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The Metropolitan Museum of Art

16,136 works

Ducarre at Les Ambassadeurs (from Le Café Concert)

Henri de Toulouse-Lautrec, 1893

A Spectator (from Le Café Concert)

Henri de Toulouse-Lautrec, 1893

Lithograph of a standing man in a checked suit and bowler hat holding a cane, with a dark shadow at upper left.

American Singer (from Le Café Concert)

Henri de Toulouse-Lautrec, 1893

Etching of a hunched man in a cloak and hat standing beside a horned bull on a shaded ground.

The cloaked man

Francisco Goya, 1859

Etching of a standing woman in a dark shawl and pale lace-trimmed skirt against a hatched dark background.

A Maja standing against a dark background with figures

Francisco Goya, 1859

Engraving of a bagpipe player beside a dog and cat, with two women and a cow among vines at left.

Bagpipe Player

Pierre Brébiette, 1610-50

Etching of horned satyrs picking grapes from a pergola, with a reclining piper at left and goats grazing at right.

Birth of the Satyrs

Pierre Brébiette, 1610-42

Etching of nude dancers in a circle beside a bearded man with a staff, with lyre and pipe musicians in a landscape at right.

Orpheus

Pierre Brébiette, 1610-42

Etching of a bearded, vine-crowned figure drinking beside a barrel, with a putto playing a lute and a woman with a lute nearb

Bon Temps

Pierre Brébiette, 1610-42

Etching of a feast with a crowned Bacchus-like figure and drunken revelers around wine vessels, with an inscription below.

A False Bacchus Crowning Drunkards

Francisco Goya, 1778

Etching of a standing woman with hands on hips, wearing a dark lace mantilla and a pale skirt with lace trim.

A Maja standing with hands on her hips

Francisco Goya, 19th century ?

Etching of a seated blind singer in a wide-brimmed hat playing guitar, head tilted back, against a dark hatched background.

Blind Singer

Francisco Goya, Ca. 1824-28 (published second half of the 19th century)

Grey wash sketch of a donkey rider facing a lance-bearing knight on a thin horse, with a squire in the scene.

Don Quixote and Sancho Panza

Honoré Daumier, 19th century

Loose sketch of a street performer balancing on a chair with arms raised, beside a man in red leaning on a barrel.

Street Show (Paillasse) (recto); a clown playing a drum (verso)

Honoré Daumier, 1825-79

Engraving of the Judgment of Paris with nude goddesses, a peacock, a seated figure with a caduceus, and a reclining river god

Judgment of Paris

Pierre Brébiette, 1610-42

Etching of a Bacchanale with satyrs, draped women, a horse, and a classical bust on a pedestal in a frieze-like composition.

Bacchanale

Pierre Brébiette, 1610-42

Olive-toned lithograph of a sad young man standing with hands in pockets, head bowed, bow tie at collar, on pale paper.

Adolphe (The Sad Young Man)

Henri de Toulouse-Lautrec, 1894

Portrait Bust of Mademoiselle Marcelle Lender

Henri de Toulouse-Lautrec, 1895

Etching of a bacchanal procession with draped women, a satyr leading a goat, and an altar beside garlanded architecture.

Bacchanal

Pierre Brébiette, 1615-42

Etching of playful putti in a landscape, with a child riding a centaur, a child aiming a bow, and a classical urn among trees

Children's Games

Pierre Brébiette, 1615-42

Ink and wash drawing of a man in a straw hat reading on a bench under large trees, by Honoré Daumier.

A Man Reading in a Garden (recto); Preliminary sketch for a Man Reading in a Garden (verso)

Honoré Daumier, ca. 1865

Pencil sketch of a seated ballet dancer bending to tie her slipper, with faint grid lines and a handwritten note.

Dancer Adjusting Her Slipper

Edgar Degas, 1873

Charcoal and white chalk drawing on pink paper of a seated ballet dancer in a tutu, head turned, arms resting on knees.

Seated Dancer

Edgar Degas, 1873-74

Etching of a man clutching his head beside a reclining woman in a pale dress, with a handwritten caption reading Tantalo.

Plate 9: Tantalus (Tantalo), from "Los Caprichos"

Francisco Goya, ca. 1798-99

Etching of an elderly man in a robe recoiling at a table with two shadowy figures behind him, from Goya's Los Caprichos.

Plate 13: They are Hot (Estan Calientes), from "Los Caprichos"

Francisco Goya, ca. 1798

Etching of two women in dark mantillas seated on wooden chairs against a shaded background, with a handwritten caption below.

Plate 15: Pretty Advice (Bellos Consejos), from "Los Caprichos"

Francisco Goya, 1799

Etching of a woman embracing a kneeling man beside a broken pot, with laundry hanging behind them and a wicker basket at left

Plate 25: If he broke the pot (Si quebró el cantaro), from "Los Caprichos"

Francisco Goya, ca. 1797-98

Etching of a mounted soldier with raised saber amid smoke, with fallen and kneeling figures on the ground below.

Plate 17: They do not agree (No se convienen), from "The Disasters of War" (Los Desastres de la Guerra)

Francisco Goya, ca. 1810

Etching of a woman in a dark gown and ruff riding a grey horse across a landscape, with an inscription beneath.

Isabel de Bourbon on horseback, after Velázquez

Francisco Goya, 1778

Etching of Philip IV on a rearing horse in a hilly landscape, after Velázquez, by Goya, 1778.

Philip IV on horseback, after Velázquez

Francisco Goya, 1778