya's Disasters of War.

Not [in this case] either (Tampoco), plate 36 from "The Disasters of War" (Los Desastres de La Guerra)

Francisco Goya, 1810